Digital Commons Network^™

Invisible Systems, Mina Kim

Masters Theses

We are immersed in an efficiency-and-profit-obsessed world where products are advancing for the sake of updates without meaningful outcomes. The products’ seemingly simple and seamless interfaces bear the marks of deception and promote the world’s obsessions as a norm. My work defines the visual language and methods that hide complex truth within invisible systems. I aim to strike through invisibility for greater transparency and visibility.

I employ techniques that dis-organize the guidelines and components of invisible systems, reframing expectations and opening up new ways of understanding our surroundings. I intend whimsical reconfigurations to act as a mirror, providing a moment …

Luminous Eating, Ayesha Mohyuddin

Masters Theses

My work strives to reorient my gaze away from outward definitions of identity toward the complexities and nuances of experiencing the intersections of identity that comprise me and the space of home where I felt most extended. I do not want to essentialize the identifiers of Muslim, Bengali, and Tennessean, nor do I want to neglect the role memory and nostalgia play in shaping home as a place of expansion and ease. Food, cooking, and eating ground both nostalgia and identity in something physical. Through the sense of taste, I reorient myself to the inseparability of experience that cannot be …

Ports Of Entry, Forough Abadian

Masters Theses

Ports of entry are places where one may lawfully enter a country by crossing land and sea borders‭. ‬This thesis frames the space conceptually where the boundaries of place, time, culture, and identity are crossed through existing ports or by building new ones. ‬

As an Iranian immigrant in the United States‭, ‬displacement of identity informs my worldview and design practice‭. ‬I find myself between two worlds, one inherited and the other adopted. ‬Both worlds are simultaneously active and exert their forces on my thought process‭. However, their interrelated dynamic is ambivalent because their path intersects and diverges unforeseeably‭. ‬My …

Alien Encyclopedia, Zengqi Guo

Masters Theses

Alien Encyclopedia is a body of work that analyzes, expands, redefines, and leverages the definition of “alien” as both problematic and an avenue of possibility. By mapping the word “alien” as a fragmented play of alternatives, I translate the lessons derived from this exploration into a maker’s lexicon. I use “alien” to frame my identity, as a prompt to ground my projects, a factor to interrupt existing typography and to spark questions, a generative tool to explore the interpolation between the familiar and unfamiliar, and to incite new solutions and actions to solve the problems we are facing now. Alien …

Can’T Stop Coyote, Tala Worrell

Masters Theses

I work hard to keep language out of my studio. Language reminds me of my mom’s voice, people telling me what to do, not having the right accent, critiques, criticism in general, mis-truths, and never being good enough. Language is the material of my thoughts, and most of my thoughts, or the ones on a constant loop anyhow, are all those voices over and over again.

Painting is where I get to be me, with myself, and in my body. Painting is my home, family, refuge, and best friend. I’m not looking at myself from the outside, no one can …

Capture, Control, Circulate : Can We Queer Regulatory Power In Graphic Design?, Adie Fein

Masters Theses

Capture, Control, Circulate addresses regulatory power, the transmission and enforcement of culturally-sanctioned behaviors and identity. How does regulatory power operate in graphic design and what—if anything—can the graphic designer do to subvert that operation? The methodologies for subversion explored in this book typically draw from queer and trans* experience and thought. Therefore, the work herein takes up issues of identity, normativity, marginalization, and community.

This thesis also considers design education, and its contemporary emphasis on the capture and control of content. It advocates instead for an educational model that centers circulation; that is, graphic design’s capacity to platform, to publish, …

Mending What’S Invisible, Chaehee Yoon

Masters Theses

A written thesis to accompany the M.F.A. Exhibition Mending What’s Invisible, in which the artist’s personal experiences and memories explore the cultural identities and femininity in Korea and the US. These identities are explored by using traditional Korean motifs, embroidery patterns, and the visual images of the artist's childhood photographs in the projects of “Reconnecting of Nostalgia” and “Mutating”. Also the visual clips of the artist's hometown is demonstrated in the video project “Things I hated” that discusses criticalities of Korean cultures and a sense of nostalgia for childhood in Korea. The project comes out of a personal need to …

