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No Greater Love: Recognition, Transformation, And Friendship In The Harry Potter Series, Stephen Parish

Masters Theses

Nobody today doubts the momentous influence the Harry Potter series has had on a generation of readers. Many scholars and critics assume Harry's place amongst other great works of children's literature, and indeed the series has brought about a revival in children's literature scholarship. Despite this popularity, many critics question the series' aesthetics, its attention to moral demeanor. Therefore, what element exists in Harry Potter that could enforce its aesthetic quality? Based on a rhetorical reading of the texts, my thesis upholds the aesthetic nature of the books through an analysis of the trio's friendship and and its impact on …

Conforming To Conventions In Jane Austen's Northanger Abbey, Pride And Prejudice, And Emma, Veronica Olson

Masters Theses

A major part of Jane Austen's novels consists of a critique of the societal conventions that were prevalent in Regency England. Through a study of Northanger Abbey, Pride and Prejudice, and Emma, it can be seen that Austen marginalizes those characters who chose conformity to social conventions. Contrariwise, the characters who exhibit a greater degree of autonomy within their patriarchal culture become the focus of the narrative. In looking at societal conventions concerning money, gender roles, and class status in conjunction with Austen's portrayal of various characters in the three novels, Austen's own views about conformity to societal conventions are …

Putting Down Roots: A Tolkienian Conception Of Place, Kayla Snow

Masters Theses

This thesis explores the way in which J.R.R. Tolkien's develops and expresses his nuanced sense of place through his major literary works--namely, The Silmarillion, The Hobbit, and The Lord of the Rings trilogy. Tolkien's sense of place, as expressed through his fiction, encompasses both metaphysical and geographical relational structures that are operative at both the local and global levels. As Tolkien develops his sense of place in his fiction, he draws from the Distributist principles--largely informed by Catholic social policy of the late nineteenth century and popularized by G.K. Chesterton--to build the economy in Middle-earth. The resulting economy resists industrialization …

Charles Dickens' Great Expectations: The Failed Redeemers And The Fate Of The Orphan, Rebekah Overbey

Masters Theses

The figure of the orphan is scattered throughout the pages of Victorian novels, though few novelists created orphans that were quite as memorable as Charles Dickens. Lonely orphans and abused children appear in nearly all of Dickens' fictional works; in the novels in which the orphan is the main character, this innocent, helpless orphan is often adopted by a wealthy and benevolent benefactor, and the orphan is thus redeemed by a dramatic rescue. In Great Expectations, however, Dickens inverts this redemption by rescue that was so characteristic of his earlier novels. Instead of an innocent, helpless child, Great Expectations has …

Weaver Of Allegory: John Bunyan's Use Of The Medieval Theme Of Vice And Virtue As Devotional Writer And Social Critic In The Holy War, David Madsen

Masters Theses

The literary artistry of Bunyan's The Holy War is overshadowed by the longstanding popularity of his greatest-known work The Pilgrim's Progress. However, The Holy War displays an impressive intricately-woven story with several complex strands of allegorical meaning. One such strand is its emphasis on the theme of virtue and vice in literature of the Middle Ages. In The Holy War, Bunyan applies this thematic thread from the Medieval Psychomachia and morality plays to his allegory in seventeenth-century Restoration England. The present research begins with an exploration of allegory as story with emphasis on Bunyan's role as storyteller in general and …

A Hierarchy Of Love: Myth In C.S. Lewis's Perelandra, Joseph Walls

Masters Theses

In C.S. Lewis's Perelandra, the transposed creature is drawn up into its "kindly stede" as a sacramental symbol of Christ through that fictional planet's unbroken relationship between meaning and form. Although Perelandra's "wheels-within-wheels" hierarchy may at first seem reminiscent of Catholicism's teachings on symbol, as a Protestant, Lewis believes that human beings cannot be truly sacramental symbols until the return of Christ. Lewis's optimistic depiction of a cosmic hierarchy is one of perfect love: superiors rule their subordinates with agape, and creatures who discover their submissive roles reciprocate with eros or adoring love. Every created being in Perelandra is part …

Orientalism And Three British Dames: De-Essentialization Of The Other In The Work Of Gertrude Bell, Freya Stark, And E.S. Drower, Lynn Sawyer

Masters Theses

Although postcolonial criticism has run its course for thirty years, a fresh look at Edward Said's Orientalism offers insight into how Orientalism functions in the writings of three British dames. Gertrude Bell in The Desert and the Sown, Freya Stark in The Southern Gates of Arabia, and E.S. Drower in The Mandaeans of Iraq and Iran, however, challenge Said's theory. Their writing raises questions about how gender alters the discourse about the Other, and whether Said essentializes the Occident. Bell, Stark, and Drower serve as case studies in which to analyze the politically and rhetorically complex interactions between the West …

