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Parallel Tracks: Three Case Studies Of The Relationship Between Street Art And U.S. Museums In The Twenty-First Century, Erin Rolfs
LSU Master's Theses
An examination of three case studies involving U.S. museum exhibitions of street and graffiti art in the twenty-first century. This thesis covers the Brooklyn Museum of Art’s “Graffiti” show in 2006, Los Angeles’s Museum of Contemporary Art’s “Art in the Streets” in 2011, and the 2012-2015 activities of the Baton Rouge Museum of Public Art. These events offer a chronological and geographical range to provide a broad scope of investigation into the pitfalls and opportunities of museum’s exhibiting graffiti and street art. The heart of this research is not to prolong the debate about whether museums endanger their authority when …
"If You Stand On This Corner, People Know What You're About": Powerful Geographies Of Airline & Goodwood In #Justiceforalton, Shannon Kathleen Groll
"If You Stand On This Corner, People Know What You're About": Powerful Geographies Of Airline & Goodwood In #Justiceforalton, Shannon Kathleen Groll
LSU Master's Theses
This thesis seeks to understand the multiple geographies of Airline & Goodwood, a site of protest occupied nightly during a part of summer 2016 in response to the police shooting of Alton Sterling. Through a methodology of observant-participation, interviews, and oral histories, I make the case that the politics of this site differed from other contemporaneous protest sites in the city through specific place-making activity which highlighted the site’s powerful contemporary and historical geographies. I connect protest at this site to the precarity of Black life and death in Baton Rouge through interviews and oral histories which discuss the historical …