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Louisiana State University

Theses/Dissertations

2004

Sculpture

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Elemental: Promise Of Plenty, Bill Wolff Jan 2004

Elemental: Promise Of Plenty, Bill Wolff

LSU Master's Theses

This body of work is about human nature, and centers on issues of aggression, consumption and collapse. Five materials make up the exhibition, and each carries a specific metaphor: wood is flesh, brick represents collective history, rope is a metaphor for human activity, metal is control and salt is a quintessential commodity. Craft is used as a means to explore the boundary between natural and synthetic phenomena, as well as elevating the status of the base materials. The work is arranged to provide an environment and context for the viewer to respond.


Pulse, Janet L.U. Rudawsky Jan 2004

Pulse, Janet L.U. Rudawsky

LSU Master's Theses

This video is an abstract audiovisual narrative. It relies heavily on its lush compositions to seduce the viewer. “Pulse” depicts humanity not as the strong rational rulers of the earth but instead as a tormented figure that struggles to find security in an uncertain world. The three characters, Blood, Lava, and Electricity, represent the human animal, the natural world, and civilization respectively. Blood struggles against both Lava and Electricity in their rivalry for control. The plot shows humanity developing a relationship with civilization, all the while being harassed by unpredictable nature. Civilization at first is a path to security. As …


Thick Skinned, Alair Dyan Wells Jan 2004

Thick Skinned, Alair Dyan Wells

LSU Master's Theses

“Thick Skinned” is a series of sculptures using the domestic structure as a metaphor for the body. Issues of sexuality, gender roles, and domesticity are explored in this mixed-media installation. Viewer interaction with the work is encouraged for a complete sensual experience. The body and home are protective, yet fragile and delicately vulnerable. My work confronts notions of beauty and cruelty, bodily function and presence, with a focus on gender-biased social conventions in our culture. Conceptually, the work is autobiographical in nature, as it pertains to my experiences as a woman. Universally, it deals with the merging of sexuality and …