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Theatre and Performance Studies

2018

Articles 1 - 9 of 9

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Arcadia, Otterbein University Theatre And Dance Department Nov 2018

Arcadia, Otterbein University Theatre And Dance Department

1998-1999 Season

The Underlying theme throughout the show is Classicism vs. Romanticism. The Classic ideals of balance and intellect, seen in Greek Geometry and the ordered universe, become challenged by the emotion and chaos of the Romantic World. The tensions that two completely conflicting philosophies create drive Arcadia forward, making a potentially academic play fun and exciting to watch.

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O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier Sep 2018

O’Casey Vs. Sheehy-Skeffington: Tragicomedy In The Plough And The Stars And The Feminist Protest, Martha Carpentier

Critical Inquiries Into Irish Studies

Martha C. Carpentier is Professor of English at Seton Hall University in New Jersey, where she teaches courses in 20th-century British and Irish literature. Most recently, she is the editor of Joycean Legacies (Palgrave MacMillan 2015) and author of articles on James Joyce, George Orwell, and Graham Greene that have appeared in Mosaic and Joyce Studies Annual. She is a co-editor of Critical Inquiries Into Irish Studies.

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J. Scheidegger Center For The Arts, 2018-2019 Season Program, Lindenwood University Jun 2018

J. Scheidegger Center For The Arts, 2018-2019 Season Program, Lindenwood University

J. Scheidegger Center for the Arts

J. Scheidegger Center for the Arts, 2018-2019 Season Program

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Wait, She's Alive?! Playing Characters Based On Real, Living People, Courtney Jensen May 2018

Wait, She's Alive?! Playing Characters Based On Real, Living People, Courtney Jensen

Graduate Theses and Dissertations

This thesis is for the performance of Sara Jane Moore in Assassins and for development, contributions, and performance of a new play written for our graduating class, A Hamlet: West of Why. This thesis also consists of my statement of artistry, documentation of artistic materials, and thesis related performance materials.

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"The Habits Of History": A Research-Based Play Script, Dorothy Morrissey Feb 2018

"The Habits Of History": A Research-Based Play Script, Dorothy Morrissey

The Qualitative Report

In this article, derived from her doctoral dissertation, the author (a teacher educator in drama in Ireland) presents her students’ initial responses to her performance of a one-woman play, “Goldilocks’s Testimony.” The play, written by the author, concerns the marginalisation of women in workplaces. In the play, women’s “real” experiences of workplace marginalisation are transposed to Fairyland. In this article, the author represents her postgraduate student teachers’ responses to her performance in play script format. In this play script, “The Habits of History” (Olsen, 2003), the students’ responses are also transposed to Fairyland.

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The Lines Between The Lines: Stage Directions As Fluid, Affective Collaborations Between Theatre Texts And Theatre Makers, Sarah Bess Rowen Feb 2018

The Lines Between The Lines: Stage Directions As Fluid, Affective Collaborations Between Theatre Texts And Theatre Makers, Sarah Bess Rowen

Dissertations, Theses, and Capstone Projects

This project contends that certain kinds of stage directions can affectively engage the bodies of actors, and the imaginations of directors and designers, resulting in a collaboratively created performance of a given theatre text. As opposed to more literary treatments of stage directions, this project contends that theories of embodiment, especially affect theory, is a useful lens through which to explore the range of potential performances present in various stage directions. By analyzing the ways in which stage directions allow for more agency than has traditionally been considered in theatre scholarship, I seek to encourage theatre makers and scholars alike …

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Contradictionary Lies: A Play Not About Kurt Cobain, Katie R. Wallace Jan 2018

Contradictionary Lies: A Play Not About Kurt Cobain, Katie R. Wallace

ETD Archive

Contradictionary Lies: A Play Not About Kurt Cobain is a one-act play that follows failed rocker Jimbo as he deals with aging, his divorce, and disappointment. As he and his estranged wife Kelly divvy up their belongings and ultimately their memories, Jimbo is visited by his guardian angel, the ghost of dead rock star Kurt Cobain. Part dark comedy, part docudrama, this play shows how closely man emulates their heroes, and how in the void of depression, music serves an escape.

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Edgerton Center 2018/19 Season, Edgerton Center For The Performing Arts Jan 2018

Edgerton Center 2018/19 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2018/19 season.

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The Personal Is Political: Performing Saint Joan In The Twenty-First Century, Susan Frances Russell Jan 2018

The Personal Is Political: Performing Saint Joan In The Twenty-First Century, Susan Frances Russell

Theatre Arts Faculty Publications

Contemporary theater makers aiming to present feminist-inflected interpretation of Shaw's Saint Joan could benefit from the practice of intertextuality: examining feminist playwrights' versions of Joan's story. Two plays by contemporary writers, Carolyn Gage's The Second Coming of Joan of Arc and Martha Kemper's Me, Miss Krause and Joan can illuminate the most pressing contemporary issues, highlighting the ways that Shaw's version overlaps with current feminist concerns, including intersectionality, positionality, and sexual assault. Such a process would empower performers and audience members alike, and would help playwrights, directors, and dramaturgs avoid some of the pitfalls exhibited in the recent rock musical …

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