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Music Therapy And Quality Of Life: The Effects Of Musical Interventions On Self-Reported And Caregiver-Reported Quality Of Life In Older Adults With Symptoms Of Dementia, Alisha Snyder Dec 2012

Music Therapy And Quality Of Life: The Effects Of Musical Interventions On Self-Reported And Caregiver-Reported Quality Of Life In Older Adults With Symptoms Of Dementia, Alisha Snyder

Masters Theses

The purpose of this study was to determine the effects of music therapy on the quality of life of people with symptoms of dementia. Both self-reported and caregiver-reported quality of life scores were recorded before and after an eight-week treatment period. A control group of discussion and an experimental group of music therapy were included in the study, with a sample size of N = 13. Analysis of the data was done with t tests. No statistical significance was found when comparing the average quality of life scores in the discussion group or the music therapy group from pretest to …


Music Therapy In The Nicu: Interventions And Techniques In Current Practice And A Survey Of Experience And Designation Implications, Suzanna A. Peczeniuk-Hoffman Dec 2012

Music Therapy In The Nicu: Interventions And Techniques In Current Practice And A Survey Of Experience And Designation Implications, Suzanna A. Peczeniuk-Hoffman

Masters Theses

While researchers have documented the clinical use of music in medical settings, little is known about music therapists working in the Neonatal Intensive Care Unit (NICU). The purpose of the study was to examine the demographics, educational training (NICU-MT designation), employment conditions, and music therapy interventions/techniques used by professional music therapists in the NICU. A 15- item survey was designed and electronically mailed to music therapists (N = 318) identified by the American Music Therapy Association (AMTA), the Certification Board for Music Therapists (CBMT), and Infant and Child Medical Music Therapy Institute at Florida State University as potentially working with …


Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews Dec 2012

Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews

Masters Theses

The Bai people, a minority group in the People's Republic of China numbering at least 1.6 million, live mostly in the Dali Autonomous Prefecture in northwest Yunnan. Historically, Bai from the central region would gather annually at the base of Shibaoshan Mountain to sing partner style love songs in search for a suitable marriage partner; today, this time is marked by a three-day festival officially titled "Shibaoshan." The annual song competition invites skilled singers to spontaneously compose melodies in response to their counterpart, crafting lyrics to flatter or tease their singing partner. The study quantifies the close relationship between Bai …


An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins Dec 2012

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …


Beat-Class Tonic Modulation As A Formal Device In Steve Reich's "The Desert Music", Liahna Rochelle Guy Dec 2012

Beat-Class Tonic Modulation As A Formal Device In Steve Reich's "The Desert Music", Liahna Rochelle Guy

Masters Theses

Beat-class analysis is a model of rhythm employed by Richard Cohn and John Roeder to analyze textural form in the compositions of Steve Reich (Roeder 2003, 275). Rhythmic attacks are regarded based on the modulus analytically assigned to a particular section (eighth note, sixteenth note, etc.). This paper will offer an in-depth analysis of beat-class modulation and transposition in Steve Reich’s The Desert Music, with a focus on the third movement. Applying this analytical technique to The Desert Music (a piece never before analyzed using beat-class analysis) proposes a fresh analytical approach to Reich’s 1984 piece. This perspective will …


"Sing To The Lord A New Song": Memory, Music, Epistemology, And The Emergence Of Gregorian Chant As Corporate Knowledge, Jordan Timothy Ray Baker Dec 2012

"Sing To The Lord A New Song": Memory, Music, Epistemology, And The Emergence Of Gregorian Chant As Corporate Knowledge, Jordan Timothy Ray Baker

Masters Theses

Following the Christianization of the crumbling Roman Empire, a wide array of disparate Christian traditions arose. A confusion of liturgical rites and musical styles expressed the diversity of this nascent Christendom; however, it also exemplified a sometimes threatening disunity. Into this frame, the Carolingian Empire made a decisive choice. Charlemagne, with a desire to consolidate power, forged stronger bonds withRome by transporting the liturgy ofRome to the Frankish North. The outcome of this transmission was the birth of a composite form of music exhibiting the liturgical properties ofRome but also shaped by the musical sensibilities of the Franks—Gregorian chant.

This …


Suite For Chamber Orchestra, Liahna R. Guy Aug 2012

Suite For Chamber Orchestra, Liahna R. Guy

Masters Theses

Suite for Chamber Orchestra is a three-movement composition for an orchestra of reduced size. Over the course of the three movements, a variety of influences can be seen from the 19th and 20th centuries in regard to harmony and rhythmic practices. This Suite is scored for flute, oboe, Bb clarinet, bassoon, French horn, trumpet in C, timpani, violin (I and II), viola, cello, and double bass, and utilizes a moderate level of dissonance, harmonies consisting of perfect fourths and fifths, as well as a high level rhythmic activity.

