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Writing Through The Lower Frequencies: Interpreting The Unnaming And Naming Process Within Richard Wright's Native Son And Ralph Ellison's Invisible Man, Sarah M. Lacy
ETD Archive
The search for identity within Richard Wright’s Native Son and Ralph Ellison’s Invisible Man has long been analyzed, yet the fact that each protagonist’s search for self is brought to a point of crisis during an intimate interaction with a white woman has often been neglected. Here, I analyze each author’s strategic use of a nameless narrator by utilizing the work of W.E.B. Du Bois and Frantz Fanon, arguing that the act of “literary unnaming” is used to critique the development of black American identity during the time of Jim Crow. The use of a nameless narrator is explored through …
Eldritch Horrors: The Modernist Liminality Of H.P. Lovecraft's Weird Fiction, Dale Allen Crowley
Eldritch Horrors: The Modernist Liminality Of H.P. Lovecraft's Weird Fiction, Dale Allen Crowley
ETD Archive
In the early part of the twentieth century, the Modernist literary movement was moving into what was arguably its peak, and authors we would now unquestioningly consider part of the Western literary canon were creating some of their greatest works. Coinciding with the more mainstream Modernist movement, there emerged a unique sub- genre of fiction on the pages of magazines with titles like Weird Tales and Astounding Stories. While modernist writers; including Marcel Proust, Virginia Woolf, Ernest Hemingway, D.H. Lawrence, James Joyce, Ezra Pound, William Faulkner, and T.S. Elliot – among others – were achieving acclaim for their works; in …
The Creation Of Space For Engaged Reading And Creative Interpretation In The Collected Works Of Wallace Stevens, Lauren Cannavino
The Creation Of Space For Engaged Reading And Creative Interpretation In The Collected Works Of Wallace Stevens, Lauren Cannavino
ETD Archive
Wallace Stevens presents a creative space in his poems, opening the role of the reader and inviting active participation. This defies ready interpretation and instead encourages creative reading and interpretive freedom. Wallace Stevens chooses to write from a removed space that allows him to invite the reader in as the original observer. Stevens directly observes and his words, through his stance, create a level of active involvement for the reader. This highlights a focus on nature, nostalgia, removal and his place in between reverie and action. This position builds the body of his poems through much more than simple imagery.
The Other Side Of Fun, Dan Forkapa
The Other Side Of Fun, Dan Forkapa
ETD Archive
"The Other Side of Fun" is a collection of creative non-fiction essays that examine the relationship between several cultural pastimes and our society as a whole. The thoughts, feelings, and observations made throughout these essays are reflections of my time spent working various jobs pertaining to some form of entertainment. "Mayflies" explores my time as a game-day security worker for the Cleveland Indians, examining the relationship between unionized labor and the lifestyle that encompasses it. "Spiders" chronicles my time spent as a Resident Assistant at Cleveland State, investigating the deep web and the potential dangers that technology can bring. "House …
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
I Hate It, But I Can't Stop: The Romanticization Of Intimate Partner Abuse In Young Adult Retellings Of Wuthering Heights, Brianna R. Zgodinski
ETD Archive
In recent years, there has been a trend in young adult adaptations of Wuthering Heights to amend the plot so that Catherine Earnshaw chooses to have a romantic relationship with Heathcliff, when in Bronte’s novel she decides against it. In the following study, I trace the factors that contribute to Catherine’s rejection of Heathcliff as a romantic partner in the original text. Many critics have argued that her motives are primarily Machiavellian since she chooses a suitor with more wealth and familial connections than Heathcliff. These are indeed factors; however, by engaging with contemporary research on adolescent development, I show …