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Virginia Commonwealth University

Theses/Dissertations

2012

Movement

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The Anatomy Of Expression: Explorations On The Intersection Of Acting And The Alexander Technique, Kelley Schoger Jul 2012

The Anatomy Of Expression: Explorations On The Intersection Of Acting And The Alexander Technique, Kelley Schoger

Theses and Dissertations

The aim of this paper is to illuminate how the principles of the Alexander Technique and the role of bodily systems can serve as a foundational support for actor training. Inclusion of the Alexander Technique in the acting curriculum proves to be an effective tool for bridging the gap between kinesthetic learning and its application to beginning acting training. Starting with the nervous system, the operating principles of the Alexander Technique are discussed through research and personal insights. Next, in light of how self-discovery plays a key role in the first year of actor training, the idea of release in …


Method In Motion: Grounding A Movement Pedagogy In The Lessons Of Stanislavski, Kevin Inouye Apr 2012

Method In Motion: Grounding A Movement Pedagogy In The Lessons Of Stanislavski, Kevin Inouye

Theses and Dissertations

This thesis is an exploration of movement pedagogy as a continuation of basic acting lessons from Stanislavski. Using the example of an introductory semester of movement instruction, physical acting and movement concepts are explained in terms of their connection to and derivation from universally accepted acting terminology and ideas. This is put forth as a way to facilitate the synthesis of movement instruction with other acting curriculum, as well as providing a new way to view some familiar acting concepts. Several specific examples are explored in more depth as case studies in physical equivalents to the intellectual, visual, or emotional …


The Universality Of Laban Movement Analysis, Marie C. Boyette Apr 2012

The Universality Of Laban Movement Analysis, Marie C. Boyette

Theses and Dissertations

Rudolf Laban: Father of Modern dance, revolutionary within the field of movement studies, and inventor of Labanotation. His work is so universal it has been applied to dancing, acting, industrial work, and movement therapy. This thesis will specifically discuss the use of his system as it applies to actor training. However before that it is important for me as a teacher to understand the potential ideologies and historical implications that are associated with a theory or body of work before passing it on, lest we unknowingly propagate a system of thought that is associated with destructive ideologies. This becomes particularly …