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Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks
Troubled Waters: Mid-Twentieth Century American Society On "Trial" In The Films Of John Waters, Taunya Lovell Banks
Taunya Lovell Banks
In this Article Professor Banks argues that what makes many of filmmaker John Waters early films so subversive is his use of the “white-trash” body—people marginalized by and excluded from conventional white America—as countercultural heroes. He uses the white trash body as a surrogate for talk about race and sexuality in the early 1960s. I argue that in many ways Waters’ critiques of mid-twentieth century American society reflect the societal changes that occurred in the last forty years of that century. These societal changes resulted from the civil rights, gay pride, student, anti-war and women’s movements, all of which used …
Multilayered Racism: Courts' Continued Resistance To Colorism Claims, Taunya Lovell Banks
Multilayered Racism: Courts' Continued Resistance To Colorism Claims, Taunya Lovell Banks
Taunya Lovell Banks
No abstract provided.
Equality And Sorority During The Decade After Brown, Taunya Lovell Banks
Equality And Sorority During The Decade After Brown, Taunya Lovell Banks
Taunya Lovell Banks
No abstract provided.
Outsider Citizens: Film Narratives About The Internment Of Japanese Americans, Taunya Lovell Banks
Outsider Citizens: Film Narratives About The Internment Of Japanese Americans, Taunya Lovell Banks
Taunya Lovell Banks
This article examines the conflicting film narratives about the internment from 1942 through 2007. It argues that while later film narratives, especially documentaries, counter early government film narratives justifying the internment, these counter-narratives have their own damaging hegemony. Whereas earlier commercial films tell the internment story through the eyes of sympathetic whites, using a conventional civil rights template … Japanese and other Asian American documentary filmmakers construct their Japanese characters as model minorities — hyper-citizens, super patriots. Further, the internment experience remains largely a male story. With the exception of Emiko Omori’s documentary film memoir, Rabbit in the Moon (2004), …