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Louisiana State University

Theses/Dissertations

1999

Literature

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Ernest Renan And The Question Of Race., Jane Victoria Dagon Jan 1999

Ernest Renan And The Question Of Race., Jane Victoria Dagon

LSU Historical Dissertations and Theses

Racism in France can be traced back to the 1560's when the nobles claimed to be of a separate race in order to obtain special rights and privileges. Soon after in the seventeenth century, scientists started to classify humans according to physical features. With the increase in travel, the slave trade, the fear of the unknown and the fear of contamination, these factors along with physiognomy and phrenology encouraged "biological racism." During the second half of the nineteenth century, Ernest Renan (1823--1892) denounces biological racism and the existence of the so-called "pure races." He is also the first dramatist to …


Georges Henein, Poete Des Marges., Evelyne M. Bornier Jan 1999

Georges Henein, Poete Des Marges., Evelyne M. Bornier

LSU Historical Dissertations and Theses

This dissertation explores the Franco-Egyptian cultural and literary interactions in the mid-20th century, and examines the importance of these exchanges in the writings and intellectual journey of poet Georges Henein (1914--1973). This study is divided into three chapters. In a first chapter, I define the origins and stakes of a francophone Egyptian movement born from a small group of intellectuals of various cultures, who embraced French as their lingua franca. I explore this movement from a socio-historical and literary point of view, and through an overview of the period (1910--1962), lay the ground to a study of Egyptian-born writer Georges …


Tragicomedy: An Attempt At Classification., Jeri Laureen Lowe Jan 1999

Tragicomedy: An Attempt At Classification., Jeri Laureen Lowe

LSU Historical Dissertations and Theses

This study has attempted to identify the specificity of tragicomedy in light of the lack of any critical consensus as to its nature by looking at tragicomedy as theatre. Theatre's difference from other genres lies in the importance of the spectator's role in the theatrical event, and it is the premise of this analysis that it is in the role of the spectator that the specificity of tragicomedy is to be identified. Whereas in tragedy and comedy the spectator is made to participate in closure by a well-constructed structure which leads him/her to a conclusion ("catharsis" or "epiphany"), this study …


How The Villanelle's Form Got Fixed., Julie Ellen Kane Jan 1999

How The Villanelle's Form Got Fixed., Julie Ellen Kane

LSU Historical Dissertations and Theses

This work debunks the myth of the villanelle as a "fixed poetic form" dating back to the sixteenth century or earlier and replaces it with a new-historical account of how a semi-improvisatory musico-poetic genre, the choral-dance lyric, was "translated" across ruptures in lyric technology between oral, manuscript, and print cultures. The "fixity" of the villanelle's written form is shown to be not a matter of long-standing "heritage" or "tradition," but the result of deliberate actions taken by one eighteenth- and one nineteenth-century individual who inserted less-than-truthful passages into otherwise "authoritative" prosodic treatises. Chapter 1 identifies the literary sources responsible for …


Reawakening Sleeping Beauty: Fairy -Tale Revision And The Mid -Victorian Metaphysical Crisis., Cynthia Lynn Demarcus Jan 1999

Reawakening Sleeping Beauty: Fairy -Tale Revision And The Mid -Victorian Metaphysical Crisis., Cynthia Lynn Demarcus

LSU Historical Dissertations and Theses

Despite growing scholarly recognition of subversive social and political content in Victorian fairy tales, their significance in relation to the oft-cited Victorian "spiritual crisis" remains largely unexplored. This interdisciplinary study addresses that critical gap by examining three literary revisions of Sleeping Beauty from the early 1860s as pointed efforts to enter the intensified religious debate following the publication of Charles Darwin's Origin of the Species. The three revisions---Charles Dickens's novel Great Expectations (1860--61), Christina Rossetti's narrative poem "Goblin Market" (1862) and George MacDonald's fairy-tale "The Light Princess" (1864)---all appropriate the popular Sleeping Beauty narrative to create a vivid and emotionally …


You Can't Imagine This Life. Diaries And Letters Of A Southern-Jewish Grande Dame, Josephine Joel Heyman, 1901-1993., Cynthia Betty Levy Jan 1999

You Can't Imagine This Life. Diaries And Letters Of A Southern-Jewish Grande Dame, Josephine Joel Heyman, 1901-1993., Cynthia Betty Levy

LSU Historical Dissertations and Theses

Josephine "Jo" Joel Heyman (1901--1993) provides an intimate and touching record of twentieth century upper-middle-class Atlanta-Jewish life through her teenage and young adult diaries and letters. Through her autobiographical writings, this twentieth century Southern-Jewish woman's regional, ethnic, and gender identities are revealed. Mrs. Heyman, an influential civic leader in Atlanta, Georgia, graduated Phi Beta Kappa from Smith College. She began writing diaries as a child to express her private feelings and thoughts, and as a young adult she wrote letters from college to her future fiance. The backdrop of her personal story is the story of the Southern-Jewish community, which …


