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Jo Labanyi. Spanish Culture From Romanticism To The Present: Structures Of Feeling. Legenda, 2019., Wadda C. Rios-Font

Studies in 20th & 21st Century Literature

Review of Jo Labanyi. Spanish Culture from Romanticism to the Present: Structures of Feeling. Legenda, 2019. 349 pp.

Reviews Of Recent Publications

Studies in 20th & 21st Century Literature

Kathyrn Everly. History, Violence, and the Hyperreal: Representing Culture in the Contemporary Spanish Novel by Nina L. Molinaro

Jill Robbins. Crossing Through the Chueca: Lesbian Literary Culture in Queer Madrid by Salvador A. Oropesa

Juan Pablo Dabove. Nightmares of the Lettered City: Banditry and Literature in Latin America 1816-1929 by María Zalduondo

Federico Bonaddio. Federico García Lorca. The Poetics of Self-Consciousness by Carlos Jerez-Farrán

Aníbal González. Love and Politics in the Contemporary Spanish American Novel by Mónica Adriana Agrest

Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann

Studies in 20th & 21st Century Literature

In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …

"What Exactly Is A Black?": Interrogating The Reality Of Race In Jean Genet's The Blacks , Debby Thompson

Studies in 20th & 21st Century Literature

On the dedication page of The Blacks, Genet writes "One evening an actor asked me to write a play for an all-black cast. But what exactly is a black? First of all, what's his color?" Prefiguring major issues and paradoxes of African American cultural studies today, The Blacks insists on the very real ways in which the black/white racial binary, like the very concept of race itself, is lived and socially enforced, and at the same time argues that the binary is ultimately a fiction, made real through performative reification. Genet's "clown show," ambiguously reversing the blackface minstrelsy tradition, …

(Ef)Facing The Face Of Nationalism: Wrestling Masks In Chicano And Mexican Performance Art , Robert Neustadt

Studies in 20th & 21st Century Literature

Masks serve as particularly effective props in contemporary Mexican and Chicano performance art because of a number of deeply rooted traditions in Mexican culture. This essay explores the mask as code of honor in Mexican culture, and foregrounds the manner in which a number of contemporary Mexican and Chicano artists and performers strategically employ wrestling masks to (ef)face the mask-like image of Mexican or U.S. nationalism. I apply the label "performance artist" broadly, to include musicians and political figures that integrate an exaggerated sense of theatricality into their performances. Following the early work of Roland Barthes, I read performances as …

Fan Letters To The Cultural Industries: Border Literature About Mass Media, Claire Fox

Studies in 20th & 21st Century Literature

The concentration of the Mexican and U.S. cultural industries in cities outside of the border region and the intermittent outsourcing of Hollywood movies to production facilities in Baja, California, have had a marked impact on the literary practice of "fronterizo" 'border' intellectuals. This essay discusses the theme of the cinema in three narratives by authors from the U.S.-Mexico border region: "Hotel Frontera" ("Border Hotel"), by Gabriel Trujillo Muñoz, "Canícula," by Norma Elia Cantú, and "The Magic of Blood," by Dagoberto Gilb. These narratives provide ethnographic information about the reception of nationally distributed mass media in the border region; at the …

Introduction: Centrifuge And Fragmentation, Helena Goscilo

Studies in 20th & 21st Century Literature

The seismic changes inaugurated by desovietization not only recast the entire framework of Russia's cultural priorities, production, and reception, but ultimately revised fundamental concepts of what constitutes culture…

About That: Deploying And Deploring Sex In Postsoviet Russia , Eliot Borenstein

Studies in 20th & 21st Century Literature

Desovietization brought sex as a visible cultural phenomenon into Russia, one rife with contradictions and conflicts. Newspapers, popular magazines, advertisements, pornography, the first Russian sex talk show (About That), and pronouncements by a broad range of quotable public figures indicate that the problematics of sex during the 1990s consisted of the following: a sexualized relationship between Russia and the West; a sexualization of politics (rather than the politicization of sex); an inflexible yet implicit code governing the deployment of sex in "high" and "low" culture; and, above all, the development of a sexual discourse that defied circumlocution and …

A Lustful Passion For Clarification: Bildung, Aufklärung, And The Sight Of Sexual Imagery , Stephanie D'Alessandro

Studies in 20th & 21st Century Literature

The equation of education and self-cultivation was an Enlightenment ideal which has become a hallmark of bourgeois culture. Prizing Bildung, the bourgeoisie professed an appreciation for art, music, and literature. Within their libraries, comprehensive scholarly texts intended for academic and well-educated, lay audiences occupied a special place. Marrying illustration with academic investigation, the Sittengeschichte (history of morals) could also be found on the bourgeois library shelf and afforded its readers a glimpse into a world outside the strict parameters of bourgeois propriety. During the Weimar Republic, the demand for illustrated Sittengeschichten increased dramatically among the bourgeoisie, meeting their ideal …

