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“Screen Riders” An Exploration Of Breaking Away From The Norms Of Cinematic Storytelling, Jake Alexander Escamilla
“Screen Riders” An Exploration Of Breaking Away From The Norms Of Cinematic Storytelling, Jake Alexander Escamilla
Theses and Dissertations
Throughout my time in college, I would always hear people discussing how originality is dead and that everything has been done before. Though I do believe there is some air of truth to these statements, I hold tight to the idea that originality is not truly gone. My belief is that the entertainment industry is so set on playing it safe, they do not wish to break away and explore new ideas which have never been done before. I believe that if more creatives were given the freedom to try new combinations and had more fun doing what they love, …
Livestrong Or Lie Hard: A Pentadic Analysis Of Deception And Reputation Management In 'The Armstrong Lie', Harper D. Anderson
Livestrong Or Lie Hard: A Pentadic Analysis Of Deception And Reputation Management In 'The Armstrong Lie', Harper D. Anderson
Theses and Dissertations
Kenneth Burke's pentadic analysis has been a staple within the context of rhetorical criticism since the early days of critical communication studies. Throughout the years it has evolved from a heavy text criticism to application to film and documentary. The Armstrong Lie is another documentary that highlights the controversial actions of former seven-time Tour de France champion, Lance Armstrong. This film provides an opportunity in which the pentadic analysis can be applied in order to really dissect the message that is being told. Through application of the pentadic analysis to The Armstrong Lie it is possible to identify the true …
Nostalgic Frontiers: Violence Across The Midwest In Popular Film, Adam R. Ochonicky
Nostalgic Frontiers: Violence Across The Midwest In Popular Film, Adam R. Ochonicky
Theses and Dissertations
In "Nostalgic Frontiers: Violence Across the Midwest in Popular Film," I analyze the temporality and politics of nostalgia while providing a critical history of Midwestern representations in popular culture from the turn of the twentieth century through the first decade of the new millennium. A general line of inquiry informs this project: how do narratives set in the Midwest imagine, reify, and reproduce Midwestern identity, and what are the repercussions of such regional imagery circulating in American culture? Throughout this project, I identify shifting cultural perceptions of the Midwest at particular historical moments. In relation to these regional considerations, I …