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“It Lurks In The Saying, Not What’S Being Said”: Possible Worlds Theory And Gender Performativity In Marina Carr’S Low In The Dark, Andie Madsen, Susan Reese
“It Lurks In The Saying, Not What’S Being Said”: Possible Worlds Theory And Gender Performativity In Marina Carr’S Low In The Dark, Andie Madsen, Susan Reese
Student Research Symposium
Low in the Dark by Irish playwright Marina Carr is an absurdist play that focuses heavily on concepts of gender as performance. It does so mainly through role-playing scenes in which two same-gender characters reenact a heterosexual relationship. These scenes can be tied to Marie-Laure Ryan’s conceptions of the four kinds of textual alternative possible worlds (TAPWs) within possible worlds theory: fantasy, wish, obligation, and knowledge. An analysis of the play’s role-playing scenes in conjunction with gender performativity and these four types of TAPW reveals the constructed-ness of gender norms within the work, which further calls into question a strictly …