Digital Commons Network^™

Growing Cycles, Kate Wallestad

Theses and Dissertations

In my paintings and prints, I create to understand my experiences. I make layered, repetitive marks and gestures that consist of spherical masses, orbits, and cellular forms. The shapes represent aspects of reproduction and symbolize my thoughts and ideas about procreation. In making pieces, I employ a mathematical system that describes growth patterns found in nature. I use this system as a way of echoing natural structures, as well as a way of focusing my attention. I create multiple small pieces and present them in large, gridded formats. These pieces are abstracted narratives of my thoughts and feelings.

Untitled, Michael Hunter

Theses and Dissertations

The following is an exploration of ideas and themes related to my studio work, past and present, concrete and aspirational. I approach painting as an experience of pleasure and as a mode of resistance and critique. I will discuss how my work is aligned with many of the themes found in the Pattern and Decoration movement of the 1970s. I will also identify alliances that my work has with DIY, networks, and the contemporary art scene as discussed in Lane Relyea’s "Your Everyday Art World". I describe my mode of working in the context of "workable resistance," which Jan Verwoert …

Delayed Reaction, Ashley Olsen-Potthast

Theses and Dissertations

My work is a response to random happenings that provide me with opportunities for creativity. I intuitively handle my materials and media, and have developed a personally symbolic palette. I never know exactly how a piece of art will turn out. I begin my paintings by taking photographs of various places or by working on site. My imagery typically consists of landscapes from the mountains of Virginia to the coastlines of Italy. I am attracted to views that are visually soothing, such as sleepy towns, moonlit mountains, or commonplace activities. In referencing these views, I use bright, non-naturalistic and personally …

All Systems Go, Harry William Sidebotham

Theses and Dissertations

Just like nature and life, my work is made up of many smaller parts working synergeticly in order to function properly. The systems I use are increasingly more complex, involving layers of interacting information competing for attention, giving rise to emergent qualities that could not

exist without the interaction. Paraxial imaging and emergent shapes could not exist without the systems or the chromophobic choices.

Fluid Realities: A Light On Life's Journey, Neta-Grace Coleen Shepherd

Theses and Dissertations

Images of nature and family comprise the gestural and abstracted interpretations of my life events. I use my photographs as inspiration for my work. I fuse layers of color, light, and line into glass and onto wood to suspend a personal memory. I want to capture those moments that flit by in life and envelop them in the media.

In my fused glass work, I manipulate color, light, and line. In these pieces, I layer frits and sheets of glass onto an abstract sculpted relief of fiberglass and fuse them into one thick slab. The sculpted relief creates a textured …