The Beauty Of Collision, Yixuan Pan

Masters Theses

As a Chinese artist living in the United States, I’m researching the integration of Eastern and Western aesthetics, as well as the loss of identity that can occur when visual cultures begin to assimilate. My work endeavors to locate the connection between Eastern and Western arts through my own memories and experiences. From the age of five, I have studied calligraphy and traditional Chinese painting with my grandfather, who was a calligraphy professor. Today, I use the shapes of traditional Chinese hand fans as symbols of youth, drawing from memories of my mother and grandmother brandishing the fans to help …

Glurp, Glurp, Glurp, Zihe Gong

Masters Theses

My thesis is an accumulation of many different things. It contains a body of work that consists of furniture, objects, sketches, illustrations, and spontaneous thoughts, as well as improvised writings and images of a variety of things that have largely influenced my own making. For me, design is a discipline that does not come into being through a linear direction. Similarly, I believe that a thesis does not comprise just one single narrative, culminating from one starting point. The process of designing and making is more like the way one prepares a meal - all of the ideas and research …

This Feels Familiar, E. Winslow Funaki

Masters Theses

This is a book about in-betweenness. It’s an examination of how we identify people and objects, the categories we use to do so, and those that don’t fit squarely into one or the other. It considers the grey areas of identity--race, gender, species, function, living, inanimate. It slips and slides through the ambiguous and indefinite, forever moving, always simultaneously being “both,” “all,” “neither,” and “none.”

Hain't, Jarrett Key

Masters Theses

Jarrett Key’s thesis book examines their journey towards understanding their freedom through three lenses: Survival, Transformation and Celebration. Through pointed excavation of the oral histories and lost stories of their upbringing in rural Alabama, their work presents critiques of the historical conditions that sowed the seeds of their contemporary personhood, while simultaneously creating spaces to celebrate beauty, joy, and survival. The objects Key builds perform their freedom and are crafted from materials that reference pieces of their own personal narrative. Highlighting works from Leaving the City (oil paintings on cement), the Hot Comb (forged black steel sculptures), and Slave Ship/ESP …

Mis Jarrones, Marco Sebastián Arroyo Hoebens

Masters Theses

This thesis offers an insight into the complex relationship between identity, memory and the creative process. A Q&A follows, designed to deepen the understanding of the self in different situations, places, cultures and design objects.

Apparently, memory has a leading role in triggering creative processes and this has forced me to do further research on my own past and on the objects that my memory retains. In the end, this “research on the self” has produced an interesting view on this particular creative process of designing.

Bitter Son, Adam Chuong

Masters Theses

This thesis concerns itself with centering the experiences of Asian Americans in order to better understand the complexities of the Asian American diasporic experience. The title of this thesis, 苦儿, roughly translates into English as “bitter son,” and is phonetically pronounced in Mandarin as “queer.” It lives directly at the intersection of these identities — Asian, American, Queer. This body of work is an act of making space and taking up space in an institution and discipline that has not largely been concerned with minority identities, or when it has, it has been misguided and prone to tokenism. It is …

Untitled, Ting Tan

Masters Theses

This is a collection of things I am interested in. Through these things I attempt an understanding of myself. They are unpredictable and often difficult to capture like clouds, trees, water, winds. This book is my journey of self discovery.

I walk in my memories. I walk in the city. There, I capture and record fleeting moments of things I love. Through this process, I give myself a chance to understand the reasons for this attraction. It also gives me an opportunity to understand why I want to find myself, and why I always want an exact answer to this …

Materializing Conflict And Resilience, Neta Ron

Masters Theses

As I was growing up, making objects felt like a superpower. It was, and still is enchanting to take an idea and transform it to an existing, tangible thing. I grew up in a family that encouraged self-sufficiency and creativity. Art has always been a great part of my life and it is an anchor that I rely on when I feel that I need to strengthen myself emotionally. In the last two years, I have been focused on understanding what is the role of making in my life, and why I am attracted to making jewelry. My work allows …

Context Clues, Brynn Trusewicz

Masters Theses

Context Clues explores the tensions between identity and appearance, especially as it relates to queer identities and the bodies that carry them.

It assumes that identity and appearance aren’t always straight forward or line up in expected ways.

It aims to expose our discomfort about this uncertainty.

It explores how we look at and evaluate others; what we observe and what we fill in.

It compares how we look at others and how we look to others.

It critiques the absurdity of how people perceive and interact with each other, by putting them in uncomfortable scenarios and exaggerating awkward situations. …