This paper provides an analysis of the Suite in terms of musical …


Proactive Punk: Music's Agency In The Knoxville Punk Community, Paula Danielle Propst Aug 2012

Proactive Punk: Music's Agency In The Knoxville Punk Community, Paula Danielle Propst

Masters Theses

This ethnography investigates the collective identity of the Knoxville punk community. I argue that punk rock culture in Knoxville exists as a proactive open community, and frame the discussion with the psychoanalytical work of collective identity by Jacques Lacan, notions of discourse described by James Gee, as well as definitions of community explored by Will Straw and David Hesmondhalgh. Knoxville punk musicians promote the sense of community with music through the value of cultural knowledge, providing physical areas for social space creation, and instructing young women musicians. Each factor provides a distinct element for the proactive movement in Knoxville punk. …


Varying Degrees Of Difficulty In Melodic Dictation Examples According To Intervallic Content, Michael Hines Robinson Aug 2012

Varying Degrees Of Difficulty In Melodic Dictation Examples According To Intervallic Content, Michael Hines Robinson

Masters Theses

Melodic dictation has long been a daunting task for students in aural skills training. Research has found that interval identification is a factor when taking melodic dictation. Research has also found that some intervals are easier to identify than other intervals. The goal of this thesis is to determine whether the difficulty of melodic dictation examples can be categorized by their intervallic content. A popular aural skills text was used as the source for the melodic dictation examples. The adjacent intervals in each melodic dictation example were counted and recorded by interval type. The analysis of the melodic dictation examples …


When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe Jul 2012

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …


Current Music Therapy Practice With Adolescents With Emotional And Behavioral Disorders In The United States: A Survey Of The Profession, Melinda K. Murray Apr 2012

Current Music Therapy Practice With Adolescents With Emotional And Behavioral Disorders In The United States: A Survey Of The Profession, Melinda K. Murray

Masters Theses

The purpose of this study was to survey Board Certified Music Therapists in the US to examine (a) the demographics of the music therapists working with this population in a non-school setting, (b) assessments used by the music therapists, (c) goals for clients, and (d) treatment methods used in the treatment of adolescents with emotional and/or behavioral disorders. The participants in this study were board certified music therapists working with emotional and/or behavioral impairments outside of the school setting. Of the total of 111 surveys sent to music therapists who possibly met the inclusion criteria, 27 were returned (N=27). The …


Tiny Sounds, Valeria Ch. Jonard Perez Apr 2012

Tiny Sounds, Valeria Ch. Jonard Perez

Masters Theses

Our auditory system perceives sounds within a specific range of frequencies and amplitudes. It is the way we define our aural world and the sounds we are able or willing to hear. Just above the border of the threshold of human audition hearing, we find unique sounds with particular characteristics. These sometimes forgotten or ignored sounds interest me as compositional elements.

Listening attentively requires extra effort from our ears and concentration; listening to sounds that vacillate from imperceptible to audible changes how humans typically listen to sounds in their environment. Although amplifying these discreet sounds would rob them of their …


Flutes, Festivities, And Fragmented Tradition: A Study Of The Meaning Of Music In Otavalo, Brenna C. Halpin Apr 2012

Flutes, Festivities, And Fragmented Tradition: A Study Of The Meaning Of Music In Otavalo, Brenna C. Halpin

Masters Theses

This thesis consists of an intimate study of the value and meaning of flute music of indigenous musicians in the contemporary world. This is accomplished by interviewing and observing indigenous panpipe and flute musicians in and near the Plaza de Ponchos Market in Otavalo, Ecuador. Collected personal stories, historical accounts, and recordings and analysis of the music all provide insight into the purpose and traditions the music holds. While the musicians attempt to maintain a sense of cultural authenticity, modernization has altered the importance of customs and music as Otavalo moves toward a more commoditized and urbanized community, reflecting ethnic …


Johannes Brahms' Liebeslieder Walzer Op. 52 And Hector Berlioz' "Hungarian March" From La Damnation De Faust, Sarah Todd Jan 2012

Johannes Brahms' Liebeslieder Walzer Op. 52 And Hector Berlioz' "Hungarian March" From La Damnation De Faust, Sarah Todd

Masters Theses

No abstract provided.


Expanding The Jazz Repertoire: Reimagining Modern Popular Music, Chad Edwin Mathis Jan 2012

Expanding The Jazz Repertoire: Reimagining Modern Popular Music, Chad Edwin Mathis

Masters Theses

No abstract provided.