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Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Creating Herstory: Female Rebellion In Arundhati Roy’S "The God Of Small Things" And "The Ministry Of Utmost Happiness", Priyanka Tewari
Theses and Dissertations
In The God of Small Things and The Ministry of Utmost Happiness novels, the author Arundhati Roy is not only attempting to give feminist weight to the multiplicity of locations in which gender is articulated by recasting her female characters in their quest for selfhood, she is also focusing on women and women-identified characters as agents of history, thereby contributing to an ongoing project of feminist historiography.
Women And Work: African American Women In Depression Era America, Sarah Ward
Women And Work: African American Women In Depression Era America, Sarah Ward
Dissertations, Theses, and Capstone Projects
This project explores whether African American women met similar public sentiments as Caucasian women during the Depression Era and how gender dynamics changed within African American households in urban America as well as the effect of the crisis on a populace that was not new to the work force. Historical statistical analysis and emphasis on labor policy are used to garner information. The Great Depression sparked an abrupt shift in not only the American economy but also American ideology regarding male and female gender dynamics. Despite discouragement from entering the workforce due to dominant masculinity, employment rates rose amongst Caucasian …
Bas Bleus, Divorceuses, Deceitful Prostitutes Or “Live Allegories” Of Change? Parisian Working-Class Women And The Revolution Of 1848, Natasha A. Gardonyi
Bas Bleus, Divorceuses, Deceitful Prostitutes Or “Live Allegories” Of Change? Parisian Working-Class Women And The Revolution Of 1848, Natasha A. Gardonyi
Theses and Dissertations (Comprehensive)
This thesis acts as both a history of the roles that Parisian working-class women played as writers, society members and insurgents during the revolutionary year of 1848, and an analysis of why they were vilified in the press as bas-bleus, divorceuses, deceitful prostitutes and more extensively as the individuals responsible for the failure of the revolution. It argues that women became “live allegories” of the changes that Paris was experiencing in the first half of the nineteenth century, particularly when a small minority of women radicalized from late April to June. These women galvanized anxieties that men and the upper …