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The New Man: Evolving Masculinity In F. Scott Fitzgerald's This Side Of Paradise, "Winter Dreams," And "The Swimmers", Adrian Nicole Coursey
The New Man: Evolving Masculinity In F. Scott Fitzgerald's This Side Of Paradise, "Winter Dreams," And "The Swimmers", Adrian Nicole Coursey
Electronic Theses and Dissertations
The evolving culture and ethos of American capitalist modernity in the late nineteenth and early twentieth centuries was marked by a nervousness, or neurasthenia. Strongly gendered, it was characterized among men by effeminacy and an anxiety about masculinity. Confronted by the eroding ideals of Victorian American self-reliance and independence, a stout-hearted willingness to labor to establish one's masculinity seemed an increasingly doubtful prospect for men in the new modern age. Under the twin influences of industrial capitalism and a market economy and a fledgling women's movement, affecting, especially, the work place, the American male felt nervous, anxious, and emasculated. In …
The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed
The Caustic Pen Is Mightiest: A Tradition Of Female Satire In The Novels Of Jane Austen, Ivy Compton-Burnett, And Muriel Spark, Jaclyn Andrea Reed
Electronic Theses and Dissertations
Female satirists have long been treated by critics as anomalies within an androcentric genre because of the reticence to acknowledge women's right to express aggression through their writing. In Pride and Prejudice (1813), A House and Its Head (1935), and The Girls of Slender Means (1963), Jane Austen (1775-1817), Ivy Compton-Burnett (1884-1969), and Muriel Spark (1918-2006) all combine elements of realism and satire within the vehicle of the domestic novel to target institutions of their patriarchal societies, including marriage and family dynamics, as well as the evolving conceptions of domesticity and femininity, with a subtle feminism. These female satirists illuminate …
Matrices Of Disorder: Class, Race, And The Policing Of Normative Southern Femininity In William Faulkner's The Sound And The Fury, As I Lay Dying, Sanctuary, And Requiem For A Nun, Claire B. Mischker
Matrices Of Disorder: Class, Race, And The Policing Of Normative Southern Femininity In William Faulkner's The Sound And The Fury, As I Lay Dying, Sanctuary, And Requiem For A Nun, Claire B. Mischker
Electronic Theses and Dissertations
In this project, I apply Judith Butler's late twentieth century theory of gender performance, outlined in her book Gender Trouble , to three major novels from William Faulkner's early career, The Sound and the Fury, As I Lay Dying, and Sanctuary, and to one novel from his later period, Requiem for a Nun. This project examines the main female characters of these novels: Caddy Compson, Addie and Dewey Dell Bundren, Temple Drake, and Nancy Mannigoe, respectively, to reveal how race and class are indelible to the performance of gender in the literature of the early twentieth century South. The focus …