"Atmosphère, Atmosphère": On The Study Of France Between The Wars, Steven Ungar

Studies in 20th & 21st Century Literature

Street Noises: Parisian Pleasure, 1900-1940 by Adrian Rifkin and Shanghai on the Métro: Spies, Espionage, and the French Between the Wars by Michael B. Miller are test cases for issues of historiography related to period and duration in the study of France between 1919 and 1940. Of added relevance to these issues is the fact that Rifkin and Miller both question distinctions between elite literary cultures linked to book publishing and new forms of mass reproduction enhanced by technologies of sound reproduction and illustration. A concluding excursus explores recent theories of urban space symbolized by the street as a site …

Writings From The Margins: German-Jewish Women Poets From The Bukovina, Amy Colin

Studies in 20th & 21st Century Literature

Emerging at the crossroads of heterogeneous languages and cultures, German-Jewish women's poetry from the Bukovina displays the characteristics of its fascinating multilingual contextuality, yet it also bears the stigma of a double marginalization, for its representatives became time and again targets of both anti-Semitic attacks as well as gender discrimination. The present essay explores the untiring struggles of German-Jewish women authors from the Bokovina for acceptance within the Jewish and non-Jewish community. It analyzes their attempts to cope with social barriers, prejudices, and their difficult situation as both women and Jews. The essay also sets their poetry against the background …

Between Ideologies And A Hard Place: Hans Magnus Enzensberger's Utopian Pragmatist Poetics, Jonathan Monroe

Studies in 20th & 21st Century Literature

The marginalization of poetry in North American culture makes it difficult to appreciate fully on this side of the Atlantic the importance of Hans Magnus Enzensberger's literary and cultural contributions over the past four decades. Working against familiar cultural encodings that would align poetry uncritically with the "personal" and prose with the "political," his oeuvre makes a strong case for poetry and critical prose as vitally complementary activities. In his 1991 collection of poems, Zukunftsmusik (Future Music) and his 1993 prose collection, Civil Wars: From L.A. to Bosnia, Enzensberger renews his longstanding commitment to "the process / of becoming …

Althusserian Theory: From Scientific Truth To Institutional History, Philip Goldstein

Studies in 20th & 21st Century Literature

Scholars have emphasized the scientific and the rationalist features of Althusser's work, but few have noted its post-structuralist aspects, especially its Foucauldian accounts of discourse and power. In the early Pour Marx, Althusser divides ideological practices from objective science and theoretical norms from empirical facts; however, in several later essays Althusser repudiates his earlier faith in theory's normative force as well as his broad distinction between science and ideology. He argues that every discipline establishes its own relationship between its ideological history and its formal, scientific ideals. This argument, together with Althusser's earlier rejection of totalizing approaches, establishes important …

Introduction, Laurie Edson

Studies in 20th & 21st Century Literature

Introduction to the special issue

Inventing Antillean Narrative: Maryse Condé And Literary Tradition, Leah D. Hewitt

Studies in 20th & 21st Century Literature

As a Guadeloupean black woman novelist, Maryse Condé highlights the tensions in Caribbean culture between traditional and modern values, among ethnic groups, and between the sexes. She combines a representative view of an Antillean writer's specific concerns with a postmodern view of literature as multicultural, polymorphous intersection. The opening portion of this essay argues that Condé's personal literary trajectory embodies a general process of identity formation in post colonial literature, one that passes from the alienation of the individual, to the affirmation of collective movements and positive models, and finally, to a critical, playful outlook in which identities are continually …

Reflections On Linguistic And Literary Colonization And Decolonization In Africa, Eric Sellin

Studies in 20th & 21st Century Literature

Despite the cultural diversity found in Africa and the complexity ofthe psychology of the colonizer and the colonized, several fundamental facts emerge regarding the function of language and literature in recent African history. The colonizer sought to instill a sense of inferiority in the colonized as part of the dynamics of conquest, placing special emphasis on education and language. These notions, lucidly discussed by such social thinkers as O. Mannoni, Frantz Fanon, and Albert Memmi, have analogues in the defense of language everywhere where lingua-political oppression occurs, be it in colonial Africa or on an Arapaho reservation in the American …

`Boy!': The Hinge Of Colonial Double Talk, Anne M. Menke

Studies in 20th & 21st Century Literature

The French colonial enterprise in Africa enforced racial segregation, yet encouraged Africans to assimilate the French language, culture, and religion. The essay questions these contradictory policies through readings of Ferdinand Oyono's novels. It argues that a figure that embodies undecidability—the colonial servant known as the "boy"—is the locus of the denaturalization of the identities that were simultaneously institutionalized and denied by the Manichaean colonial world.

Jewish Writers In Contemporary Germany: The Dead Author Speaks, Sander L. Gilman

Studies in 20th & 21st Century Literature

The question I wish to address in this essay is really quite simple: Given the fact that there are "Jews" who seem to play a major role in contemporary German "Kultur" (at least that narrower definition of culture, meaning the production of cultural artifacts, such as books—a field which, at least for Englemann, was one of the certain indicators of a Jewish component in prewar German culture)—what happened to these "Jews" (or at least the category of the "Jewish writer") in postwar discussions of culture? Or more simply: who lulled the remaining Jews in contemporary German culture and why? Why …