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Articles 1 - 8 of 8
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The Restitution Of Nazi-Looted Art In The United States: A Legal And Policy Analysis, Katharine J. Namon
The Restitution Of Nazi-Looted Art In The United States: A Legal And Policy Analysis, Katharine J. Namon
Senior Theses and Projects
Restitution of Nazi-looted art in the United States is a complicated legal and policy issue. Victims and their heirs seeking restitution of their stolen art frequently encounter inconsistent legal standards at the state, federal, and international levels. Moreover, there are many different parties involved in these cases, including countries, museums, private collections, auction houses, heirs, and individuals who may have an interest in the particular work of art. Ethics must also be considered, and in the past, international principles for nations have been established to guide the process of delivering victims of wartime looting justice. Unfortunately, the current legal framework …
How Do Arts Programs Facilitate Emotion Regulation In The Prison Setting?, Dana Parker
How Do Arts Programs Facilitate Emotion Regulation In The Prison Setting?, Dana Parker
Senior Theses and Projects
Reentry and prison arts programs provide an opportunity for rehabilitation that facilitates healthier emotion regulation (ER), relationship building, and self-esteem. To measure the effects of arts-based interventions on ER, formerly incarcerated people completed a questionnaire that included three different measures: the Cognitive Emotion Regulation Questionnaire Short-Form (CERQ-Short), the Emotion Regulation Strategies for Artistic Creative Activities (ERS-ACA), and the Self-expression and Emotion Regulation in Art Therapy Scale (SERATS). Results showed that there were significant differences between males and females on their scores on ER subscales, where women more often than men employed positive ER strategies. In support of my hypotheses, higher …
The Nazi Aesthetic: Nuance And Contradiction In Systematic Art Theft And Collection Efforts, Katharine J. Namon
The Nazi Aesthetic: Nuance And Contradiction In Systematic Art Theft And Collection Efforts, Katharine J. Namon
Senior Theses and Projects
Nazi art collecting and looting was a strong and persistent undercurrent throughout World War II. The public and private practices of Nazi officials reveal both their aesthetic tastes and obsession with establishing themselves as highly educated, cultured patrons of the arts. Although the party’s artistic preferences are hard to define, it is evident that their stance on what constituted fine art and culture was entirely illogical, inconsistent, and incongruent. By examining their motives for acquiring such an astounding amount of art, the artistic tastes of individual Nazi officials, and the public exhibitions they held to advertise their values, one can …
Ethicizing Art: A Rancièrean Analysis Of 'Feminist' Art And The Notion Of Victimhood, Bora Zaloshnja
Ethicizing Art: A Rancièrean Analysis Of 'Feminist' Art And The Notion Of Victimhood, Bora Zaloshnja
Senior Theses and Projects
No abstract provided.
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
The Home As An Object: Material Culture In The Age Of Ikea, Maxwell Harling Fertik
Senior Theses and Projects
The curiosity of everyday objects looms large in every human’s life. And naturally, these objects are almost as diverse in character as the person who bought them. This variation can be in style, period, shape, origin but also in the arrangement it is given in relation to other objects or persons in a space. On one level, the objects we surround ourselves with are meaningless, purely functional, utilitarian and banal. Especially on a budget, one may not consider aesthetic or design issues at all and purely buy a toaster because they want toast. Why would one buy a SMEG+Dolce and …
'Degenerate Art': The Avant-Garde In The Face Of Nazism, Margaret L. Alisberg
'Degenerate Art': The Avant-Garde In The Face Of Nazism, Margaret L. Alisberg
Senior Theses and Projects
In 1937, the Nazis curated the Entartete Kunst, which was a propagandistic exhibition created by Joseph Goebbels to discredit avant-garde art in Germany. The exhibition took place alongside another show, the pro-National Socialist Grosse Deutsche Kunstausstellung (Great German Art Exhibition). This paper is an depth look into why the Nazis hated the avant-garde and the threat that they felt it posed to their Aryan Society, the vital role it played in their overall agenda, their activities to discredit the art in the eyes of the German public, and how their plan against modernism eventually backfired.
Jacques-Louis David And The Enlightenment: The Intersection Of Art And Politics In Prerevolutionary France, Ashley B. Mullen
Jacques-Louis David And The Enlightenment: The Intersection Of Art And Politics In Prerevolutionary France, Ashley B. Mullen
Senior Theses and Projects
An analysis of Jacques-Louis David's art and politics before and during the French Revolution.
The Evolving Role Of The Exhibition And Its Impact On Art And Culture, Anna C. Cline
The Evolving Role Of The Exhibition And Its Impact On Art And Culture, Anna C. Cline
Senior Theses and Projects
No abstract provided.