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Yes, Baby: Essays, Amy Gault Jan 2023

Yes, Baby: Essays, Amy Gault

MSU Graduate Theses

This creative thesis includes thirteen flash nonfiction pieces and one fiction short story exploring emotions and experiences that have changed who I am today. These writings are personal experiences or are inspired by personal experience. These creative works interrogate deeply transformative events and situations, such as familial relationships, trauma, poverty, living in the Midwest, patriarchy, and the beauty in existing. In the thesis’s critical introduction, I examine how my flash nonfiction pieces employ Milan Kundera’s theory of the appeal of play and Charles Baxter’s concept defamiliarization. I analyze how the succinct form of the flash essay allows my nonfiction writing …


Mrs. Blackbird And The Visiting Chair, Taylor Barnhart Jan 2023

Mrs. Blackbird And The Visiting Chair, Taylor Barnhart

MSU Graduate Theses

The following thesis is a middle grade novel exploring the events of one summer in the lives of two siblings, Susannah and Sawyer. The siblings are grieving the recent death of their mother and, at the same time, attempting to navigate the emotional withdrawal of their father. During the summer, the siblings get to know their eccentric neighbor, Mrs. Blackbird, who communicates with the spirit of her dead husband through an old armchair which is rumored to have magical powers. The novel deals primarily with the theme of grief and its pervasive nature in people’s lives. The story looks at …


The Boys With The Spare Keys, Katelyn Elizabeth Grisham May 2019

The Boys With The Spare Keys, Katelyn Elizabeth Grisham

MSU Graduate Theses

As human beings, we are constantly losing something: our keys, our wallets, our credits cards, or the mate to our favorite pair of socks. But what if you lose something that cannot be replaced, something that will impact your life in a permanent way? This collection looks at what it means to lose something life-altering; our sense of self, our friendships, our planned futures, our grasp on reality. Some things cannot be replaced. From trust fund kids to a dad preparing a Christmas tree for his daughter, this collection will explore the idea of what we can (or cannot) afford …


Fire To Vellum, Jessica L. Warren May 2019

Fire To Vellum, Jessica L. Warren

MSU Graduate Theses

Oswic’s simple life changed the day his mother died from poison. After finding a strange cache of trinkets and books in the loft of the barn, he begins to question everything and everyone he has known, including reality. Forced from his land and his home, Oswic takes his plough horse, the few fragments of truth from his life, and leaves Hægelfirth in search of the one person he believes can tell him of his past, the storyteller. But, it won’t be his past he needs to worry about when he starts to slip in and out of reality; seeing the …


Dear Me, Hannah Patricia Farley May 2018

Dear Me, Hannah Patricia Farley

MSU Graduate Theses

This collection of fiction includes short stories and a partial novella. A critical introduction provides background on the author’s writing and a theoretical framework as it pertains to the fiction highlighted in this thesis. The works presented explore aspects of genre fiction including magical realism, absurdism, and the bildungsroman. The partial novella relies heavily on epistolary form, confessional style entries, and continuous stream of action. The main characters of the included works serve as focal points which address themes of family life, addiction, mental illness, minority languages, and voice.


Going Home, Emily Susannah Budd Aug 2017

Going Home, Emily Susannah Budd

MSU Graduate Theses

I continue to explore the space that exists between worlds and ideology in an attempt to blur the demarcation between them. Using the everyday, I attempt to show features of the uncanny and sublime nature of common objects by including fantastic elements while maintaining an illusion of reality. Rather than showing the audience one true meaning, I offer them a lens to one of the infinite possibilities. The story is left for the observer to complete, each narrative unique and valid. As the Western viewer tends to seek out absolutes and categorical placements, I try to create a venue that …