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Advisory Board, Journal Editors
An Irish Landscape In Beckett’S Fiction, Laura Barge
An Irish Landscape In Beckett’S Fiction, Laura Barge
Studies in English, New Series
No abstract provided.
Country House Entertainments In Milton’S Paradise Lost, D. M. Rosenberg
Country House Entertainments In Milton’S Paradise Lost, D. M. Rosenberg
Studies in English, New Series
No abstract provided.
Patricia Highsmith, Nicholas Blake, And The Case Of The Duplicate Murder, Mary Kay Mahoney
Patricia Highsmith, Nicholas Blake, And The Case Of The Duplicate Murder, Mary Kay Mahoney
Studies in English, New Series
No abstract provided.
Discerning Motive: Another Look At Trollope’S Warden, Kevin Floyd
Discerning Motive: Another Look At Trollope’S Warden, Kevin Floyd
Studies in English, New Series
No abstract provided.
When The Priest Is A Woman: Female Clergy And The Detective Novel, Linda K. Robertson
When The Priest Is A Woman: Female Clergy And The Detective Novel, Linda K. Robertson
Studies in English, New Series
No abstract provided.
Gearing Up: Compositional Order In Vandover And The Brute, Ethan Lewis
Gearing Up: Compositional Order In Vandover And The Brute, Ethan Lewis
Studies in English, New Series
No abstract provided.
Friendship And Idolatry In Esther Edwards’ Burr’S Letters, William J. Scheick
Friendship And Idolatry In Esther Edwards’ Burr’S Letters, William J. Scheick
Studies in English, New Series
No abstract provided.
Wendell Berry’S Metaphysics Of Sabbath, Tom Pynn
Wendell Berry’S Metaphysics Of Sabbath, Tom Pynn
Studies in English, New Series
No abstract provided.
“Conceal Me What I Am”: Reading The Second Scene Of Twelfth Night, Stephen Ratcliffe
“Conceal Me What I Am”: Reading The Second Scene Of Twelfth Night, Stephen Ratcliffe
Studies in English, New Series
No abstract provided.
“I Wol Thee Telle Al Plat”: Poetic Influence In Chaucer’S Pardoner, Dana E. Aspinall
“I Wol Thee Telle Al Plat”: Poetic Influence In Chaucer’S Pardoner, Dana E. Aspinall
Studies in English, New Series
No abstract provided.
The Motif Of Water In Charles Kingsley’S The Water-Babies, Brendon Rapple
The Motif Of Water In Charles Kingsley’S The Water-Babies, Brendon Rapple
Studies in English, New Series
No abstract provided.
Creating A Self, Personal And National, In Richard Nelson’S Trilogy, Robert J. Andreach
Creating A Self, Personal And National, In Richard Nelson’S Trilogy, Robert J. Andreach
Studies in English, New Series
No abstract provided.
Remembering And Dis(Re)Membering: Memory, Community And The Individual In Beloved, Elizabeth Cooley
Remembering And Dis(Re)Membering: Memory, Community And The Individual In Beloved, Elizabeth Cooley
Studies in English, New Series
No abstract provided.
The Body Eclectic: Sources Of Ray Bradbury’S Martian Chronicles, Jonathan Eller
The Body Eclectic: Sources Of Ray Bradbury’S Martian Chronicles, Jonathan Eller
Studies in English, New Series
No abstract provided.
Absalom, Absalom! And The Sound And The Fury: Quentin’S Failure To Create A Mythic Reconstruction, B G. Till Betz
Absalom, Absalom! And The Sound And The Fury: Quentin’S Failure To Create A Mythic Reconstruction, B G. Till Betz
Studies in English, New Series
No abstract provided.
Onomastics In The Scarlet Letter, Elizabeth Molnar Rajec
Onomastics In The Scarlet Letter, Elizabeth Molnar Rajec
Studies in English, New Series
No abstract provided.
Cover Pages, Journal Editors
Table Of Contents, Journal Editors
Table Of Contents, Journal Editors
Studies in English, New Series
No abstract provided.
‘So Unlike The Normal Lunatic’: Abnormal Psychology In Bram Stoker’S Dracula, William Hughes
‘So Unlike The Normal Lunatic’: Abnormal Psychology In Bram Stoker’S Dracula, William Hughes
Studies in English, New Series
No abstract provided.
The Illusory Angel: The Perfect Victorian Wife, Anne Razey Gowdy
The Illusory Angel: The Perfect Victorian Wife, Anne Razey Gowdy
Studies in English, New Series
No abstract provided.
Robin Hood’S “Irish Knife”: Irony In The Guy Of Gisborne Ballad, George Swan
Robin Hood’S “Irish Knife”: Irony In The Guy Of Gisborne Ballad, George Swan
Studies in English, New Series
No abstract provided.
Vols. 11-12 (1993-1995): Full Issue, Journal Editors
Vols. 11-12 (1993-1995): Full Issue, Journal Editors
Studies in English, New Series
No abstract provided.
The Apotheosis Of The Hero In Eighteenth Century Tragedy: A Look At Addison’S Cato And Home’S Douglas Milton, Milton Jeffrey Waldrop
The Apotheosis Of The Hero In Eighteenth Century Tragedy: A Look At Addison’S Cato And Home’S Douglas Milton, Milton Jeffrey Waldrop
Studies in English, New Series
No abstract provided.
The Return Of The Repressed In M. R. James’ Martin's Close, Cyndy Hendershot
The Return Of The Repressed In M. R. James’ Martin's Close, Cyndy Hendershot
Studies in English, New Series
No abstract provided.
Form And Content In The English History Play: The Evolution Of A Mature Dramatic Style In Shakespeare’S York And Lancaster Cycles, Daniel L. Wright
Form And Content In The English History Play: The Evolution Of A Mature Dramatic Style In Shakespeare’S York And Lancaster Cycles, Daniel L. Wright
Studies in English, New Series
No abstract provided.
Plath’S Poem For A Birthday: Forging A New Self, Nancy D. Hargrove
Plath’S Poem For A Birthday: Forging A New Self, Nancy D. Hargrove
Studies in English, New Series
No abstract provided.
The Male Threat In Beloved, N. Teeter
The Male Threat In Beloved, N. Teeter
Studies in English, New Series
No abstract provided.
Katherine Anne Porter’S Early Stories: Successful Narrators And Unsuccessful Characters, Philip Page
Katherine Anne Porter’S Early Stories: Successful Narrators And Unsuccessful Characters, Philip Page
Studies in English, New Series
No abstract provided.
Faulkner’S As I Lay Dying: The Coffin Pictogram And The Function Of Form, Barry R. Mccann
Faulkner’S As I Lay Dying: The Coffin Pictogram And The Function Of Form, Barry R. Mccann
Studies in English, New Series
No abstract provided.