Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 8 of 8

Full-Text Articles in Entire DC Network

The Somewhat Less Than Super Adventures Of The Gargoyle And The Sparrow, Including The Pseudo-Comical Incident Of The Fan Fiction And What Transpired After, Thomas Arcuri Jun 2015

The Somewhat Less Than Super Adventures Of The Gargoyle And The Sparrow, Including The Pseudo-Comical Incident Of The Fan Fiction And What Transpired After, Thomas Arcuri

Honors Theses

What do superheroes do when they retire? Are they expected to go out and reinvent themselves, maybe write a heartwarming memoir--or worse, sit in silence for the rest of their days as if it never happened? Two out of three of those wouldn't make for very interesting theatre, so I went with Option 1. Frank and Eddie (formerly known as masked avengers The Gargoyle and The Sparrow) haven't seen much of each other since leaving the trade, so when Eddie visits his old comrade out of the blue after fifteen years, it's odd enough. When he pulls out a scheme …


Otaku – A Case Of Assigned Identities, Steven O'Branovich Jun 2015

Otaku – A Case Of Assigned Identities, Steven O'Branovich

Honors Theses

With the international rise in popularity of anime and manga in the 1990s, Japan shattered its image as a nation of soulless salary men and robots and became an entertainment giant. Since then, anime has become an even larger force in the global cultural landscape, growing from a niche tape-trading market at science fiction conventions to inspiring large-scale conventions of its own. The driving force behind this expansion is a group of people known as otaku. Internationally, otaku are often defined simply as enthusiastic fans of Japanese popular culture and of anime and manga in particular. In Japan, however, the …


Comics As Film, Film As Comics: The Examples Of Alan Moore, Daniel Clowes, And Harvey Pekar, Rachel A. Atherton May 2015

Comics As Film, Film As Comics: The Examples Of Alan Moore, Daniel Clowes, And Harvey Pekar, Rachel A. Atherton

Honors Theses

No abstract provided.


From King Leonidas To Lord Farquaad: Popular Culture And How Authority Is Portrayed In Popular Film Of 2000-2009, Solai N. Wyman May 2015

From King Leonidas To Lord Farquaad: Popular Culture And How Authority Is Portrayed In Popular Film Of 2000-2009, Solai N. Wyman

Honors Theses

In a modern age dominated by technology, the role of entertainment such as film is steadily growing in American culture and politics. Film and politics “inform” one another, meaning that film reflects the politics within a society in which they are placed (Christensen & Haas 2005). Using this as justification, the central research question of this thesis is, "What is the political content of popular films of the 2000s in terms of authority, and what does this suggest about the culture and view on authority of the Millennials as a generation?" A content analysis of popular films from 2000-2009 was …


“Forget The Old . . . The New Wonder Woman Is Here”: The New Wonder Woman And The Feminist Movement, 1968-1972, Kristi N. Fleetwood May 2015

“Forget The Old . . . The New Wonder Woman Is Here”: The New Wonder Woman And The Feminist Movement, 1968-1972, Kristi N. Fleetwood

Honors Theses

In 1968, Wonder Woman gives up her powers and embraces her human identity as Diana Prince. Powerless, she learns martial arts and continues to fight. The majority of discussion surrounding the Diana Prince era—Wonder Woman #178-204—argues for the period as embracing anti-feminist sentiment. This analysis of the Diana Prince era argues that the portrayal of Diana Prince without her superhero persona aligns with the ideals of the 1970s feminist movement. By incorporating general themes and ideas of feminism, the comic portrays Diana Prince in a feminist light throughout the comic. Even though her powers are striped, she is able …


Discourse And Narrative: Creating Gender Control In Junot Diaz's The Brief Wondrous Life Of Oscar Wao, Charles Lee Jan 2015

Discourse And Narrative: Creating Gender Control In Junot Diaz's The Brief Wondrous Life Of Oscar Wao, Charles Lee

Honors Theses

Junot Diaz's Pulitzer-Prize-Winning 2007 novel The Brief Wondrous Life of Oscar Wao explores Dominican masculinity through narrator Yunior de Las Casas's portrayal of protagonist Oscar de Leon's family history. Yunior's perceived virility shapes his understanding of masculinity, which he stresses through the novel's plot and structure. This analysis considers how Yunior constructs Dominican masculinity through his narrative by marginalizing and emasculating passive character such as Oscar. I argue that Yunior's narrative closely links definition of masculinity and power as he strives to dominate passive characters in order to assert his virility as the "best" method for being a Dominican man.


Film Marketing And The Creation Of The Hollywood Blockbuster, Colton J. Herrington Jan 2015

Film Marketing And The Creation Of The Hollywood Blockbuster, Colton J. Herrington

Honors Theses

The purpose of this study is to trace the Hollywood blockbuster from its roots, gain insight into how Steven Spielberg's Jaws and George Lucas' Star Wars ushered in the Blockbuster Era, and explore how the blockbuster has evolved throughout the subsequent decades into its current state. This case study uncovers the intertwining relationship between revolutionary film marketing tactics and the creation of the blockbuster as a genre and strategy and observes how increased costs of film marketing and the rise of ancillary markets and new media have led to a contemporary slate of blockbusters alternatingly different and similar from those …


Modern American Myth-Making In Mass Media Texts, Kassandra Andreadis Jan 2015

Modern American Myth-Making In Mass Media Texts, Kassandra Andreadis

Honors Theses

What is an American myth? “Myth” can have many meanings and can refer to many different types of works. For example, Edwards and Klosa refer to Frankenstein as “an important mythic text” (Edwards and Klosa 34), which provides a middle point between ancient myths (e.g. the Odyssey) and current myths, showing that myths have continued to be produced and establishing myth-making as a continuous process. This process continues into the present, all over the world, so it stands to reason that the United States of America has its own myths. The identity of those myths is less certain. While ideas …