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History Of Fashion Installations As Art Exhibitions And Their Impact On The Public’S Perspective On Culture And Community, Arabella Riley Jan 2022

History Of Fashion Installations As Art Exhibitions And Their Impact On The Public’S Perspective On Culture And Community, Arabella Riley

MA Theses

The current study targeted the problem of the relationship among the notions of fashion, art, and culture. The study aimed to determine the potential role of fashion brands and artists in the transformation of modern culture. Additionally, the study sought to analyze the forms of collaboration between fashion and arts, and their commercial and conceptual value. As to the research methods, qualitative secondary data review using thematic analysis methodology was utilized. The research findings included the recognition of the significant role of modern fashion and arts in the transformation of the public culture. Furthermore, it was revealed that different formats …


Counterpoint: Music And Art Education, Eileen Kosasih Jan 2021

Counterpoint: Music And Art Education, Eileen Kosasih

MA Projects

Music education programming is generally not as accessible or available as museum education programming. General music illiteracy and the elitism of music education perpetuate a cycle of inaccessibility and lack of understanding of the value of music education. Meanwhile, the auditory art form is a fundamental component of culture, society, and history. Music’s language and history should be understood and appreciated widely. Art museum education programmers can work with music educators, music historians, and classical music programmers to incorporate music education into museum education programming. This project consists of three parts. The first section advocates the inclusion of music education …


The Space Of Art In The Digital Age, Ellie Isaacs Jan 2016

The Space Of Art In The Digital Age, Ellie Isaacs

MA Projects

This journal article looks at the space of art in the digital age in order to establish whether virtual art practices will eventually render the physicality of art as obsolete. The article draws focus on the construction of virtual spaces to investigate the possibility of a consequential collapse in real space. Two key aspects that I have concentrated on are the social experience of these modes of artistic practice and the inversion of public and private spheres.