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Into The Fire: My Journey Into The Life Of John Proctor, William Dale Grayson
Into The Fire: My Journey Into The Life Of John Proctor, William Dale Grayson
Graduate Theses and Dissertations
The following is the record of my time working on the character of John Proctor in Arthur Miller's, The Crucible. I will discuss my approach in creating the role as well as my experience in the rehearsal room. The end of the paper contains a retrospective journal where I cover rehearsals and performance.
The Development And Production Of Justin Blasdel's Play Your Last Friend, Inc., Justin Morgan Blasdel
The Development And Production Of Justin Blasdel's Play Your Last Friend, Inc., Justin Morgan Blasdel
Graduate Theses and Dissertations
This thesis details the process of the creation of the new script, Your Last Friend, Inc., a play about two conmen who realize that selling death isn't nearly as easy as selling life to the hopeless. It follows the many evolutions of the script; from the first version developed in the Graduate Playwriting class all the way to the final production at Boar's Head Players 2010 New Play Showcase at Nadine Baum Studios at the Walton Arts Center in Fayetteville, Arkansas. The playwright's choice to add humor to a serious topic is challenged, the characters actions face outside opinions, and …
Labeling Abigail, Annora E. Brennan
Labeling Abigail, Annora E. Brennan
Honors Theses
Three Plays I Like and Why- first research paper that explored my own personal interests in plays and what made them entertaining to me The Demands of Playwriting- second research paper that outlined the requirements of a play and how I would incorporate these demands in my own writing process Final Performance Script- Labeling Abigail: my final script with performance stage notes included Director’s Concept- third paper that detailed my intentions for the performance and my rehearsal process Director’s Calendar- created to present my intent for each rehearsal and when my tech and dress would be for the show; this …
Direction Of The Play: Doubt: A Parable, Michelle Trembley
Direction Of The Play: Doubt: A Parable, Michelle Trembley
Graduate Student Projects
This project entailed the selection, background research and documentation, casting, direction, and post-production analysis of Mercury Player's production of Patrick Shandley's Doubt: A Parable. Documentation included research and analysis of the play and an evaluation of the play as a production vehicle for the community theatre.
Myth, Method And Masturbation: The Hysteria Of Woman's Sexuality, A One-Person Play, Josephine Hall
Myth, Method And Masturbation: The Hysteria Of Woman's Sexuality, A One-Person Play, Josephine Hall
LSU Master's Theses
The assigned task was to create a one-person play of approximately 20 – 45 minutes in length. There were no other guidelines to follow. Having never performed a solo play, I found the assignment somewhat daunting. My first challenge was to overcome my basic dislike of solo performances. However, during the process I found new appreciation for such works. I was rather overwhelmed when trying to find a suitable topic for my piece until I came across an on-line article entitled “Vaginas with teeth – and other sexual myths”. This spurred me to create the one-person play Myth, Method and …
Between Two Worlds Representing Duality In The Costumes Of The University Of Central Florida Conservatory Theatre's Production Of Seamus Heaney's The Burial At Thebes: A Version Of Sophocles' Antigone, Grace Lorraine Trimble
Between Two Worlds Representing Duality In The Costumes Of The University Of Central Florida Conservatory Theatre's Production Of Seamus Heaney's The Burial At Thebes: A Version Of Sophocles' Antigone, Grace Lorraine Trimble
Electronic Theses and Dissertations
The costume design for the University of Central Florida Conservatory Theatre‘s production of Seamus Heaney‘s The Burial at Thebes: A Version of Sophocles’ Antigone took an ancient Greek classic by Sophocles and infused it with influences from avant-garde theatre. This thesis documents the process of designing the costumes from academic, artistic, and technical aspects. Through this process, I explored how to communicate abstract ideas about humanity into actual costumes and how multiple cultural heritages can be intertwined in a united visual which pushes the audience to think more critically about the story. The recurring themes of duality are central to …