Digital Commons Network^™

Investigating The Determinants Of Student Low Enrollment In Historically Black Colleges And Universities (Hbcus): The Case Of One Hbcu In The South, Anthony Trumaine Jackson

LSU Doctoral Dissertations

There is an undeniable fact that enrollment management efforts on academic campuses have become an integral part of campus finance and the backbone of accreditation. Many Historically Black Colleges and Universities (HBCUs) are on the verge of collapsing and even losing their accreditations due to low enrollment, a decline that has been observed in recent decades.

Therefore, this study investigated why students are not enrolling in HBCUs. The study further explored the perceived factors that are likely to contribute to low student enrollment at HBCUs and the role financial matters play in student enrollment. To address this gap in the …

#Blackgirlmathmagic: A Mixed Methods Study Examining African American Girls In Standardized Mathematicstesting, Rakeema Thomas Toussaint

LSU Doctoral Dissertations

Black women have been making successful strides in mathematics for decades; however, they continue to be underrepresented in mathematics and other STEM fields. According to Young et al. (2017), Black girls and women perform lower in mathematics than all other racial gender groups except for Black males. Considering the stakes for Black girls and women in mathematics, this study sought to address this group's challenges early in their secondary education experiences, focusing on standardized testing.

The purpose of this explanatory-sequential mixed-methods study was to determine how different mathematics item types impacted the performance of African American girls, especially multiple-select multiple-choice …

The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner

LSU Doctoral Dissertations

Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …