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A Secret Cunning In The Fens: Subversive Female Identity And The Plight Of Grendel's Mother, Candice Rae Sequine Roark
A Secret Cunning In The Fens: Subversive Female Identity And The Plight Of Grendel's Mother, Candice Rae Sequine Roark
Theses Digitization Project
Readings built upon the foundation of traditional gender studies and structural binaries have consistently influenced how scholars understand female identity in Early Medieval Germanic texts. This thesis endeavors to dismantle these traditional readings and consider ways in which female identity can be reexamined wihin a post-structural framework.
Multiplicity And Gendering The Holy Grail In The Da Vinci Code And The Mists Of Avalon, Victoria Anne Villasenor-Oldham
Multiplicity And Gendering The Holy Grail In The Da Vinci Code And The Mists Of Avalon, Victoria Anne Villasenor-Oldham
Theses Digitization Project
This thesis explores how both texts - The Da Vinci Code and The Mists of Avalon - write femininity onto the Holy Grail in seemingly problematic ways, and the way in which women's voices, through the feminization of the Grail, are often silenced.
A Skeptical Feminist Exploration Of Binary Dystopias In Marion Zimmer Bradley's The Mists Of Avalon, Alexandra Elizabeth Anita Lindstrom
A Skeptical Feminist Exploration Of Binary Dystopias In Marion Zimmer Bradley's The Mists Of Avalon, Alexandra Elizabeth Anita Lindstrom
Theses Digitization Project
In Marion Zimmer Bradley's retelling of the Arthurian legends, The Mists of Avalon, she creates two dystopic cultures: Avalon and Camelot. Contrasting Bradley's account of the legends with the traditional version, Sir Thomas Malory's Le Morte d'Arthur, reveals that Bradley's sweeping revisions of the tradition do little to create a feminist ideal. A skeptical questioning of the text's plot and characters with the Women's Movement in mind opens an interpretation of the text as a critique of feminism itself.