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Articles 1 - 21 of 21
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Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
Review Of Emily Sun’S On The Horizon Of World Literature, Jing Yang
CLCWeb: Comparative Literature and Culture
No abstract provided.
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
The Malvinas/Falklands War In Transatlantic Narratives: Exploring Collective Memory And Negotiating Self/Other Identity, Andrea R. Bellot
CLCWeb: Comparative Literature and Culture
In her article "The Malvinas/Falklands War in Transatlantic Narratives: Exploring Collective Memory and Negotiating Self/Other Identity", Andrea R. Bellot examines the remembrance of the Malvinas/Falklands War (1982) through cultural texts for children, presenting a comparative analysis of post-war narratives from both the United Kingdom and Argentina. Through a detailed exploration of "The Tin-Pot Foreign General and the Old Iron Woman" by British author and illustrator Raymond Briggs (1984), and the Argentine TV cartoon show "La Asombrosa Excursión de Zamba en las Islas Malvinas" (2012), broadcasted on Paka Paka, Bellot discusses how collective memory and national identity are crafted and contested …
Chinese Ideas And American Politics: Confucius As A Guideline For Leadership, Alfred Hornung
Chinese Ideas And American Politics: Confucius As A Guideline For Leadership, Alfred Hornung
CLCWeb: Comparative Literature and Culture
In his article "Chinese Ideas and American Politics: Confucius as a Guideline for Leadership", Alfred Hornung traces the influence of Chinese ideas on American politics with a focus on the works of Confucius. The more than 2.500-year-old impact of the Chinese philosopher on public conduct and his pursuit of virtuous perfection has served as a guideline for leadership emanating from China to Europe and America. For this trajectory of ideas, the historic and the new Silk Road play a decisive role. The exchange of goods along the land-based and maritime routes, which inform Xi Jinping's Belt and Road Initiative, also …
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
All Men Are Brothers: Pearl S. Buck’S Translation Of Shui Hu Zhuan And Its Effects On Her Writing Career, Zhihui Sophia Geng
CLCWeb: Comparative Literature and Culture
In her article “All Men Are Brothers: Pearl S. Buck’s Translation of Shui Hu Zhuan and its Effects on Her Writing Career,” Zhihui Sophia Geng focuses on Pulitzer Prize winner and Noble Laureate Pearl Sydenstricker Buck’s All Men Are Brothers, her translation of the classical Chinese novel Shui Hu Zhuan. She examines the reception of her translation and analyzes the significance of All Men Are Brothers to Buck’s literary career. By providing the first complete translation of Shui Hu Zhuan to an English-speaking audience, Buck made a significant cultural contribution to the United States and English-speaking cultural spheres. The …
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
Engaging China: Beckett’S Debt To Pound, Giles, And Laloy, Lidan Lin
CLCWeb: Comparative Literature and Culture
In her article "Engaging China: Beckett’s Debt to Pound, Giles, and Laloy," Lidan Lin examines Ezra Pound’s influence on Samuel Beckett. In their dealings with China, Pound and Beckett are both indebted to such sinologists and cultural transmitters as Ernest Fenollosa, H. A. Giles, Louis Laloy, and Laurence Binyon who introduced Chinese culture, literature, and arts to the Western world through translation and their writings about China. Lin situates the Pound-Beckett connection in the broad cultural context of the early 20th century. She argues that while modernism’s turn to China as a cultural paradigm was collectively brought about by …
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
Translation As Creative Writing: Rewriting The Chinese Maze Murders In Contemporary China, Xiaoquan Raphael Zhang
CLCWeb: Comparative Literature and Culture
In his article “Translation as Creative Writing: Rewriting The Chinese Maze Murders in Contemporary China,” Xiaoquan Raphael Zhang examines four groups of selected writings centered on one of Robert van Gulik’s more well-known Judge Dee novels, The Chinese Maze Murders (written first in English but not published until 1956). Different from most publications on van Gulik and his novels, Zhang examines the impact of censorship and self-censorship on the writing, rewriting, and (re)adapting, “literal” and “liberal/free” translation of the Judge Dee stories traveling between Chinese and English, between China and the West, for Chinese and non-Chinese audiences. Focus is given …
Exotic Construction Of An Ancient Oriental Sappho: On Rexroth’S Creative Translation Of Li Ch’Ing-Chao’S Ci-Poems And Its Influences, Yuqun Fu
CLCWeb: Comparative Literature and Culture
In her article “Exotic Construction of an Ancient Oriental Sappho: On Rexroth’s Creative Translation of Li Ch’ing-Chao’s Ci-Poems and its Influences,” Yuqun Fu discusses Li Ch’ing-Chao’s Ci-poems and her identity as a woman intellect in the patriarchal and feudal Song Dynasty of China. Due to Kenneth Rexroth’s feminist perspective and Sappho complex as well as his own pursuit to excel in the hipster stylistics of the newly prospering Beat writers, Rexroth turns to the Eastern women poets to fuel his own cause, especially in his idiosyncratic way of interpreting and translating Li Ch’ing-Chao. His translation focuses on gender identity and …
Precarious Refugee: Self-Optimization And Neoliberal Rationality In Rawi Hage’S Cockroach, Shahab Nadimi
