Digital Commons Network^™

Victim Or Villain: Female Resilience And Agency In The Face Of Trauma In Chimamanda Adichie’S, Purple Hibiscus (2003) And Tsitsi Dangarembga’S, Nervous Conditions (1988), Adaobi Juliet Chukwuma

Electronic Theses and Dissertations

As long as disparities persist in the way women are treated as compared to their male counterparts, the issue of gender will continue to call forth literary productions. For this reason, female writers are on a mission to dismantle the stereotypes that keep women confined to societal roles. Grounded in a feminist framework, this study focuses on the gender disparity theme in Chimamanda Adichie’s Purple Hibiscus and Tsitsi Dangarembga’s Nervous Conditions. The aim is to examine how these writers represent the trauma of women living in an African patriarchal system. The traumatic experiences of the female characters in both texts …

The Utilization Of Grassroots Organizing By Black Women Pioneers To Achieve Reproductive Justice., Madison Ruth Ellsworth

Electronic Theses and Dissertations

Since enslavement in the United States Black women have cultivated different ways to fight for their Reproductive Justice. After emancipation Black women have continued to utilize the practices learned from our ancestors to obtain Reproductive Justice. Despite the women’s movement becoming mainstream in the 1960s many Black women continued to grassroots organize to adequately address the issues that were unique to them. The efforts of various Black women organizers tend to go unacknowledged because the mainstream women’s movement attracts the attention of most. In my research I focused on Byllye Avery, Loretta Ross, and Toni Bond to explore and showcase …

Their Country: Black Women, Three Chords, And The Truth, Dmetri J. Smith

Electronic Theses and Dissertations

ABSTRACT

Country music has long overlooked and at times outright erased the contributions of people of African descent. The past and present contributions of Black women are particularly ignored. Country music— a racially contested space centered in Nashville, Tennessee— is imbued with themes referencing the “good ole days” that were dangerous times for anyone who was not White, male, cisgender, and heterosexual. The genre has only become slightly more welcoming to those who are not part of the dominant class. And yet, there are Black women who feel called to use country music as their storytelling medium. My research shows …