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Articles 1 - 9 of 9
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Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Memories And Trauma Of An Absent Past- Women Filmmakers In Argentina, Nicholas P. Pezzote
Doctoral Dissertations
This work analyzes the relationship between personal and historical memory in five Argentine films made after the end of the country's last dictatorship. All are directed by, and feature, women. Besides approaching the topic of memory, this work examines how patriarchy influences narratives of both personal histories and, more broadly, of history in: Camila (María Luisa Bemberg, 1984), Un muro de silencio (Lita Stantic, 1993), Los rubios (Albertina Carri, 2003) and La mujer sin cabeza (Lucrecia Martel, 2008). Trauma and the handing down of memory—issues that appear in all of the chosen films—are approached from a critical feminist perspective. At …
Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell
Embodiment And Gendered Subjectivity In Ukrainian Women’S Film, Poetry, And Prose During Perestroika (1985-1991), Sandra J. Russell
Doctoral Dissertations
In this dissertation, I look to Ukrainian women’s literary and filmic contributions in the final Soviet years of perestroika to recontextualize and reconsider feminist and gendered epistemologies in Eastern Europe. I view the last Soviet Ukrainian filmmakers, writers, and artists as groundbreaking in their conceptualization a new, more “liberal” vision of nation, especially through their increasingly open and subversive critiques of the Soviet state. I locate perestroika as a powerful moment in Ukraine’s histories of resistance to the weaponization of colonialist and imperialist mythologies, past and present. For women in particular, the stakes of this shifting articulation of nation became …
Negritude Feminisms: Francophone Black Women Writers And Activists In France, Martinique, And Senegal From The 1920s To The 1980s, Korka Sall
Doctoral Dissertations
Negritude Feminisms: Francophone Black Women Writers and Activists in France, Martinique and Senegal from the 1920s to 1980s reframes debates about the participation and conversation of francophone women writers in the Negritude movement. I use the Negritude movement as a model to highlight its capacities and limits. Through an intergenerational analysis of the writings and personal experiences of Paulette Nardal and Suzanne Césaire from Martinique, Annette Mbaye d’Erneville and Aminata Sow Fall from Senegal, my dissertation charts common themes of racial consciousness, gender issues and the colonial problem developed by these women. Nardal, Césaire, Mbaye d’Erneville and Sow Fall played …
Class, Gender, And Mediated Labor Activism In Globalizing China, Siyuan Yin
Class, Gender, And Mediated Labor Activism In Globalizing China, Siyuan Yin
Doctoral Dissertations
My dissertation analyzes the relationships between mediated labor activism and the formation of counter-hegemonic forces in contemporary China. As China becomes a seemingly ideal model to justify the normalization of global capitalism, this study seeks to demonstrate how resistance from disenfranchised groups can challenge hegemonic power. Rural-to-urban migrant workers, who have been among the most disadvantaged groups since China’s economic reform of the 1980s, suffer from institutionalized discrimination, economic exploitation, and social exclusion. Approaching the analysis from an intersectional feminist lens, I explore the politics and possibilities of working-class resistance in searching for a just and equal China. Based on …
Demanding Spaces: 1970s U.S. Women's Novels As Sites Of Struggle, Kate Marantz
Demanding Spaces: 1970s U.S. Women's Novels As Sites Of Struggle, Kate Marantz
Doctoral Dissertations
This dissertation offers a new view of 1970s gender and race politics in the United States by analyzing struggles in and over space in four women’s novels: Joan Didion’s Play It As It Lays (1970), Toni Morrison’s Sula (1973), Alice Walker’s Meridian (1976), and Marilyn French’s The Women’s Room (1977). My project reads space as a dynamic, politically charged realm of interactions between lived bodies, physical landscapes, and imaginative territories—including the formal characteristics of fiction. Using this critical lens, I highlight how these authors interrogate conditions of sexism and racism by representing their characters making and responding to “demands” for …
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Doctoral Dissertations
This dissertation examines the ways in which female film critics practice film criticism in the convergent age. In original research drawn from ethnographic interviews with eight female film critics and bloggers as well as textual, historical, and reception analyses of criticism, this dissertation argues that women who write film criticism in the convergent era are not only writing from a space of marginalization based on the patriarchal dominance of the film industry, but also face a series of obstacles through gendered and discursive conflicts that are unique to writing online and which do not exert the same impact on male …
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
A National Style: A Critical Historiography Of The Irish Short Story, Andrew Fox
Doctoral Dissertations
This dissertation examines the artistic, historical and theoretical concerns that, for the past century, have shaped the Irish short story, the Irish nation and the body of criticism that mediates between the two. In Ireland, I argue, the prevailing critical narrative of the short story’s emergence and ongoing literary purpose has been bound up with the political narrative of the nation state’s decolonization. This process I view as symptomatic of a broader critical tendency to view Irish cultural narratives as inextricable from national ones, whereby literary interventions either are viewed as mere reflections of, or are assimilated to systems of …
Project Space(S) In The Design Professions: An Intersectional Feminist Study Of The Women's School Of Planning And Architecture (1974-1981), Elizabeth Cahn
Project Space(S) In The Design Professions: An Intersectional Feminist Study Of The Women's School Of Planning And Architecture (1974-1981), Elizabeth Cahn
Doctoral Dissertations
The Women’s School of Planning and Architecture (WSPA) was an ambitious, explicitly feminist educational program created by seven women planners and architects who used the school to introduce ideas and practices of the 1970s women’s movement into design and planning education in the United States. Between 1974 and 1981, WSPA organized five intensive, short-term residential educational sessions and a conference, each in a different geographical location in the United States, after which the organization ceased formal programming and the organizers moved on to other activities. The founders and participants involved in WSPA collectively imagined and created a feminist space for …
The Cable Network In An Era Of Digital Media: Bravo And The Constraints Of Consumer Citizenship, Alison D. Brzenchek
The Cable Network In An Era Of Digital Media: Bravo And The Constraints Of Consumer Citizenship, Alison D. Brzenchek
Doctoral Dissertations
This dissertation takes a historiographical approach to the evolution of cable television over thirty years. Case analysis of archival data is used to trace the trajectory of the Bravo cable network from 1980 through 2010. My dissertation is a vital contribution to critical cultural studies, feminist studies, citizenship studies, and media history because it historicizes the role branding, commodification, and convergence played in Bravo’s evolution from a highbrow arts programmer guided by bourgeois consumer citizenship, to a affluent lifestyle network guided by nouveau riche consumer citizenship. My combination of production studies and political economic analysis gives visibility to the interpenetrating …