Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 3 of 3
Full-Text Articles in Entire DC Network
Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli
Narrating Intensity: History And Emotions In Elsa Morante, Goliarda Sapienza And Elena Ferrante, Stefania Porcelli
Dissertations, Theses, and Capstone Projects
This dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). However, rather than remaining centered on these works’ emotive landscapes alone, I seek instead to trace the continuities that link these two “historical” novels of the past to Ferrante’s successful and more recent tetralogy. I look at the representation of emotions and at what I call “moments of intensity” – …
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz
Getting Dressed And Being Dressed: A Constructed Autobiography Of Identity, Jana Jarosz
Dissertations, Theses, and Capstone Projects
This written and visual capstone project examines how feminist theories surrounding the construction of a gendered subject are related and situational to the narrative of a lived body experience within a layered context of clothing. It opens up a discussion concerning the negotiated space between an individually-empowered, subject-in-process and the boundaries of social expectations outlining gender and cultural identities. The thesis introduces the concept of using an automediality framework to connect the material culture of clothing to still and motion imagery with text as a way to encapsulate and illustrate the fluid nature of becoming. It concludes by suggesting that …
Queering Addiction, Tararose Macuch
Queering Addiction, Tararose Macuch
Dissertations, Theses, and Capstone Projects
Much has been written about the subject of addiction, but very little has been written from a queer feminist standpoint. Most of the work available concerning addiction is aimed primarily at a clinical audience, those interested in treating people with addictions. Most non-clinical work is aimed predominantly at people who are either suffering from addiction themselves or close to someone dealing with addiction. In pursuing this thesis project, I want to add the queer feminist discourse as well as a disability discourse to the larger public dialogue on the addict’s embodied identity. I am proposing that the addict’s perspective is …