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Rhode Island School of Design

Masters Theses

2016

Memory in art

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Memory: Tangible Decay & Growth, Rebecca J. Buglio May 2016

Memory: Tangible Decay & Growth, Rebecca J. Buglio

Masters Theses

What if the objects we had as children grew up with us and showed the decay, alterations, and new growth that occurred to us?

Natural sciences focus, in part, on the endless cycle of growth and decay. Through researching this topic, the question of current versus past arose to question how the mind evolves with age. As a ceramic artist, clay offers a memory through touch by taking the shape and form the creator wills it to have while still able to have movement and force of its own through the molecular makeup and processes it goes through in firings. …


Once There Was There Wasn't, Svetlana Bailey May 2016

Once There Was There Wasn't, Svetlana Bailey

Masters Theses

Objects, places and events that occur in separate times and places can coexist psychologically. My work supposes that this coexistence can be reconciled with photographs, which, although normally fixed to particular times, locationsand stories, are nevertheless able to travel, in boxes, or as mind images on overlapping currents.

I return to places of imaginative influence in my life: to my grandmother's house in the Russian countryside where I spent my summers as a child, and to my parents' home in Germany. Through this journey of return, I am transported in time, as if opening a time capsule. Here I discover …


& Surface, Adam Mickey Porter May 2016

& Surface, Adam Mickey Porter

Masters Theses

I synthesize nature, night clubs, computer screens and sexual fantasies into an experience that interrupts desire and longing. Fractured elements culled from pornographic magazines, mediation from digital media, and surface tension enable optical and phenomenological effects that make the visible and invisible co-exist together. Moire patterns, strobing lights, iridescent paint, prismatic and flickering bits of visual information pull the picture plane apart. A dialectic process that cannibalizes all content and material, sparing nothing from revision. The nature of material, imbued with it’s own history and beauty is transformed, yielding a surface that holds an image and after-image all at once …