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Pedagogy In Vietnamese International Schools, Robert Wilson Dec 2011

Pedagogy In Vietnamese International Schools, Robert Wilson

Theses and Dissertations

This thesis is a look at the evolutionary journey of applying dramatic pedagogy in a foreign land. It does not by any means specifically pertain to theatrical elements, but everything herein is a direct reflection on the training I received as a theatre practitioner. The last four years have also molded and defined what it means to be an American theatre student living, experiencing, and working in a land that is in many senses in infancy as a nation.


Projection Design For A Contemporary Dance Work By Iván Angelus In Hungary, Tennessee Dixon Aug 2011

Projection Design For A Contemporary Dance Work By Iván Angelus In Hungary, Tennessee Dixon

Theses and Dissertations

The purpose of this thesis is to document and analyze my projection design for a new dance piece, "VŰ", directed by Angelus Iván and staged at Trafó in Budapest, Hungary. Included is an account of the design process, the concept and projection development described scene by scene, execution, performance and evaluation. The paper ends with reflections on the relatively new field of image projections, and my professional goals in scenic design.


Emotional Storytelling Choreography—A Look Into The Work Of Mia Michaels, Bethany Emery Jul 2011

Emotional Storytelling Choreography—A Look Into The Work Of Mia Michaels, Bethany Emery

Theses and Dissertations

One of the top television reality shows today is So You Think You Can Dance? This show showcases many talents of top choreographers, including Ms. Mia Michaels. But what makes her stand out from the other choreographers in her field? With this thesis I explore why I believe Mia Michaels to be the best emotional storytelling choreographer of the twenty-first century. Analyzing examples from the show, four from Michaels and four from other choreographers and using a movement scoring method, I find why her work stands out. I will also explain how Michaels got her start in choreography, her philosophy …


Between Scenic Designer And Director: The Collaborative Process Of Four Productions, Elizabeth R. Muller Jun 2011

Between Scenic Designer And Director: The Collaborative Process Of Four Productions, Elizabeth R. Muller

Theses and Dissertations

This thesis presents the unique designs for four productions: Ain’t Misbehavin’, Is He Dead?, Dead Man’s Cell Phone, and Legacy of Light. Presented here are the research images, conversations, situations and their resulting designs represented in my renderings and photographs of the fully realized production. Throughout, I will state my objectives in bettering the quality of interaction with each director and my reflections on the ongoing process of creating a trusting and balanced collaborative process, one that expertly serves the production.


The Saylove Project: Conception To Fruition And Everything In Between, Jennifer Catton May 2011

The Saylove Project: Conception To Fruition And Everything In Between, Jennifer Catton

Theses and Dissertations

The SayLove Project is an account of the process of developing and producing an original collaborative work, as well as a script that has been compiled and developed over the past. This is a LGBT based project and script.


Meeting Sanford Meisner: An Investigation Of The Origins, Development, And Practical Application Of The Meisner Technique, Mandy Butler May 2011

Meeting Sanford Meisner: An Investigation Of The Origins, Development, And Practical Application Of The Meisner Technique, Mandy Butler

Theses and Dissertations

The Sanford Meisner Technique is among the most mysterious and misunderstood approaches to the craft of acting. Very often, it is taught poorly, incompletely, or even dangerously. Through the exploration of Meisner’s private life, as well as a detailed analysis of his system, this work aims to dispel some of the common misconceptions which plague the Technique and its most fervent supporters. After being made privy to his biography, readers will be taken through Meisner’s foundational exercises, beginning at the first phase of Repetition and ending with the introduction of text. In addition to the descriptions of student responsibilities, the …


Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher May 2011

Audition Technique: A Survival Guide (For College Undergraduate Students), Meghan Kelleher

Theses and Dissertations

Many great actors don’t work and many mediocre actors do. Why? The perfect monologue and great song isn’t enough to get you hired. Sadly, students are not prepared and equipped with the necessary skill set to take control of their careers. In this economic climate, the ability to audition could not be more imperative. In this thesis, readers will be introduced to the basics of audition technique as developed for Theatre majors at Virginia Commonwealth University as a precursor to their senior year. It will guide them through the first stage of their career. Furthermore, there are unspoken rules, etiquette, …


Designing A Musical Theatre Curriculum For The Modern University, Justin Amellio May 2011

Designing A Musical Theatre Curriculum For The Modern University, Justin Amellio

Theses and Dissertations

The world around us has changed so much, socio-economically, that musical theatre departments around the country are facing budget shortfalls, staff attrition and even vertical cuts leading to full departmental closings. This paper attempts to divert these measures, as well as address the new role of student as consumer, by way of proposing a new musical theatre curricular model to satisfy the needs of both student and university alike. Topics such as fiscal responsibility in academe, departmental expectations, current employment statistics in the musical theatre field and current student learning outcomes are covered. The current student learning outcomes are then …


