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Persona, Print, And Propaganda: Orlando Di Lasso And Constructions Of Self In Counter-Reformation Bavaria, Tara Leigh Jordan
Persona, Print, And Propaganda: Orlando Di Lasso And Constructions Of Self In Counter-Reformation Bavaria, Tara Leigh Jordan
Masters Theses
Musicians often regard Orlando di Lasso (1532-1594) as Giovanni de Palestrina’s lesser-known, northern contemporary, with Palestrina standing as the pinnacle of Counter-Reformation sacred music in the current musicological canon. However, this conception of Lasso does not align with his reputation during his own time, where he stood as the most popular and cosmopolitan composer in Europe. In order to cultivate this reputation, Lasso exercised personal agency over his image as represented within his compositions and print publications, fashioning himself into a versatile and widely appealing musician that composed in every genre of both sacred and secular music. However, Lasso simultaneously …
A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy
A Quiet Mind: The Key To Musical Performance, Rebecca Ann Percy
Chancellor’s Honors Program Projects
No abstract provided.
Listening For The Suling In The Balinese Gamelan, Natalie Ann Gregg
Listening For The Suling In The Balinese Gamelan, Natalie Ann Gregg
Chancellor’s Honors Program Projects
No abstract provided.
Testing A Musical Game Activity For Community-Dwelling Older Adults, Jordan Riggins, Susan Mclennon Phd Arnp
Testing A Musical Game Activity For Community-Dwelling Older Adults, Jordan Riggins, Susan Mclennon Phd Arnp
Chancellor’s Honors Program Projects
No abstract provided.
Music And The Monster: Sounding Fear And Mental Illness In Criminal Minds, Andrew James Borecky
Music And The Monster: Sounding Fear And Mental Illness In Criminal Minds, Andrew James Borecky
Masters Theses
In the post 9/11 world, American media has harnessed social anxieties concerning violence through the negative and antagonistic depiction of social groups seen as the “Other.” During this process, these social groups have become both marginalized and stigmatized. In the contemporary wake of mass violence and a growing public health crisis, mental illness has emerged at the forefront of political debate. Television and film media continually stigmatize representations of mental illness through graphic images enhanced by the strategic uses of music to invoke horror and disgust. Since 2006, Criminal Minds has successfully navigated the post-9/11 media by providing narratives that …