Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

PDF

University of Miami

Theses/Dissertations

2018

Gender

Articles 1 - 5 of 5

Full-Text Articles in Entire DC Network

Superior Detection Of Faces In Male Infants At 2 Months, Sarah E. Maylott Nov 2018

Superior Detection Of Faces In Male Infants At 2 Months, Sarah E. Maylott

Open Access Theses

Face detection is a foundational ability, guiding infants’ attention to relevant social information. However, little is known about face detection in the first months of life. Using eye-tracking, we measured 2-month-olds’ (N=72) social orienting to human faces, compared to animal faces and objects, presented within complex, 4-item arrays. Males looked faster and longer to human faces than females. Further, males, but not females, looked faster and longer to human faces compared to other images. This is the first study to report a male-advantage in face detection. While the causes and consequences remain to be determined, our findings suggest that attention …


Shifting Masculinities From North Africa: In Yasmina Khadra, Tahar Ben Jelloun, Mohamed Leftah And Abdellah Taïa’S Fictions, Melyssa Haffaf Aug 2018

Shifting Masculinities From North Africa: In Yasmina Khadra, Tahar Ben Jelloun, Mohamed Leftah And Abdellah Taïa’S Fictions, Melyssa Haffaf

Open Access Dissertations

This dissertation concentrates on four texts by Maghrebian writers, published between the late 1990s to the 2000s, and explores the ways in which their fictional narratives portray, articulate and challenge the dominant discourse on masculinity in postcolonial North Africa. The four novels are the following: Wolf Dreams (1999) by Yasmina Khadra, Leaving Tangier (2006) by Tahar Ben Jelloun, An Arab Melancholia (2008) by Abdellah Taïa and Le dernier combat du Captain Ni’mat (2011) by Mohamed Leftah. I demonstrate that despite a strong influence of hegemonic models of masculinity promoted and cultivated during and after the decolonization processes, the masculinities presented …


Sprints Of Citizenship: Black Women Track Stars And The Making Of Modern Citizenship In The United States And Jamaica, 1946-1964, Catherine "Cat" Ariail May 2018

Sprints Of Citizenship: Black Women Track Stars And The Making Of Modern Citizenship In The United States And Jamaica, 1946-1964, Catherine "Cat" Ariail

Open Access Dissertations

In the postwar period, nations and territories used international sport to codify their ideal citizenries. For the United States and Jamaica, black women athletes complicated these efforts. This dissertation analyzes the ideological influence of black women track stars, examining how they destabilized dominant ideas about race, gender, sexuality, and national identity. The strivings and successes of American and Jamaican black women track athletes at international sporting events forced sport cultures in the United States and Jamaica continually to wrestle with the meaning of black women’s athleticism. Their struggles to fit black women athletes into their respective visions of their national …


Opera Kardashian: An Opera In One Act, Dana E. Kaufman May 2018

Opera Kardashian: An Opera In One Act, Dana E. Kaufman

Open Access Dissertations

This essay discusses the making of and philosophies behind Opera Kardashian, a one-act opera about tragedy and the human condition, as told through the infamous Kardashian clan. The opera, composed in collaboration with librettist Tom Swift and approximately an hour in length, creates one of the first known trans roles in opera written exclusively for performance by trans women.


Inharmonic Resonance: Music And Temporality In Literature Of The Long Nineteenth Century, Sarah Elizabeth Cash May 2018

Inharmonic Resonance: Music And Temporality In Literature Of The Long Nineteenth Century, Sarah Elizabeth Cash

Open Access Dissertations

This project examines the way nineteenth century authors use music in their work to complicate social expectations and hierarchies. These authors use music as a fluid metaphor for subversive possibilities that work against hegemonic readings of the text. By “music” I mean representations of people playing and listening to music, discussions of music in text, and the production of musicality through language. I posit that music confounds its own seemingly measured structure through the nature and movement of sound. Thus, “music” can operate in written text as a non-linear and non-cyclical temporal sound space, revealing cracks or ruptures in dominant …