You Sir Are A Fine Young Gentleman. Thank You, My Lady: A Rhetorical Analysis Of Eighteenth Century Conversations Regarding Gentility And Gender, Kati Overbey

Masters Theses

This study rhetorically analyzed the eighteenth century work of Richard Steele and Joseph Addison's The Spectator and Eliza Haywood's The Female Spectator using Kathleen Turner's framework for rhetorical history as social criticism integrating text and context. Ten essays from The Spectator as well as ten essays from The Female Spectator were selected based on content and subject matter regarding manners and gentility. When Turner's framework for analysis was applied to the essays, defining characteristics of gentility were revealed. A presentation of the results of the textual and contextual analysis of these twenty selected essays is provided. An analysis of the …

The Significance Of Silence: The Muted Voices Of Count Fosco And Laura Fairlie In The Woman In White, Melanie Page

Masters Theses

This thesis examines the intricacies of voice using narrative theory and reader-response theory with Wilkie Collins' The Woman in White. Since Collins first wrote this epistolary novel serially, he wrote aware of his audience as he printed segments with different narrators. This novel allowed Collins the opportunity to reveal an internal set of narrators' responses to other characters' voices--responses that sometimes conflict with and modify one another. At the same time, Collins' contemporary audience's responses to the novel reveal the role of characters' voices in shaping reactions of members of the novel's reading public. Two opposing figures--Laura Fairlie and Count …

A Myth Retold: How Till We Have Faces Confirms That A Myth Is Not A Fairytale, Rachel Elizabeth Burkholder

Masters Theses

In the last fifty years or so, the study of myth and meaning has changed into the study of fairytales, and into world of non-meaning. But because myths are classified with fairytales, their depth and somber meaning are clouded with the various happy endings of fairytales. Myths, then, are stripped and analyzed the same way as fairytales, for critics do not perceive a distinction; therefore, when discussing modern fairytale criticism the conclusions are invariably applied to myths as well. Fairytales and myth suffer greatly from the modern views; both are lost in a world of criticism set on satisfying its …

Perception And Action: Sympathy, Charity And Ideal Communities In Eliot's Middlemarch And Dostoevsky's The Brothers Karamazov, Katherine Ruth Curtis

Masters Theses

The desire to know and be known is one of the driving forces of the human condition that seems to have been repeatedly examined to the point of cliché, and yet literature has the power to continue reinventing the same question of whether humans can actually understand one another on a deep level or whether they simply learn to coexist, never breaking out of the shell of self-interested perception. In the late nineteenth century as national and smaller communities seemed to be experiencing major upheavals, Fyodor Dostoevsky and George Eliot sought on different sides of Europe to communicate how novels …

Redeeming Proper Taste: Food As An Emblem Of Luxury In Eighteenth Century England, Hannah R. Hinkson

Masters Theses

Food: the universal language. As a platform upon which people express their worldviews, food is the most important basic ingredient to both life and social progress. Elegance, gluttony, moderation, and excess are nowhere more evident than at the dinner table; such applications are evidence of the power of food to unite and destroy entire communities. And logic suggests that because food is necessary for survival, the human condition is, in part, reflected in taste. What a person craves is an indication of that person's identity.

But the connection between the aesthetic and economic significance of food is most obvious in …

Dancing Through Life: Symmetry And Balance Within Dance And The Form Of Jane Austen's Novels, Elizabeth Ellen Jones

Masters Theses

This thesis looks at the presence of symmetry and balance in Jane Austen's novels, especially as it is realized through period dance. In the Georgian period, the ideas of symmetry were an important aspect of both the political and aesthetic culture. Likewise, dance, often used as metaphor for courtship, reflected this societal emphasis on order and balance. As such, symmetry and its related principles, namely balance, repetition and order, are all principle themes expressed through patterns of dance in Austen's novels.

