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Articles 1 - 15 of 15
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Ordinary Disorder, Jonathan S. Tracy
Ordinary Disorder, Jonathan S. Tracy
Theses and Dissertations
The pictorial spaces in my paintings are found through many drawings, based on memories. In these drawings I use the architectural technique of paraline drawing, in pointed contrast to one or two point perspective. With a fixed point of view unavailable, the viewer or reader becomes the writer too. This is what I intend. The paraline method also engages specific corners of art history to which I relate, including woodblock prints of Japanese interiors, Chinese brush painting landscapes with houses, and the shifting, rotating perspectives found in Baroque painting. My intensely personal memories/drawings are transfused into highly material finished paintings. …
Rupture, Dionis Ortiz
Rupture, Dionis Ortiz
Theses and Dissertations
I am an interdisciplinary artist working in painting, photography, printmaking, sculpture, video and installation. I employ these mediums to create a coming of age story as a Dominican New Yorker, exploring masculinity, vulnerability, the supernatural, family, and religion, as well as how culture plays a role in my community and in my life.
“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer
“A Desperate Pioneerism:” Laura Márquez’S Art And Social Engagement In 1960s Paraguay, Susan Breyer
Theses and Dissertations
This thesis examines the art and social engagement of Laura Márquez in 1960s Paraguay. Despite the challenging economic, political, and social contexts that Márquez encountered throughout the decade, she acted as an invaluable “transmitter” – both carrying international artistic forms and concepts into Paraguay, and diffusing her experience of local reality.
The Twilight Zone: The Confluence Of Childhood Scenes And Future Anxiety, Jongwon Bae
The Twilight Zone: The Confluence Of Childhood Scenes And Future Anxiety, Jongwon Bae
Theses and Dissertations
Jongwon Bae’s paintings reflect his childhood memories as an archive that is to be repressed until it manifests itself in uncertain ways as it becomes confluent with the anxiety about the future.
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low, Daniel Figueredo
High-Di-High-Di-High-Di-High, Low-Di-Low-Di-Low-Di-Low, Daniel Figueredo
Theses and Dissertations
I am a believer in our image culture and its capacity to be liberating, exploratory, and critical. I also believe in its ability to overwhelm. My own work is a reaction to this over saturation. It is equally influenced by childhood exposure to remedial computer graphics and cartoons, as well as formative experiences traveling, an in-depth Art Historical education, and a love for art developed over time.
Pockets Of Proximity, Christian Breed
Pockets Of Proximity, Christian Breed
Theses and Dissertations
My current paintings begin with images of people from the back, wearing hijabs, turbans, saris, kufis, or rasta gauzy shawls. I do not paint my subjects frontally, because I do not have access to them personally or culturally, and because it is their cultural indicators that fascinate me.
Inside The Aviary, Nikki Mehle
Inside The Aviary, Nikki Mehle
Theses and Dissertations
Modularity and movement of energy are two key concepts in the construction of Nikki Mehle's paintings. Painting is an act of both processing and creating reality – the duality of reflection and invention.
Invisible Invisibility, Eugina Song
Invisible Invisibility, Eugina Song
Theses and Dissertations
White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.
Between The Alarm Clock And The Cell Phone, Sam Bornstein
Between The Alarm Clock And The Cell Phone, Sam Bornstein
Theses and Dissertations
The temporal-cultural matrix of fantasy refers to the relationship between the artist’s use of fantasy, and the sense of time and culture that is particular to their experience. It also refers to the way in which fantasy and the Fantastic can provide a space for critique, escape, relief, or commentary on those conditions.
Everything I Thought I Was Supposed To Do, Jeff Conefry
Everything I Thought I Was Supposed To Do, Jeff Conefry
Theses and Dissertations
It is within the liminal space between traditional mediums that my creative practice deconstructs the materiality of painting to subvert historical expectations. The irony associated with this deconstruction, excavates one medium to generate the building blocks for something inimitable. These blocks are most easily re-categorized into Words, Limits, and Power. It is these three themes that are the foundation of my thesis exhibition.
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Welcome To My Dream – Quasi Queer Fiction, Christian A. Rogers
Theses and Dissertations
Roseate and bodacious, the hand formed surfaces of Christian Rogers' paintings explore gay culture and history though a quasi-fictional lens. While utilizing folk like imagery, Christian depicts dramatic moments of love, lust, sex and violence as he takes us to queer realms.
No-Self, Impermanence And The Search For Freedom, Ahna Serendren
No-Self, Impermanence And The Search For Freedom, Ahna Serendren
Theses and Dissertations
Ahna Serendren’s MFA thesis draws upon the Buddhist principles of anatta (no-self), anicca (impermanence), and nibbana (liberation), using them as a framework through which to explore her own artwork and the work of other historical and contemporary artists.
What Am I Doing Again?, Megan Coonelly
What Am I Doing Again?, Megan Coonelly
Theses and Dissertations
My work explores notions of habits, chaos and distractions; present within my painting practice. Each painting I make begins with a routine that symbolizes the daily experiences of my life. My paintings reflect the constant thought stream of my mind. They reveal the constant of societal and cultural past and present; buried as deep in our minds as a prayer or hymn ready to burst out at any moment. By referencing and exploring pop culture and pop art, I engage in a critique of commodity and commercialism. My paintings respond to cultural conditions of the digital age.
Construction Of An Album For Oneself, Maria Tinaut
Construction Of An Album For Oneself, Maria Tinaut
Theses and Dissertations
My work focuses on the construction and validation of images assembled from fragments of found photographs, generating new narratives that hover between “reality” and fiction. Archive and Fiction: Construction of the past and the self is the result of two years of artwork exploring my family archives and my relationship to my family through them. I understand the family as a place of identity in continuous change, serving as a container of history and memory. Conceiving of my family albums as material allows me to approach my family history as a visitor. Mediated memory and constructed memory intertwine in the …
Adventures Close To Home, Ryan Syrell
Adventures Close To Home, Ryan Syrell
Theses and Dissertations
My work articulates experiences of intimacy and porosity with regard to domestic space. I think of these paintings as fields of interrelatedness which work to dismantle the perceived thresholds between things. The following text brings together the research of my studio practice and a survey of artists, writers, and filmmakers who have charted related spaces of the ordinary, domestic, and porous.