Digital Commons Network^™

Searching For The Sublime, Kheng Saik Lim

Theses and Dissertations

The influential philosophers Edmund Burke and Emmanuel Kant understand the sublime as events and objects that cause an emotional reaction so magnificent that the intellect fails to comprehend it. It is thus deeply felt and experienced but remains undefined and non-understood. Searching for the Sublime is a suite of paintings that seek to respond to these definitions of the sublime. Together they address and evoke themes of mystery, fear, power, and the unknowable through the medium of painting.

An Aesthetic Theory Of Gamesmanship, Derek A. Fordjour

Theses and Dissertations

An Aesthetic Theory of Gamesmanship is an in-depth analysis of the personal, sociological, and historical elements contained within the art of Derek Fordjour with considerations given to artistic and literary influences that inform his intention and goals in the work. Also included are illustrations of specific art works and descriptions.

Departing From Photography. Place, Space, Non-Place, And The Quotidian: Painting From Pictures Of The Everyday, Mathew A. Tucker

Theses and Dissertations

This paper investigates the relationship between photography and painting. It explores the way in which Mathew Tucker's paintings have been informed by his photographs of everyday places and the ways that they depart from those images and express new and different meanings.

A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai

Theses and Dissertations

This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.

Cruelty: Aesthetics, Narrative, And Invented Worlds, Sarah Slappey

Theses and Dissertations

Sarah Slappey investigates ideas of cruelty and beauty through the lense of narrative, aesthetics, and invented worlds.

Black-\`Blak\, Venise Keys

Theses and Dissertations

My studio practice explores themes of identity derived from the basic question of Langston Hughes, What does it mean to be a Black artist? My artwork draws from memory, Black Feminist literature, along with the aesthetics of the African diaspora and the Black Arts Movement. In this essay, I reexamine childhood experiences in my mother's hair salon; beauty rituals of U.S. Black women; and the consuming male gaze in Western art to explain how these influences manifest in the artwork of Black-\`BLAK\.

A Portrait Of The Artist As Sisyphus, Jared N. Crane

Theses and Dissertations

In this thesis statement, contemporary artist Jared Nathan Crane uses the French philosopher Albert Camus’ essay The Myth of Sisyphus as a framework for discussing meaningfulness in art and life, and reflects on how his own experimental creative process evolved during his graduate studies.

The Objects Of A Catastrophe, Roman Cochet

Theses and Dissertations

Roman Cochet painting art

Nothing Behind The Sun, Sebastian Fierro Castro

Theses and Dissertations

painting as a containment exercise, and as such, a tool that allows us to interiorize the world

American Splendor, Christina Ehmann

Theses and Dissertations

Artist Statement

My photographs and paintings are reflective of a simpler and slower paced, rural life. This focus is in high contrast to what contemporary urban life often requires. I depict scenes of tranquil landscapes, farm animals, old barns, fields of grasses, and growing crops.

I alter my digital photographic images with computer software. I use various filters that transform color, clarity, and value to give the photographs of nature an intentionally peaceful mood. These photographs are a basis for my paintings where I soften nature’s contours and emphasize tranquility. My desire is that viewers will look at my work …

I Reach Toward The Ground I Reach Toward Space, Kristen A. Sanders

Theses and Dissertations

Imagine one million and six hundred thousand years ago — a prehistoric character points. There in the moistened soil, the hominid Homo habilis draws a line, inscribing with her finger the first mark. At the core of my work is a meditation on this very scene as the otherwise unknowable origins of image making. And at the center of this discovery is a prehistoric woman — a previously invisible character within human evolution. My work aims to insert these characters into the origins of tool use, image making, and other supposed markers of humanness while also examining historical representations of …

Memory Of A Landscape, Elizabeth Halliday

Theses and Dissertations

Artist Statement

Creativity is one of my strongest talents. As a visual person, I understand and interpret the world through observation and analysis. Nature intrigues me. I find it awe inspiring how the natural environment can change so dramatically day-to-day. As a result, I record my experiences and memories of landscapes and seascapes.

My areas of interest are painting and computers in the arts. I am an abstract painter and my media consists of acrylic, watercolor, mixed media, and digital imagery. I create low relief and rough textures with added materials, and develop layers of paint with a palette knife. …

Crescendo, Jeffery A. Pabotoy

Theses and Dissertations

Artist Statement

I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.

In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …

Perspectives, Beatrice Modisett

Theses and Dissertations

My paintings are linked to a thirst for exploring new landscapes and perspectives, my interest in the extremes and subtleties of geological phenomenon and a desire to create, chase after, and teeter on a brink. Here I will discuss these topics and work to unpack my interest in avoiding comfort, my relationship to control and the creation and function of my paintings. To extract myself from my tactile and visual world of process and paint and enter the world of written language presents very different challenges than the ones fostered in the studio. The goal in both is to reveal …

A Hint And The Incapacity, Jake Reller

Theses and Dissertations

My paintings are a mediated autobiography focusing on fragmented, cropped or collaged elements derived from photographic sources. Banal scenes based on my experience growing up in rural Washington state are charged with multivalent interpretations via close ups, veiling and intentional obfuscation. Through these means, altered color and expressionistic paint handling, they subtly point outside of their beginnings as the photographic and personal and into a dialogue with historical and social sites such as punk music, abstract expressionism and existential literature.