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Tuning In The Boiler Room And The Cotton Patch: New Directions In The Study Of Afro-American Folklore, Daryl Cumber Dance Jun 1977

Tuning In The Boiler Room And The Cotton Patch: New Directions In The Study Of Afro-American Folklore, Daryl Cumber Dance

English Faculty Publications

One of the first problems in the study of folklore is, of course, the collection of materials. In almost every area of Black folklore, the collecting was initiated by whites. As I have noted elsewhere, "Black folk forms seem to thrive quietly and abashedly in the Black community as items of private enjoyment and public shame until they are ' discovered ' by whites who legitimize them for the American public-Black and white. Such has been the case with the general folk tales (the animal tales, the etiological myths, the Slave John tales, etc.), the spirituals, and the blues. The …


Wit And Humor In The Slave Narratives, Daryl Cumber Dance Apr 1977

Wit And Humor In The Slave Narratives, Daryl Cumber Dance

English Faculty Publications

This passage suggests something of the nature of Black humor and the function it has served, not only in the slave narratives, but in the folk tales and throughout the history of recorded literature from William Wells Brown to Amiri Baraka. The life revealed in all of these sources is shown to often be alternately degrading and courageous, tragic and absurdly comic, hopeless and yet enduring; indeed that life could hardly ever be termed merely amusing. And the Black character, though he may be seen to laugh, can hardly be deemed carefree, unbothered, satisfied, even truly happy. Indeed the paradox …


In The Beginning: A New View Of Black American Etiological Tales, Daryl Cumber Dance Jan 1977

In The Beginning: A New View Of Black American Etiological Tales, Daryl Cumber Dance

English Faculty Publications

A substantial number of Black folktales may be designated as etiological "myths" in that they tend to focus on the world as it evolved and to frequently portray the role of God in explaining why the Negro is, to quote from one tale, "so messed up," why he is black, why he has big, ugly feet and hands, why his hair is kinky, and why he must remain a poor laborer in a rich society. The causes of all of these "inferior" traits of the Negro appear to be certain alleged defects in his character-his tardiness, his ignorance, his disobedience …


Antithesis And Reconciliation In W. B. Yeats' "Under Ben Bulben", Cary Albert Mcbean Jan 1977

Antithesis And Reconciliation In W. B. Yeats' "Under Ben Bulben", Cary Albert Mcbean

Master's Theses

An investigation of the life and writings of William Butler Yeats reveals a man extremely sensitive to antithesis in human experience. This sensitivity, it is seen, greatly influenced the course of his life, inciting him to seek harmony or reconciliation of the perceived antithesis. As one would expect, Yeats' writings reflect this life struggle. Much of his prose is colored by expressions such as "contraries," "antinomies," or "consciousness is conflict," while the poetry often deals with the course between "extremities" or "eternities." A study of his works is, to an extent, necessarily a study of opposition and reconciliation.