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Introduction To Creativity: A Lecture And Curriculum Framework For Students Who Identify Themselves As Creative, Miriam Kelley Dec 2013

Introduction To Creativity: A Lecture And Curriculum Framework For Students Who Identify Themselves As Creative, Miriam Kelley

Creativity and Change Leadership Graduate Student Master's Projects

This project focuses on the creative person, process, product and press- the 4Ps of creativity as articulated by Rhodes (1961). A curricular framework was developed with an emphasis on enhancing the abilities of those who already identify themselves as creative, specifically undergraduate Freshmen and Sophomores looking to study various fields of Design at the university level. The objective of the framework is to not only identify the innate processes that may have led these students to identify themselves as creative- thereby choosing their major- but also to allow them to recognize, improve and be deliberate in those processes, to enhance …


Creative Classrooms To Teach And Learn Grammar Lessons For Middle School Students With The Design Of Tim, Christina M. Belesovski (Demarco) Dec 2013

Creative Classrooms To Teach And Learn Grammar Lessons For Middle School Students With The Design Of Tim, Christina M. Belesovski (Demarco)

Master's Projects

Project Abstract

Creative Classrooms to Teach and Learn Grammar Lessons for Middle School Students with the Design of TIM

This project focuses on creating a classroom as a learning environment to help to teach Middle school students at the level of 8th grade lessons on grammar. Also incorporated in this project will be the emphasis on the Torrance Incubation Model of Teaching and Learning (TIM).

E. Paul Torrance, better known as “the father of creativity” was quoted once saying, “tomorrow’s world will be vastly different for today’s children. They will do kinds of work that do not exist now. …


Merging Creative Design And Cad Learning Activities In A Product Design Programme, Pearl O'Rourke, Colm O'Kane, Leslie Smith, Michael Ring Sep 2013

Merging Creative Design And Cad Learning Activities In A Product Design Programme, Pearl O'Rourke, Colm O'Kane, Leslie Smith, Michael Ring

Conference Papers

Traditional learning and teaching methods for creativity differ from those used in a scientific context. Although the creative process can benefit from a certain level of prescription and structural constraint - with time allocated to research, problem definition, conceptualisation and idea development - flexibility and fluidity are necessary for creative innovation. In contrast, the more linear and rigid pedagogies associated with science and engineering education facilitate efficient learning of subjects such as those based on software packages, manufacturing and materials theory or mechanics. This paper describes the development of a project which aims to establish constructive links between the learning …


Chaos Of Textures Or ‘Tapisserie’? A Model For Creative Teacher Education Curriculum Design, Sue E. Simon Aug 2013

Chaos Of Textures Or ‘Tapisserie’? A Model For Creative Teacher Education Curriculum Design, Sue E. Simon

Australian Journal of Teacher Education

A tapestry or ‘tapisserie’ methodology, inspired by Denzin and Lincoln’s ‘bricolage’ methodology (2000), emerged during the complex task of re-developing teacher education programs at the University of the Sunshine Coast, Queensland, Australia. ‘Tapisserie’ methodology highlights the pivotal task of determining stable ‘warp threads’ prior to the subsequent interweaving of myriad ‘weft threads’. In our context, the core values of the education team were deemed to be the crucial ‘warp threads’ which would provide structure and navigation through numerous ‘weft threads’. The resultant model assisted teacher educators’ understanding of this complex process within a rigorous accreditation environment. It aims to preserve …


Applied Creativity: Tools Toward Transformation: An Undergraduate Curriculum, Teryl Cartwright May 2013

Applied Creativity: Tools Toward Transformation: An Undergraduate Curriculum, Teryl Cartwright

Critical and Creative Thinking Capstones Collection

The greatest barrier to creative thinking may be the current definition. If creativity is believed to be an unconscious, undefinable process, a competitive and comparative hierarchy or even limited to specific domains, then the pursuit of creativity may be seen as an overwhelming endeavor. I believe everyone is creative, not just a few “out of the box” individuals. We are not limited to sleeping on a problem or getting into a relaxed, happy state in order to enhance creative thinking. I also believe that creative and critical thinking can be applied to teach creativity so I am offering an innovative …


Developing A Creative Thinking Course For Community College Students, Noreen Mcginness Olson May 2013

Developing A Creative Thinking Course For Community College Students, Noreen Mcginness Olson

Critical and Creative Thinking Capstones Collection

This project describes the development of an online Creative Thinking course designed specifically for community college students. This interdisciplinary college course will be one component of an entrepreneurial certificate program aimed at business students, but will be open to all students seeking to improve their creative thinking abilities. While developing the course the author engaged in the process described in Cameron’s The Artists Way as a structured reflective practice.

In this writing, selected theories of creativity are described in their connection to course content and approach. The course was informed by traditional western ideas on creativity as well as an …


Creative Environments, Jamie M. Sanchez May 2013

Creative Environments, Jamie M. Sanchez

Creativity and Change Leadership Graduate Student Master's Projects

This project is the result of the teaching and learning that occurred in a high school elective class called Creative Environments at Khartoum American School in Sudan. The students of this class were introduced to creative studies, creative problem solving, and design. Through an array of thoughtful lesson planning, the students gained essential skills that prepared them in redesigning a purposeless area on their school campus into a place that sparks creativity and builds community.


Improv(Ing) Students: Teaching Improvisation To High School Students To Increase Creative And Critical Thinking, Beth D. Slazak May 2013

Improv(Ing) Students: Teaching Improvisation To High School Students To Increase Creative And Critical Thinking, Beth D. Slazak

Creativity and Change Leadership Graduate Student Master's Projects

This project focuses on teaching High School students improvisational techniques to increase their creative and critical thinking skills. This covers tools of Creative Problem Solving, rules and concepts of improvisational theater, and affective thinking skills. The finished project includes lesson plans, a workbook, and a video that will assist students and educators in teaching these skills.


Communicating Creativity: A Workshop And Communication Tools For Teaching And Consulting In Creativity, Stephen J. Hammond May 2013

Communicating Creativity: A Workshop And Communication Tools For Teaching And Consulting In Creativity, Stephen J. Hammond

Creativity and Change Leadership Graduate Student Master's Projects

This project developed tools to support a consulting practice integrating the author’s interests in creative process, design and organizational strategy. The focus is on educating students and clients about creativity, creative thinking, design and innovation. Design thinking concepts of user feedback and rapid prototyping were used during the project. The resulting products are materials for a multi-day graduate level workshop for design students, a creativity website including blogging capability and a four minute educational video aimed at helping establish an Aerospace Technology Center in Northern Illinois.


Steam With A Capital A: Learning Frenzy, David Rufo Mar 2013

Steam With A Capital A: Learning Frenzy, David Rufo

The STEAM Journal

A student dipped a brush into a bowl of viscous tempera paint and in a few quick strokes formed thick magenta letters on a large display board. Nearby a handful of students were working together to attach string to paper cups and balloons. Across the room a small group of girls were lying on the floor carefully adding multi-colored text to a poster. Two others created characters out of Popsicle sticks for a puppet show...This is how the integration of Science, Technology, Engineering, Arts, & Math (S.T.E.A.M.) happened with the fourth and fifth graders during the first few weeks of …