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Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
Perception, Power, Plays, And Print: Charles Ii And The Restoration Theatre Of Consensus, Christopher William Nelson
LSU Doctoral Dissertations
This dissertation aims to establish the importance of Charles II in the shaping and evolution of Restoration theatre. Even more so than the playwrights themselves, Charles II determined the future of the theatre, both by his conscious efforts to do so, as well as unintentionally through his own behavior and image. The tradition of Restoration theatre began in 1660 with Charles’s efforts at establishing a consensus theatre, in which it would appear that he enjoyed unanimous support for his return to England from exile. Consensus theatre was determined by the perception of Charles’s rule and character, his power to manipulate …
An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin
An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin
LSU Doctoral Dissertations
This dissertation presents Margaret Macnamara’s career as a playwright and dramaturg while exploring the cultural and political context of her works. It explores the influences of the Fabian Society on Macnamara’s work and places her among such leading independent theatre artists as George Bernard Shaw, Harley Granville Barker, and Nugent Monck. The political context of her work is examined as her play, Mrs. Hodges (1920 is compared with Shaw’s Widowers’ Houses and the theatrical context of her work is established as productions of The Gates of the Morning (1908) and Our Little Fancies (1911) are analyzed. Her plays are grouped …