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Beat Construal, Tempo, Metric Dissonance, And Transgressing The Groove In Heavy Metal, Drew Fleming
Beat Construal, Tempo, Metric Dissonance, And Transgressing The Groove In Heavy Metal, Drew Fleming
Dissertations, Theses, and Capstone Projects
This dissertation explores the relationship between the metric practices of heavy metal and the elements and processes of the musical quality known as “groove.” Although heavy metal is not often expressly associated with groove per se, it occupies a historical position within the stylistic milieu for which groove music has established the primary, referential conditions. In order to uncover this connection, then, I begin with an analysis of groove in relation to established groove-music styles, defining it as an embodied and encultured knowledge of a set of cognitive, social, kinetic, aesthetic, and musical behaviors extending in practice from African-American popular-music …
Towards Explaining Variation In Entrainment, Andreas Weise
Towards Explaining Variation In Entrainment, Andreas Weise
Dissertations, Theses, and Capstone Projects
Entrainment refers to the tendency of human speakers to adapt to their interlocutors to become more similar to them. This affects various dimensions and occurs in many contexts, allowing for rich applications in human-computer interaction. However, it is not exhibited by every speaker in every conversation but varies widely across features, speakers, and contexts, hindering broad application. This variation, whose guiding principles are poorly understood even after decades of entrainment research, is the subject of this thesis. We begin with a comprehensive literature review that serves as the foundation of our own work and provides a reference to guide future …
Dual-Aspect Meter: A Theory Of Metrical Consonance, Dissonance, Weight, And Variety, Andrew Wilson
Dual-Aspect Meter: A Theory Of Metrical Consonance, Dissonance, Weight, And Variety, Andrew Wilson
Dissertations, Theses, and Capstone Projects
The core argument of the dissertation emerges as a synthesis of ideas introduced in the first four chapters. Resonances with recent metrical theories are explored in chapter 1. Chapter 2 problematizes modern and historical theories through a phenomenological examination of meter and phenomenal accent in a few baroque sarabandes. Meter in these pieces is shown to involve entrainment to both a beat hierarchy and a recurrent weight profile, clarifying that metrical dissonance is fundamentally an expressive category, not a phenomenal category. Chapters 3 and 4 articulate a theory of weight, reviewing and refining phenomenal-accent theory, developing a notion of …