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Asceticism/Askēsis: Foucault's Thinking Historical Subjectivity, Ladelle Mcwhorter
Asceticism/Askēsis: Foucault's Thinking Historical Subjectivity, Ladelle Mcwhorter
Philosophy Faculty Publications
In the Introduction to The Use of Pleasure Foucault calls his work an askēsis, "an exercise of oneself in the activity of thought." The "living substance of philosophy," Foucault writes, is the essay, "which should be understood as the assay or test by which, in the game of truth, one undergoes changes, and not as the simplistic appropriation of others for the purpose of communication." Foucault's work, then, does not simply report to us his conclusions or theories. Foucault is not primarily interested in imparting information. What he offers instead is a kind of exercise book.
Guilt As Management Technology: A Call To Heideggerian Reflection, Ladelle Mcwhorter
Guilt As Management Technology: A Call To Heideggerian Reflection, Ladelle Mcwhorter
Philosophy Faculty Publications
Martin Heidegger was born in 1889 in Messkirch, Germany, a small town in the Black Forest. He died in 1976. As these dates indicate, Heidegger lived through a time when Western civilization was undergoing a series of upheavals probably now only dimly imaginable to those of us who are the products of them. His life spanned a technological revolution that changed even the most basic patterns of human (and certainly not only human) life in the industrialized world.
Deaths Of Art: David Carrier's Metahistory Of Artwriting, Gary Shapiro
Deaths Of Art: David Carrier's Metahistory Of Artwriting, Gary Shapiro
Philosophy Faculty Publications
This essay is a critical examination of David Carrier's Artwriting (1987), which offered a philosophical account of the implicit strategies of narrative and presentation deployed by a wide range of art historians and critics. Here, this author raises some questions concerning Carrier's attempt to describe or define a genre of 'art-writing' distinct from philosophical aesthetics; he also discusses Carrier's views in the context of those writers whom Carrier examines in Artwriting.