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Articles 1 - 15 of 15
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John Gower: The Minor Latin Works, Robert J. Meindl, Mark T. Riley
John Gower: The Minor Latin Works, Robert J. Meindl, Mark T. Riley
Accessus
A translation, with introductions, of the minor Latin works of John Gower.
Gower In Exile, Joel Fredell
Gower In Exile, Joel Fredell
Accessus
The articles in Hope and Healing reveal John Gower's interest in an inclusive approach to human suffering, but also a clear-eyed look at its suffering. The experience of Amans in the Confessio Amantis, exiled from the love court of Venus, represents a powerful vision of love-agony as a central form of human suffering, not a cliche of love poetry.
Writing Into Hope: Laughter, Sadness And Healing In John Gower's Confessio Amantis, Natalie Grinnell
Writing Into Hope: Laughter, Sadness And Healing In John Gower's Confessio Amantis, Natalie Grinnell
Accessus
This article uses the theory of the narrative creation of the self to contend that the Confessio Amantis creates a space for narrative healing within the acknowledgement of mortality. Rather than being traditionally funny or ending in amorous or military victory, Gower’s poem uses the encyclopedia knowledge of the interpolated tales to establish a healing narrative in the face of failure and loss.
The Unfinished Hope Of Gower's Transgender Children, Gabrielle M.W. Bychowski
The Unfinished Hope Of Gower's Transgender Children, Gabrielle M.W. Bychowski
Accessus
This article examines two of Gower's tales from the Confessio Amantis that deal with trans youths: Iphis and Narcissus. Considering these two tales together, I ask the question: why does one story end with hopeful futurity for the trans masculine youth and the other end with death and the absence of futurity for the trans feminine youth. Connecting these medieval texts to premodern contexts and then with modern contexts, I map the trajectory of centuries long problems facing trans youths. In the end, I conclude that trans youth possess a healthier and more stable future when they receive trans affirming …
Gower´S Queer Poetics In The Mirour De L'Omme, María Bullón-Fernández
Gower´S Queer Poetics In The Mirour De L'Omme, María Bullón-Fernández
Accessus
Gower's Queer Poetics in the Mirour de l'Omme
In the Mirour de l’Omme John Gower describes the allegorical Sins as both deceitful and “hermafrodrite” and later confesses to having engaged in queer practices in his earlier courtly poetry. Gower’s confession and his association of the Sins with intersexuality, I will argue, do not entail ultimately a rejection of queer poetics. In his Life of the Virgin Mary, the final part of the Mirour, Gower deploys a different kind of queer poetics, one that acknowledges the indeterminacies of language but still seeks to stabilize meaning, while intertwining male and female.
The Community Of The Realm: Gower's Account Of The Commons In Book V Of The Vox Clamantis, Robert J. Meindl
The Community Of The Realm: Gower's Account Of The Commons In Book V Of The Vox Clamantis, Robert J. Meindl
Accessus
Gower's stated intention at the beginning of Book III of the Vox Clamantis to survey the three degrees of the world, i.e. the clerics, knights, and farmers, is not forthcoming in exactly the manner he specifies. Instead, he delivers a lengthy critique of the clergy in Books III and IV and then an account of the secular world apart from the nobility in Book V. This book deals with the rural and urban components of late fourteenth-century English society, that is, the gentry and the bound and free agricultural workers on the one hand and the merchants, artisans, and plebs …
Narcissus In Queer Time, Lacey M. Wolfer
Narcissus In Queer Time, Lacey M. Wolfer
Accessus
Queer temporality has been studied in relation to the Middle Ages as a means of questioning the prevailing historiography for other modes of connection to the past, such as embodied or affective. Conversely, the other branch of queer temporality has been primarily interested in how queer lifestyles today disrupt the heteronormative plan laid out by society. Joining these modes, Gower’s revision of Narcissus questions our notions of historiography through showing us an example of a queer, transgender character and his struggles with heteronormative expectations—demonstrating that the medieval is not so disconnected from the modern.
One Voice, Ancient And Resigned, Will Rogers
One Voice, Ancient And Resigned, Will Rogers
Accessus
While we know, or at least can imagine, what Gower looked like in his old age, it is hard to imagine or hear his voice. And yet, given what we know about his old age and visual impairments, his voice necessarily was important to his old age and continuing revisions of his texts. In this article, I attempt to reconstruct from some of his later poetry what that voice might have sounded like, at least in-text, and piece together how later authors heard that voice of old age.
