Open Access. Powered by Scholars. Published by Universities.®

Digital Commons Network

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 3 of 3

Full-Text Articles in Entire DC Network

"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore Jan 2015

"Trigger" For Change: Theatre As A Tool For Social Dialogue, Sydoney B. Blackmore

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Trigger for Change: Theatre as a Tool for Social Dialogue was a project consisting of three main parts oriented toward promoting dialogue on the University of Montana campus about sexual assault. The first part was a company-constructed multimedia presentation that quickly introduced the audience to facts, figures, and perspectives regarding sexual assault. The second was a performance of Carmen Aguirre's The Trigger, a stage play about the playwright’s experience before, during, and after her rape, with other characters’ perspectives interjected throughout. The purpose of this performance was to provide an experience for the audience that promoted empathy and critical …


The Mountains And The Men, Caitlin Macdougall Jan 2015

The Mountains And The Men, Caitlin Macdougall

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.


Privilege And Marginalization In Drag Communities In The United States, Dustin Satterfield Jan 2015

Privilege And Marginalization In Drag Communities In The United States, Dustin Satterfield

Graduate Student Theses, Dissertations, & Professional Papers

Within the gay and lesbian community, there is a smaller community of drag performers. These entertainers make a performance of gender stereotypes. Non-male performers have observed that male privilege is reproduced in this community despite a hyper awareness of oppressions and gender status. Using an online questionnaire I examined male privilege and non-male marginalization in United States drag communities. I asked drag performers about their perceptions of themselves and their perceptions of other performers within their local drag communities. I find that self-perceptions of privilege are highest for male performers and self-perceptions of marginalization are higher for non-male performers. I …