A Critical Edition Of The Passion And Advent Chapters Of The Pre-Caxtonian "Gilte Legende"., Rosary Jackman Crain Jan 1999

A Critical Edition Of The Passion And Advent Chapters Of The Pre-Caxtonian "Gilte Legende"., Rosary Jackman Crain

LSU Historical Dissertations and Theses

This dissertation is a critical edition of the Passion and Advent chapters of the Middle English Gilte Legende based an MS Lambeth Palace 72 in collation with other manuscripts. Editions of the Legenda aurea, the original Latin text, and of the Legende doree, an intermediate French text, were also consulted. The introduction begins by reviewing the complete research on the Gilte Legende, describing the manuscripts, their handwritings and orthographies, presenting their affiliations in a stemma, and detailing the editorial process. The transmission of the text is traced from the Legenda aurea (c.1266), the Latin legendary of James Varagine, through the …


Practicing Freedom With Care: The Development Of Warrior-Caregiving In Contemporary Literature From The Americas., Joanna Barszewska Marshall Jan 1999

Practicing Freedom With Care: The Development Of Warrior-Caregiving In Contemporary Literature From The Americas., Joanna Barszewska Marshall

LSU Historical Dissertations and Theses

Taking my cue from Toni Morrison's Playing in the Dark, I read three contemporary Black writers in the Americas---George Lamming, Barbados; Michelle Cliff, Jamaica; and Jess Mowry, United States---for signs of a response that was ignored when prevailing conceptions of freedom were formulated in early America. Suggesting that the vision embodied in the name of one plantation, Sans Souci, characterized attempts to deal with the anxieties of a slaveholding free republic, I argue that these writers provide an alternative vision by attempting to reconcile the practices of freedom and care, and I engage their vision in dialogue with several theoretical …


Family Portraits: Contemporary Women Novelists And The Nuclear Family., Tamra Lynn Horton Jan 1999

Family Portraits: Contemporary Women Novelists And The Nuclear Family., Tamra Lynn Horton

LSU Historical Dissertations and Theses

A society whose economy becomes increasingly dependent on commodity fetishism cultivates obsessive materialistic desire in its subjects. The demand for mass consumerism buoys reification, a mania wherein human beings are analogous to goods and vice versa. Successful reification depends upon hegemonic apparatuses: social, legal, and political agencies of dominant ideology. Reification is perhaps most fully realized in the form of fetishized human relationships. In the United States today, the most coercive and unassailable hegemonic apparatus is the institutionalized nuclear family, a social and legal affiliation between individuals so dogmatically fetishized as to have become compulsory. Contemporary American women writers are …


Unrestrained Women And Decadent Old Aristocrats: The Nineteenth-Century Middle Class Struggle For Cultural Hegemony., Ronald Hamilton May Jan 1999

Unrestrained Women And Decadent Old Aristocrats: The Nineteenth-Century Middle Class Struggle For Cultural Hegemony., Ronald Hamilton May

LSU Historical Dissertations and Theses

This dissertation examines three popular novels of the Victorian period: W. G. M. Reynolds's Wagner, the Wehr-wolf (1846-7), Mary Elizabeth Braddon's Lady Audley's Secret (1862), and Bram Stoker's Dracula (1897). Each work was written during distinct decades of the nineteenth century when certain popular novels were under attack for rotting the minds of their readers, promoting vice, and subverting cultural standards. During the 1840s, when Reynolds's wrote Wagner, the Wehr-wolf , novels that were published in cheap penny weeklies created a sensation among mass readers. In the 1860s, when Braddon wrote Lady Audley's Secret, the sensation novel became popular with …


The Search For Senefiance: Contraires Allegories In The "Roman De La Rose", Camilla Rachal Pugh Jan 1999

The Search For Senefiance: Contraires Allegories In The "Roman De La Rose", Camilla Rachal Pugh

LSU Historical Dissertations and Theses

It is the thesis of this dissertation that there exists in the Roman de la Rose a system of contraires allegories which move in a direction opposed to the traditional readings of three facets of the text. They are (1) Amant's assault upon the statue/sanctuary, (2) his relationship with Bel Accueil, and (3) the advice which Genius gives to Amour's barons. In addition, when taken cumulatively, the readings advanced argue for the identification of the Roman de la Rose with the Evangile eternel of Joachim de Fiore. These readings depend upon the reader's recognition of Faus Semblant as a contraire …


The Women On/Of The Porch: Performative Space In African-American Women's Fiction., Lajuan Evette Simpson Jan 1999

The Women On/Of The Porch: Performative Space In African-American Women's Fiction., Lajuan Evette Simpson

LSU Historical Dissertations and Theses

Mediating Structures in African-American literature are essential in the formation of identity in the lives of the characters. Contemporary theory has moved into a deeper layer of hermeneutics beyond self/other dichotomies to look at the space between binary opposites. Therefore, modern theorists look at sites of play, of exchange, and of transformation. The porch is such a space. A mediating structure is a space that allows the various characters to develop and define themselves. Because of African-Americans, lack of freedom, it was important for them to find a space in which they were able to move and express their ideas, …