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Three Settings Of "Cruda Amarilli:" Examining Melismatic Cadences And Word Repetitions That Convey Meaning, Peter Richardson
Three Settings Of "Cruda Amarilli:" Examining Melismatic Cadences And Word Repetitions That Convey Meaning, Peter Richardson
Theses and Dissertations
The objective of this thesis was to do a comparative analysis between three settings of “Cruda Amarilli:” one by Monteverdi in 1605, and two by D’India in 1606 and 1609, and to interpret my findings. I focused on each composers use of melismatic cadences and word repetitions in each setting.
(Not) Knowing, Jared Friedman
(Not) Knowing, Jared Friedman
Theses and Dissertations
Jared Friedman’s work creates monuments out of banal common objects. Through acrylic paintings on- Astroturf, burlap, canvas, and upholstery fabric- he explores the ambiguity of the unremarkable, such as the condenser coils on the back of a refrigerator. In, (Not) Knowing, he parses the difference between knowing and understanding.
Every Force Evolves A Form, Nicholas Fusaro
Every Force Evolves A Form, Nicholas Fusaro
Theses and Dissertations
Every Force Evolves A Form is a process-orientated, sculptural body of work that incorporates Shaker-inspired design as an all-encompassing system of display. Historical and contemporary methods of production are merged with the personal, the American past, and folklore, emphasizing scale, movement, play, and iteration.