The first chapter briefly addresses Jane Austen's social position within the Regency era and her view of daily life …

The Enduring Austen Heroine: Self-Awareness And Moral Maturity In Jane Austen's Emma And In Modern Austen Fan-Fiction, Brittany A. Meng

Masters Theses

Jane Austen's novels continue to be popular in the twenty-first century because her heroines are both delightful and instructive; they can be viewed as role models of personal growth due to their honest self-examination and commitment to high moral standards. Chapter one establishes the patterns of personal growth that uniquely characterizes Austen's heroines in each of her six novels. Chapter two tests these conclusions by carefully examining the character of Emma Woodhouse. Though Emma is a unique heroine due to her wealth and social privileges, she follows the principles of personal growth possessed by Austen's other heroines. Chapter three further …

Lofty Depths And Tragic Brilliance: The Interweaving Of Celtic And Anglo-Saxon Mythology And Literature In The Arthurian Legends, Melissa Rogers

Masters Theses

The Arthurian story has endured in the English speaking world from the Middle Ages to the modern day, with ever increasing fame. He is not just a legendary king; he is the legendary king. His literary power owes its existence to the wonderful and extraordinary themes and mystical, yet entirely English world that appear consistently in his stories. Arthur and his knights are set apart from other literary heroes because of their unique construct, a blending of two cultures into one legend. The Celts invested in Arthur a strong mythological tradition. They bestowed on the legends an Otherworldly magic, a …

Disenchantment: The Formation, Distortion, And Transformation Of Identity In Charles Dickens' Great Expectations, Lydia K. Christoph

Masters Theses

Charles Dickens' Great Expectations (1861) stands apart from his other works as a powerful expression of his later social and theological views. Rife with rich characterizations, fairy-tale elements, grotesque and bizarre plot twists, Victorian social issues, and a beautifully thoughtful and imaginative commentary on the universal human themes of loss, guilt, abuse, identity, money, social status, and love, this novel remains an outstanding example of truly great art, both popular and classic. This story of identity formation in a nineteenth-century English context demonstrates how Dickens' life and writings, influenced by spurious and inconsistent theological beliefs, express the idea that sin …

Expunging Father Time: The Search For Temporal Transcendence In The Novels Of Aldous Huxley And Tom Robbins, Stephanie Abigail Taylor

Masters Theses

This study explores the connection between the time concepts of Aldous Huxley and Tom Robbins. For both authors, time imprisons man on two fronts, or in two cages, if you will. The smaller of these cages is society's concept of time, clock time, which constrains the activities of man, forcing him to submit to his fate as a mere drone operating on the assembly line of life. In this prison, man cannot take the proper time to commune with nature, to look inward at himself and his life, or to focus on the real meaning and goal of life--escape from …

Hauntings In The Church: Counterfeit Christianity Through The Fin De Siècle Gothic Novel, Melissa Ann West

Masters Theses

The lengthy Victorian period, extending from 1832 until 1901, was a time of cultural turmoil. New scientific discoveries were being made daily, and Christianity was forced to deal with issues of Darwinism, occultism, and growing disbelief in God. By the start of the fin de siècle, God was an impartial deity sitting on His almighty throne, and man was nothing more than a highly evolved animal. The church, both Catholic and Anglican, did not exist to lead man toward salvation, but existed because of a dated adherence to cultural tradition.

No one genre captured the religious upheavals of the age …

Hesitation: An Analysis Of Candide, Jared T. Mink

Masters Theses

Candide calls into question its merit as literature or philosophy because it draws its reader into eisegesis. The act of interpreting Candide is never a cool judgment. The enigmatic ending forces the reader to see that acts of judgment are appetitive: Desires shape judgment; judgment plies desire. Candide's behavior reveals eighteenth century interest in "the body," which was the scientist's chief tool in entering "the void" to explore the integrity of new knowledge. We see this body interest in Locke's Essay and, through a concept of "hesitation," we can see that Voltaire absorbed Lock's view of the interconnection between judgment …

"Life Wants Padding": Food, Eating, And Bodies In George Eliot's Novels, Tess Rebecca Stockslager

Masters Theses

This thesis uses six of the novels of George Eliot (those that take place entirely in rural England), works from the field of psychology, the concepts of realism and sympathy, and a metaphor of liquidity from Thomas Carlyle to explore several ways that body fat shapes identity and mediates relationships with others. Boundaries are the guiding concept: the chapters move from a demonstration of how boundaries between the self and others are created (padding), through a discussion of how sympathy can enable those boundaries to be broken (stuffing), to two case studies of characters whose boundaries of selfhood are in …

The Library, The Labyrinth, And "Things Invisible": A Comparative Study Of Jonathan Swift's A Tale Of A Tub And Jorge Luis Borges' Ficciones, Amber Lockard

Masters Theses

One of the most difficult and yet perhaps most revealing means of investigating the proclivities and flaws of the contemporary age is to compare the literatures of this time with the literatures of a past time. The benefits of such a comparison can first highlight the ways in which talented authors from different ages employ similar methods in skillful ways; but moreover, the assessment can help to place postmodern literature, culture, and individuals within a proper and perceivable historical context. To do so is to recognize the advances, discoveries, promises, limitations, and flaws in the present manner of thinking and …