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Zeus Iv, Lauren Holmes

Theses and Dissertations

How do you survive a pandemic? When you’re trapped inside for weeks? When society’s rules are revealed as largely arbitrary?

You get a dog and bring it to the park.

This play is about a group of devoted dog owners in Boston who stumble on an unexpected community. It's a dog park ballet about the close care of strangers.

Gus Solomons Jr.: Analyzing The Dances Of An Early Black Postmodernist, Zsuzsanna Orban

Theses and Dissertations

Gus Solomons jr. was one of the first Black dancers to participate in the Judson Dance Theater workshops, but was never fully integrated into the white, postmodern dance world. This thesis looks at several of his works which exemplify his use of site-specificity and innovative technologies, including dual-screen video dances.

An Evaluation Of Scenic Design, William Baxter Engle Iii

Theses and Dissertations

“…Allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster… Strangely enough, it all turns out well… I don’t know. It’s a mystery” -Tom Stoppard

I embraced this quote a long while ago in a moment of disgust and defeat while working through a flawed process of making theatre. Everything takes too long to complete, nothing works right the first time if ever at all, and ultimately the entire process is a maddening mess. It seems to me that the study and practice of the trade can work …

Oh, The Hypocrisy! Or, A Dramaturgical Analysis Of Moliere's Tartuffe, Amelia Maxfield

Theses and Dissertations

In approaching Tartuffe from a dramaturgical standpoint, one must consider the relevancy of the production and how the production team is able to translate the message of an antiquated play to a modem audience. In our case, the solution was to set the play in 1926 Paris instead of the original 1669 Paris. From there, I conducted research on the two periods, discovered the pivotal factors that connected them, and further connected those issues to today’s world. After consulting scholarly articles concerning French history and literature, I compiled a Dramaturgy Casebook that contains information and analyses crucial to understanding the …

Unmarked Boxes: A Solo Show, Nicole Dietze

Theses and Dissertations

Unmarked Boxes is an original solo show, written during the fall of 2015 and performed on December 2, 3 and 4, 2015 at the Center for Performance Experiment, 718 Devine Street, Columbia, SC, along with seven other solo shows in the showcase, Light Through a Pinhole. Examining American perspectives on grief and dying, Unmarked Boxes tells the story of a young American woman who struggles to plan and perform a sky burial in the Smoky Mountains of Tennessee.

Lost In Austen: An Immersive Approach To Pride & Prejudice, Erica Hughes

Theses and Dissertations

This paper is an account of the Theatre VCU mainstage production of Pride & Prejudice, in which I played the roles of Mrs. Bennet and of the vocal coach. In order to address the various skill levels of the cast, I planned to coach the production in a manner inspired by immersion language learning programs, with the cast speaking in dialect throughout the rehearsal process so as to learn the necessary vocal skills and to grow together as a theatrical ensemble. When the director of Pride & Prejudice was not receptive to this plan, I had to compromise and adapt …

Lists In A Lighthouse, James Patrick Costello

Theses and Dissertations

In this document one will find the play, Lists in a Lighthouse, and a description of the process it took to write it. It’s significance lie in the eyes of the reader. It could range from: the greatest play written in the English speaking world to simply words on a page. Like this Abstract so are the contents in this manuscript, abstract. One cannot quantify or qualify its importance. That is impossible. It is merely a dialogue. A dialogue between the play and its reader, the play and its actors, and the play and its audience. It is a process, …

Without A Net: Creating A One-Man Show, Joseph Timothy Mallon

Theses and Dissertations

During the Spring of 2011, I wrote and performed a one-man show entitled Hamlet and Pancakes, which was inspired by my Irish grandfather who used to cook pancakes for me while reading Shakespeare aloud. This sparked my love of all things theatre, food, and performance. This thesis contains the full script of that one-man show and it serves as an overview of the creative process that led to the show's development and evolution. What began as a seemingly daunting assignment quickly became one of the more enjoyable endeavors of my life as an actor. The show seemed to write itself …

Vaudeville: A How To Guide, Evan Anderson

Theses and Dissertations

At the turn of the twentieth century vaudeville was the most prevalent form of theatrical entertainment. With more than 1,500 houses across the country, vaudeville reached in excess of 30 million audience members each year. It directly led to the advent of film and radio. Yet barely one hundred years later vaudeville has been forgotten by the once loyal masses. This guide is meant to help counter vaudeville’s fall. By adding together a basic script consisting of comedy and dramatic sketches, original works and classic vaudeville acts with music and information on the how and whys of vaudeville, this guide …

The Freedom Quilt, April Jones

Theses and Dissertations

The Freedom Quilt is a play that I have written and adapted from Deborah Hokinson’s book, Sweet Clara and the Freedom Quilt. This story explores the historic and dramatic implications in the idea of coded quilts as a form of communication among African American slaves; specifically as coded maps to freedom. There is an ongoing scholarly debate challenging the existence of these quilts, let alone that they could have been used in such a complex manner. The Freedom Quilt however, is one girl’s unique and individual story, and does not in any way suggest that maps, encoded in quilts were …

The Director's Presence, Paul Stephen Wurth

Theses and Dissertations

This text is partial record and narrative of the process and productions of Orphans by Lyle Kessler that opened on March 29th 2007 for a four day run ending on April 1st, The Pillowman by Martin McDonagh that opened October 28th 2007 for a three day run ending on October 30th, and Terra Nova by Ted Tally that opened on February 21st 2008 for a four day run ending on February 24th. The majority of the text follows the three shows from Spring 2007, Fall 2007, to Spring 2008, focusing on the process of direction of each production. Incorporated in …

Transitions: Starting The Second, Full Circle, Mary Colleen Vreeland

Theses and Dissertations

This thesis will focus on the transitional influences that have led me to start the second circle of my professional life. It is an open and honest exploration of the back-story of my life and the academic and professional influences that led me to seek a Master of Fine Arts Degree at Virginia Commonwealth University. With no parallels and therefore no excuses insinuated, I will be open and dissect more of myself as the whole focus of the thesis in hopes of offering clarity to myself and other mature and disabled students seeking to become a better teacher and artist.

Dance In The Church Of Jesus Christ Of Latter-Day Saints 1830-1940, Karl E. Wesson

Theses and Dissertations

The purpose of this study was to compile a history of dance in The Church of Jesus Christ of Latter-day Saints from 1830 to 1940.
The following subproblems have been investigated:
1. What was the history of dance in The Church of Jesus Christ of Latter-day Saints?
2. What was the philosophy of dance in the LDS Church?
3. What were the dance forms, music, and attire in dance within the LDS church?
4. What was the contribution of the LDS Church towards the preservation of folk dances in America?

History Of Drama In Provo, 1853-1897, Burnett B. Ferguson

Theses and Dissertations

This study will present as complete and accurate a history of the drama of Provo, from the earliest recorded activity (1853) to the decline of community theatre (1897), as available data provide.