Digital Commons Network^™

The Best Is Yet To Come: Approaches To Rhythmic Development, Robert W. Lindsay Ii

Masters Theses

For my Masters of Arts thesis, I recorded a number of songs that I had written between 2015 and 2020 for an album titled “The Best is Yet to Come.” In this adjunct essay, I will analyze four of those pieces to demonstrate my use of rhythmic development; I use rhythmic development extensively in my work in order to generate cohesion between songs. The opening song, “Fresh Vegetables,” demonstrates the rhythmic motive that all other songs develop from. If anyone chooses to learn or analyze my music in the future, this document can be a reference.

A Combined Language: The Application Of Poly-Stylistic Techniques To Concerto Sonata For Alto Saxophone And Piano, James Calderon

Masters Theses

No abstract provided.

Oppression, Evaluation, And Direction: Understanding Character Agency Through The Music Of Wozzeck, Eric Allen Hester

Masters Theses

In Alban Berg’s opera, Wozzeck, the concept of agency is one of fundamental importance. The oppressive dictates of fate and social position are featured prominently in the plot of the opera, and the characters evaluate their relationship with these oppressive structures in order to direct their agency. This thesis explores how Berg uses musical form, leitmotivs, and semiotic topics to show how characters engage in this evaluative act and ultimately find agency in their world. Music-drama analysis in this paper is approached from a Peircean semiotic perspective, exploring how the dramatic meaning behind the music is used to inform …

The Power Of Three In Dan Forrest’S Requiem For The Living, Lindsey Lanee Cope

Masters Theses

Dan Forrest’s Requiem for the Living is a recent composition that is quickly gaining attention in the choral world. The work exhibits unique aspects of Forrest’s compositional voice in his Requiem, including his textual changes from an original Requiem, formal designs and overall organization, melodic and rhythmic motivic development, and harmonic transformations. Through comprehensive analysis and discussion, this thesis will argue that the primary threenote motive in the Requiem serves as the cornerstone for analytical departure. The number three is the main component of the formal, motivic, and harmonic structure of the Requiem for the Living. The framework …

Augmentation Of Delusion, Christopher Lynn Adams

Masters Theses

Augmentation of Delusion is a single-movement piece for chamber orchestra composed by Chris L. Adams. The piece was originally written for a four-person percussion ensemble in 2013 and orchestrated in 2014. This document will analyze the major musical elements of form, harmony, melody, rhythm and meter, and genre of the piece, as well as compare and contrast these variables with other composers’ works.

Music theory terminology and figures will be applied in this document as follows:

1. Set theory functions will be expressed as:
a. Normal order indicated by brackets – [2367]
b. Prime form indicated by parentheses – (0145) …

The Larsen Motive: A Survey Of Motivic Usage In Libby Larsen's Corker, Slang, And String Symphony, Iii, Shelise Nicole Washington

Masters Theses

Libby Larsen presents a rhythmic motive in Corker (1977), Slang (1994) and “Ferocious Rhythm” from String Symphony (1999) as more than a memorable melody or tune. Her rhythmic motive has multiple connections within each piece. It has value and purpose that can be explained through multiple musical parameters. Larsen varies the application of her signature motive in these pieces over a period of 20 years. Its general rhythmic structure is a common thread that links these three works together, but the overall motive is used in individualized ways in each of the pieces.

This thesis will demonstrate that the rhythmic …