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On The Road From Melville To Postmodernism: The Case For Kerouac's Canonization., Jeffrey Warren King
On The Road From Melville To Postmodernism: The Case For Kerouac's Canonization., Jeffrey Warren King
Electronic Theses and Dissertations
With the publication of On the Road in 1957, Jack Kerouac became a cultural phenomenon. Crowned the "King" of the Beat Generation, Kerouac embodied the restlessness of Cold War-era America. What no one realized at the time, however, was that the movement that he supposedly led went against Kerouac's own beliefs. Rather than rebellion, Kerouac wanted to write in a way that no one had written before. Heavily influenced by, among others, Mark Twain, Fyodor Dostoevsky, Marcel Proust, Herman Melville, and, especially, James Joyce, Kerouac used the influence of his predecessors to formulate his own style of writing-spontaneous prose. The …
Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation, Victoria Mosher
Beyond Postmodern Margins: Theorizing Postfeminist Consequences Through Popular Female Representation, Victoria Mosher
Electronic Theses and Dissertations
In 1988, Linda Nicholson and Nancy Fraser published an article entitled "Social Criticism Without Philosophy: An Encounter Between Feminism and Postmodernism," arguing that this essay would provide a jumping point for discussion between feminisms and postmodernisms within academia. Within this essay, Nicholson and Fraser largely disavow a number of second wave feminist theories due to their essentialist and foundationalist underpinnings in favor of a set of postmodernist frameworks that might help feminist theorists overcome these epistemological impediments. A "postmodern feminism," Nicholson and Fraser claim, would become "the theoretical counterpart of a broader, richer, more complex, and multilayered solidarity, the sort …