“Als Wel The Lord As The Schepherde, He Broghte Hem Alle In Good Accord”: Harmonious Materialism In The Confessio Amantis, Roger A. Ladd
“Als Wel The Lord As The Schepherde, He Broghte Hem Alle In Good Accord”: Harmonious Materialism In The Confessio Amantis, Roger A. Ladd
Accessus
Using R. F. Yeager's analysis of the figure Arion as a starting point, this article argues that in the Confessio Amantis, John Gower shifts his impulse toward social correction from direct estates satire to a more subtle approach encoding his social critique in the love stories of the Confessio. Examples of this approach include a variety of tales from Book 5, and the Apollonius of Tyre story in Book 8. Details of the poem's ending and later works like "In Praise of Peace" indicate that Gower still retained an interest in direct critique of social problems.
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Godfrey Of Viterbo’S Pantheon And John Gower’S Confessio Amantis: The Story Of Apollonius Retold, Thari L. Zweers
Accessus
Even though Gower identifies Godfrey of Viterbo's Pantheon in the first two lines of the "Tale of Apollonius of Tyre" in Book VIII of the Confessio Amantis as the main source for his retelling of this tale, the connection between these two works has long been mostly ignored, and even denied. This essay aims to remedy this oversight by showcasing how Gower went beyond merely mentioning the Pantheon and used Godfrey's version of the tale as a thematic and stylistic model for his account of this incestuous tale of desire. Gower takes his cue from Godfrey in imbuing the titillating …
Undiagnosing Iphis: How The Lack Of Trauma In John Gower’S “Iphis And Iante” Reinforces A Subversive Trans Narrative, C Janecek
Accessus
Trauma has long played a role in queer narratives, including Ovid’s “Iphis and Ianthe”, which many scholars have interpreted as reinforcing heteronormativity through Iphis’s transformation into a man in order to marry Ianthe. However, I argue that John Gower’s rendition of this tale reframes Iphis as a trans man and allows us to understand the poem as a subversive trans narrative that revolts against cisnormative conceptions of gender. Utilizing Judith Butler’s writing on the medicalization of gender, I explore the relationship between trauma, performance, and gender within the Ovidian and Gowerian versions of Iphis.
Unconfessing Transgender: Dysphoric Youths And The Medicalization Of Madness In John Gower’S “Tale Of Iphis And Ianthe”, M W. Bychowski
Unconfessing Transgender: Dysphoric Youths And The Medicalization Of Madness In John Gower’S “Tale Of Iphis And Ianthe”, M W. Bychowski
Accessus
On the brink of the twenty-first century, Judith Butler argues in “Undiagnosing Gender” that the Diagnostic and Statistical Manual of Mental Disorders (DSM) defines the psychiatric condition of “Gender Identity Disorder” (or “Gender Dysphoria”) in ways that control biological diversity and construct “transgender” as a marginalized identity. By turning the study of gender away from vulnerable individuals and towards the broader systems of power, Butler works to liberate bodies from the medical mechanisms managing difference and precluding potentially disruptive innovations in forms of life and embodiment by creating categories of gender and disability.
Turning to the brink of the 15 …
Reflection, Interrupted: Material Mirror Work In The Confessio Amantis, Jenny Boyar
Reflection, Interrupted: Material Mirror Work In The Confessio Amantis, Jenny Boyar
Accessus
The Confessio Amantis concludes with a revelatory scene in which Venus holds up a mirror to Amans, allowing him to recognize John Gower the poet— a moment that is often read as a mimetic and healing counterpoint to the Confessio’s sickness and self-questioning. My intention in this paper is to very slightly modify certain aspects of this narrative, to consider how the materiality of the mirror can inform its metaphoric deployments in the Confessio. I organize my discussion around two seemingly contrasting moments in the poem in which the self is seen and in different ways recognized through …
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
Semper Venalis: Gower's Avaricious Lawyers, Robert Meindl
Accessus
The first three chapters of the sixth book of the Vox Clamantis (lines 1-248) comprise a harsh critique of the many avaricious lawyers who, in Gower’s opinion, have come to dominate their profession to the disadvantage of English society in the late fourteenth century. Driven exclusively by their appetite for possessions, they have forgotten the biblical model presented in Psalm 14 that specifies the obligation of the good man to assist without recompense his neighbor’s search for justice. Falsely claiming to be men of law and inheritors of the biblical model of the good man, the causidici (as Gower calls …
Blindness, Confession, And Re-Membering In Gower's Confessio, Tory Vandeventer Pearman
Blindness, Confession, And Re-Membering In Gower's Confessio, Tory Vandeventer Pearman
Accessus
Much scholarship on Gower’s Confessio Amantis has focused on the poem’s assertion that poetic narration, represented by Amans’ ongoing confession, has the ability to restore the fragmentary natures of social and spiritual bodies. Surprisingly, the role that the (dis)abled body plays in the poem’s struggle with fragmentation and integration has been ignored. By focusing on the poem’s representation of blindness in the tales of Medusa and Constance, I will demonstrate that the formal structure and thematic explorations of the Confessio, in fact, rely upon the (dis)abled body and its inextricable relationship to narration. Indeed, it is Amans’ disabling illness …