Precarious Refugee: Self-Optimization And Neoliberal Rationality In Rawi Hage’S Cockroach, Shahab Nadimi
CLCWeb: Comparative Literature and Culture
In his article "Precarious Refugee: Self-Optimization and Neoliberal Rationality in Rawi Hage’s Cockroach," Shahab Nadimi examines Rawi Hage’s Cockroach as an example of refugee literature in the light of current debates about neoliberal biopolitics and the idea of a new form of life. Refugees, who are neither identified as citizens nor totally as strangers, are forced to compete in unequal circumstances of economic mobility with other citizens, often leaving them in a condition of personal debts, unemployment, and mental distress. Nadimi investigates Cockroach’s depiction of psychological breakdown, suicidal attempts, and metamorphosis as symptomatic of and critical to the neoliberal …
The Female Best-Friend Novel: Narration And The Reconsideration Of The Political Act, Neta Stahl
The Female Best-Friend Novel: Narration And The Reconsideration Of The Political Act, Neta Stahl
CLCWeb: Comparative Literature and Culture
In her article “The Female Best-Friend Novel: Narration and the Reconsideration of the Political Act,” Neta Stahl argues that twentieth- and twenty-first-century women novelists borrowed the eighteenth- and nineteenth-century best-friend narrative, reintroducing it for the purpose of challenging the very concept of the political act, namely, what modern, liberal society considers as a political action and what stands behind it. The article focuses on four novels written by novelists from four different countries: the American novelist Toni Morrison’s Sula (1973); the Israeli novelist Ronit Matalon’s Sarah, Sarah (2000); the Italian novelist Elena Ferrante’s L’amica geniale: Storia di chi fugge e …
Western Theory’S Chinese Transformation: Postscript, Liu Kang
Western Theory’S Chinese Transformation: Postscript, Liu Kang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Out Of The Myths Of “Revolutionary China”: Liu Kang Versus Žižek & Badiou, Liu Xin
Out Of The Myths Of “Revolutionary China”: Liu Kang Versus Žižek & Badiou, Liu Xin
CLCWeb: Comparative Literature and Culture
The highlight of the 2011 special issue of Positions on Slavoj Žižek is the debate between Liu Kang and Žižek on “Revolutionary China.” It unpacks the Western left’s political unconsciousness and myths about China in several respects. First, revolution is not a parody-travesty of the “tradition” that Žižek concocts from romanticized fantasies of a “retrospective tradition” drawn from Jorge Luis Borges and T. S. Eliot. Second, revolution is not Alain Badiou’s “truth event,” which tends to reduce the Chinese Cultural Revolution to an abstract “event” in process, neglecting the real calamities of the so-called utopian experiment. Third, the key problematic …
Two Imagined Chinas In Tel Quel, Wang Yichen
Two Imagined Chinas In Tel Quel, Wang Yichen
CLCWeb: Comparative Literature and Culture
From the mid-1960s, the literary review Tel Quel shifted its anti-traditional and avant-garde stance in arts and literature toward politics within the radical political context in France. Its editor Philippe Sollers initiated a “political turn,” marked by its transformation from its “structuralist period” to its “China period.” Its “China period” inadvertently created a “textual spectacle” of two imagined Chinas: first, a poetic, static “ancient China” represented by Daoism (Taoism), Chinese ideograms, and classical Chinese art and poetry; and second, a revolutionary, subversive “modern China” represented by Maoism along with Lu Xun and other left-wing writers. Taking appropriation, rather than misreading, …
Deleuze’S Challenge To Hegel’S Aesthetics—Chinese Aesthetics In The Confrontation Between German Classical Aesthetics And Postmodernism, Wu Yuyu
CLCWeb: Comparative Literature and Culture
German classical aesthetics, featuring a systematic analysis of concepts and theories, plays a fundamental role in the founding of Chinese modern aesthetics. From the 1980s, when the spread of Western theories began to flourish, Chinese scholars assimilated deconstructionist thought (for example, that of Deleuze) and started to reflect on German classical aesthetics as represented by Kant and Hegel. Chinese aesthetics presents various characteristics in the confrontation between German classical aesthetics and French deconstructionist thought. From the perspective of German classical aesthetics, China has no philosophy, tragedy, or system. The Chinese culture became a thinking resource for criticizing essentialism and dualism …
French Left-Wing Literary Theory And Mao Zedong Thought, Han Zhenjiang, Zhang Yuling
French Left-Wing Literary Theory And Mao Zedong Thought, Han Zhenjiang, Zhang Yuling
CLCWeb: Comparative Literature and Culture
French left-wing literary theories have continued to accept and interpret Mao Zedong’s thought (including his theories on literature and art) from the 1960s to today. This intellectual communication enabled the formation of Louis Althusser’s structural Marxism and contemporary left-wing literary theory. Mao’s theory of contradiction and his thoughts on reliance on the popular masses, aesthetics and politics, and people’s literature and art are the major intellectual resources for Louis Althusser’s, Alain Badiou’s, and Slavoj Žižek’s theories and are fully integrated into their theoretical system and critical practice. Althusser, Badiou, and Žižek innovated materialistic dialectics on the basis of Mao’s theory …
“China Form” And The Question Of The Frankfurt School, Duan Jifang
