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A New Approach: The Feminist Musicology Studies Of Susan Mcclary And Marcia J. Citron, Kimberly Reitsma
A New Approach: The Feminist Musicology Studies Of Susan Mcclary And Marcia J. Citron, Kimberly Reitsma
Music and Worship Student Presentations
One of the currently prevalent analytic approaches in academia is feminist theory and criticism. Its combination with musicology has influenced the field for the past four decades. The goal of the new approach, loosely termed “feminist musicology,” has been to discover, analyze, discuss, and promote the representation of women and the “feminine” essence in various disciplines of music. Today, feminist musicology is highly researched, published in books and journals, and presented as scholarly papers at various musicological conferences around the world. This new approach introduces the ideologies of feminism to the study of music.
Cosaan To Tostan: The Evolution Of Wolof Women’S Verbal Art As A Means For Social Empowerment, Iana Robitaille
Cosaan To Tostan: The Evolution Of Wolof Women’S Verbal Art As A Means For Social Empowerment, Iana Robitaille
Independent Study Project (ISP) Collection
For Wolof women, verbal art has always been an important tool for negotiating power. In a public context, griottes have lent their voices to traditional ceremonies such as marriages and baptisms; in a private context, all women have used songs as accompaniment to daily tasks and as an informal way to comment on the society in which they live. This paper explores the way that certain Wolof songs, sung by and for women, simultaneously challenge and adhere to traditional Wolof culture—that is, the way their texts and performances both contradict and perpetuate traditionally mandated gender codes. In order to achieve …