Digital Commons Network^™

Changing Criteria: What Decision Processes Reveal About Confidence In Memory, Johanny N. Castillo

Masters Theses

Source memory is our ability to relate central information (the “item”) to the context (the “source”) in which it was learned or experienced. People are often highly confident in their source judgements even when this information is incorrectly recalled. Past work has aimed to explain why source errors made with high confidence occur with a framework called the Converging Criteria (CC) account. The CC account posits that item memory can interact with source memory by altering decision criteria as item confidence increases, increasing the probability of a high confidence source judgement. This prediction differs from alternate models, like the Fixed …

The Role Of Autobiographical Memory Recall In Reappraisal Efficacy And Effort Across Age, Irina Orlovsky

Masters Theses

Socioemotional theories posit that the experience of overcoming unique life challenges over a lifetime enhances self-efficacy and emotional resilience among older adults. Older adults demonstrate greater emotional well-being and motivation to regulate emotions than younger adults, but specific regulatory mechanisms supporting late-life emotional resilience remain unclear. Cognitive reappraisal is an effective but cognitively demanding emotion regulation strategy and shows mixed efficacy in later-life. While a growing repertoire of autobiographical memories may be a resource with age, the role of autobiographical recall in momentary reappraisal has never been tested empirically. In this online study, older and younger adults were trained to …

What The Water Says As It Runs, Jeanette Cosentini

Masters Theses

During the last two years, I have been examining the importance of vulnerability, memory and empowerment within my work as it relates to archival silence. The archive is presumed to be an objective record but what is chosen and discarded is an inherently political act. When there is archival silence, what then becomes missing from our collective histories? My exploration has spread across many forms of media, including sound, video, textiles, sculpture and writing . I have sought to understand the ways that these different mediums embody sentiment and concept, while establishing an open-ended record within which others can explore …

Everything Comes Full Circle, Lilan Yang

Masters Theses

Following Wim Wenders’ Paris, Texas (1984) filming locations from Houston, Texas to Los Angeles, California, I use a 16mm Bolex camera to capture the vastness of the American West. The footage draws me to reminisce about snippets of my everyday life. I contemplate how we perceive the world through analog optical apparatuses and how memories are multidimensional yet fragile. Our recollections of people and places can be distorted, unrecognizable, and fictitious. These memories would eventually diminish with the passing of time. By converting the filmmaking back and forth between analog and digital filmmaking, with the loss of information during the …

The Sky Is Falling, Alexis Tingey

Masters Theses

The ceiling would fall apart in my childhood home, it was an old house. Occasionally a piece of ceiling would clomp down on my head. In these moments, I would pause, and close my eyes until an image of some fabulous, beautiful interior came into my mind, and then I would open my eyes and continue. Sometimes to escape a falling ceiling, I would find respite in my first ideal sitting spot, a post on our back fence; I would sit with the sky and think. Looking back, I believe these are the moments where I caught glimpses of the …

Retelling A Landscape Through The Alchemy Of Recasting, Amanda Lee

Masters Theses

This project is an acknowledgment of reshaped landscapes while also understanding that this moment of time is only relevant to my own human lifespan and perspective. The work embodies unmet expectations when one confronts a memory landscape of their, or my, childhood. Specifically, I am discussing the chasm between reality and memory through a recent return to my childhood home in Colorado, and was met by two of the largest wildfires in the state’s history. This project takes a moment to digest that loss, of what was known, what was not, and can no longer be known: forests, trees, and …

Reclaiming Memory Through Soft Spaces, Wendy Zhuo

Masters Theses

Senses and experiences can make the memories that you are not consciously aware of become more apparent. Your body and muscles have memories that you will always remember. It just takes awakening the muscles to do it.

Our experiences become part of our identity. Memory has plasticity and is constantly changing as we tell them. Our memories are those experiences and by telling those stories, we start to understand and reclaim those memories and add those experiences into our identity. Through telling and triangulating these stories, people are connected, so how can the space become comfortable for them to share …

Scars As Cartography: Bodily Commemorations And Memorials, Bethany Craig

Masters Theses

This paper seeks to study the interdependence of scars and memory to the newly emergent field of bodily cartography, specifically investigating the dynamic between scars and the spatially situated memories they preserve, produce, and commemorate within and through the body. In this thesis, I argue that scars are a form of bodily cartography which map, mark, inscribe, and pinpoint the experiences of our spatial movements through time, location, and emotion. The project’s urgency lies in recognizing and validating the body as a cartographic space; it addresses the normalizing effects of the (re)articulation and (re)production of memory through the body. Whether …