“China Form” And The Question Of The Frankfurt School, Duan Jifang
CLCWeb: Comparative Literature and Culture
Theories of the Frankfurt School were introduced into aesthetics studies in China at the end of the 1970s. After more than 40 years of theoretical journey, the ideas of the Frankfurt School have undergone a process from “criticism/query/opposition” to “recognition/acceptance/approval,” and have also substantially completed “theoretical linkage” with Chinese aesthetics. As a Western discourse, the theories of the Frankfurt School, like other theories, are faced with scrutinization in the Chinese context. China’s acceptance of the School plays an objective role in promoting the transformation of its contemporary aesthetic discourse, making contemporary aesthetic research in China more obvious in its problem …
Knowledge Production In The Theory Of Literature And Art In Contemporary China: From A Generations Perspective, Tao Dongfeng, Zhang Chun
Knowledge Production In The Theory Of Literature And Art In Contemporary China: From A Generations Perspective, Tao Dongfeng, Zhang Chun
CLCWeb: Comparative Literature and Culture
In the field of theory of literature and art (i.e., the discipline of Wenyi xue) in contemporary China, the post-1930s and the post-1950s generations (scholars who were born between 1930 and 1939 and between 1950 and 1959, respectively) are the most influential ones. They are father and son generations both in a physiological and a sociocultural sense; both occupied or are still occupying important positions in Chinese academia. Their profound differences in life experiences, educational background, intellectual structures, cultural stances, and literary perspectives significantly affect their knowledge production in Chinese literary theory. This article attempts to use Karl Mannheim’s …
Chinese Modern Leftist Affect And Aesthetic-Affective Modernity In The Global Affective Turn, Yan Fang
Chinese Modern Leftist Affect And Aesthetic-Affective Modernity In The Global Affective Turn, Yan Fang
CLCWeb: Comparative Literature and Culture
Influenced by China’s distinctive “qing” tradition, ranging from the “affective Enlightenment” to the sentimental/affective revolution, both China’s modern Enlightenment movement and the Chinese leftists’ endeavors for social transformation and revolution heavily relied on the emotions and affect, especially those within literature, art, and aesthetics. The dyna mics of “moods” proposed by Qu Qiubai, the “national form” movement, and the Maoist affect not only foreshadowed and actualized but also enriched the conceptualizations of feelings, emotions, and affect by Western theorists such as Gramsci, Raymond Williams, Gilles Deleuze, and Jacques Rancière. With its meticulous portrayal and innovative theorization of the …
Traveling Theory And Discursive Transformation: The Reception Of Walter Benjamin And Emmanuel Levinas In China, Wang Jiajun, Tang Qilin
Traveling Theory And Discursive Transformation: The Reception Of Walter Benjamin And Emmanuel Levinas In China, Wang Jiajun, Tang Qilin
CLCWeb: Comparative Literature and Culture
Chinese scholars are increasingly interested in Jewish philosophy and culture and the philosophical concept of redemption. That is bringing about more and more studies on Walter Benjamin and Emmanuel Levinas, two of the most well-known Jewish philosophers. In these studies, conducted with different approaches and from diverse perspectives, Chinese scholars are attempting to connect the philosophers’ theories with some of their Chinese counterparts. Overall, they are well received or Sinicized, but in different fields, and to different extent, deserving an in-depth comparative study. Obviously a large amount of works have been produced in attempts to have dialogues with Benjamin and …
The Many Afterlives Of Orientalism: Translation, Reception, And Appropriation Of Saidian Theory In China, Wu You
CLCWeb: Comparative Literature and Culture
During the mass translation of Western “post-isms” since the 1990s, Saidian postcolonial theory, Orientalism in particular, was introduced to China through interpretation, reception, and appropriation in the Chinese academe, becoming an important discursive tool for the debate about China. The translated work is perceived as the “afterlife” of the original work, and Saidian theory achieves its constantly renewed and comprehensive unfolding through translation and critical reception in China. In this sense, translation contributes to the complexity and multiplicity of traveling theories, which plays an important part in the formation of Chinese literary theories. Arguably, theoretical transformation occurs through debates and …
The Making Of Chinese Meixue, Li Qingben, Wang Gang
The Making Of Chinese Meixue, Li Qingben, Wang Gang
CLCWeb: Comparative Literature and Culture
In “The Making of Chinese Meixue,” Li and Wang discuss the Chinese translation of the term “aesthetics.” It had been believed that it was the German missionary Ernst Faber who first coined the Chinese term “meixue,” which is refuted in this paper. The view that the term “shenmeixue” in Japan was derived from Wilhelm Lobscheid’s English and Chinese Dictionary also lacks factual basis. It is true that the term “meixue” was introduced to China from the West via Japan, but it was then a term that had not yet developed within a specific …
Introduction: Western Theory’S Chinese Transformation, Zeng Jun
Introduction: Western Theory’S Chinese Transformation, Zeng Jun
CLCWeb: Comparative Literature and Culture
No abstract provided.