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Washington University in St. Louis

Theses/Dissertations

2019

Collaboration

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Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl Aug 2019

Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl

Arts & Sciences Electronic Theses and Dissertations

“I can get an idea for a musical…from getting politically roiled up about one or another thing.” - Director/producer Harold Prince “I couldn’t have been less interested in politics.” - Composer/lyricist Stephen Sondheim Despite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim …


Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl Aug 2019

Sociocultural And Collaborative Antagonism In The Harold Prince-Stephen Sondheim Musicals (1970-1979), Ashley Marian Pribyl

Arts & Sciences Electronic Theses and Dissertations

“I can get an idea for a musical…from getting politically roiled up about one or another thing.”

- Director/producer Harold Prince

“I couldn’t have been less interested in politics.”

- Composer/lyricist Stephen Sondheim

Despite the above seemingly incompatible quotes, Harold Prince and Stephen Sondheim somehow ended up forming one of Broadway’s most enduring collaborative legacies. Prince, who strived to challenge his audience’s political complacency, often clashed with Sondheim, whose primary consideration was individual characterization and narrative arc. Prince also chose other collaborators who were more interested in creating politically challenging works, contrary to Sondheim’s focus. When collaborating, Prince and Sondheim …