Video Game Theatre, A Willoughby May 2011

Video Game Theatre, A Willoughby

Theses and Dissertations

Video games are becoming the fastest growing and most lucrative form of entertainment across the globe. The goal of this project was to take gaming to the next level; to the theatre. I have devised an original piece of theatre using the CIC’s of video gaming: Creativity, Interaction, and Community and put on a production from members of the VCU community. Aside from the project, I have detailed why video games are growing in popularity at an alarming rate and why they belong in the category of ‘Art.’ With new technology and new stories being told, the gaming industry is …


Movement For The Actor: A Practical Approach To The Application Of Movement Training, Elizabeth Ressegger-Slone May 2011

Movement For The Actor: A Practical Approach To The Application Of Movement Training, Elizabeth Ressegger-Slone

Theses and Dissertations

An essential tool in actor education, movement training is often viewed as esoteric and difficult to apply directly to an actor’s craft. It varies widely from institution to institution, and covers anything from stage combat to Alexander Technique. One never knows what they will encounter upon entering a movement class, and students frequently have difficulty connecting work done in the movement studio to work done in the acting studio. In order for movement training to become better integrated and more easily identifiable as a necessary part of actor training, it is important to get to the essential qualities that all …


Staying True To The Script: A Dramaturgical Examination Of From The Mississippi Delta: Endesha Ida Mae Holland, Margarette Joyner May 2011

Staying True To The Script: A Dramaturgical Examination Of From The Mississippi Delta: Endesha Ida Mae Holland, Margarette Joyner

Theses and Dissertations

A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University.


The Actor As Vessel: A Journey Towards Citizen Artistry, Joseph Carlson May 2011

The Actor As Vessel: A Journey Towards Citizen Artistry, Joseph Carlson

Theses and Dissertations

This thesis is a personal journey examining the applications of Ritual Poetic Drama Within the African Continuum as developed by my mentor Dr. Tawnya Pettiford-Wates, to the profession of the dramatic artist whether they are actor, director, educator or producer, to the training of the dramatic artist as a means of empowering generative, self defined, self validating artists, and as a means of developing community specific dramas in the hopes of facilitating individual and personal revelation. Using the author’s personal experiences as evidence, it intends to affirm Ritual Poetic Drama Within the African Continuum as an emergent methodology for theatrical …


Completing The Circle: The Actor's Cool Down, Anna Kurtz May 2011

Completing The Circle: The Actor's Cool Down, Anna Kurtz

Theses and Dissertations

Physically, vocally, and physiologically something happens to the actor in rehearsal and performance that can impact the actor’s everyday life. Practitioners have described this as boundary blurring, emotional hangover, and post-dramatic stress. Even acting as a profession can breed stressful situations for the actor. Actors can combat the blurring, the hangover, and the stress through awareness and process. As a part of process, actors warm-up to prepare their bodies and voices and to transition from real life to stage life. An often ignored aspect of process, but no less significant than the warm-up, is the cool down. After researching the …


Ensemble Rehearsal Practices: The Evolution And Application Of Rehearsal Technique As Explored In Harold Pinter’S Betrayal, Wilson Kerry Mcgee Apr 2011

Ensemble Rehearsal Practices: The Evolution And Application Of Rehearsal Technique As Explored In Harold Pinter’S Betrayal, Wilson Kerry Mcgee

Theses and Dissertations

Three years ago, Bonnie Gabel and I started an ensemble theatre company called Night Light Collective (NLC). Our company was inspired by the work of Anne Bogart and the Dah Theatre in Belgrade, Serbia. We used many of their techniques and exercises to develop a rehearsal process that would help our ensemble connect to each other as well as contribute to the artistic direction of our productions. In the fall of 2010, I directed Harold Pinter’s Betrayal. I used the rehearsal practices that we developed with NLC and created a few of my own. This thesis documents the evolution of …


The Konami Code: An Experiment In Dialect Pedagogy, Thomas Cunningham Apr 2011

The Konami Code: An Experiment In Dialect Pedagogy, Thomas Cunningham

Theses and Dissertations

The Konami Code is a tool for teaching stage dialects that I have been developing for the past three years. I wanted a method that didn’t rely on students’ having a keen ear for phonetics; rather one that offered context for each dialect, and presented individual sound-changes as small parts of an easy way to digest the whole. Most importantly, I wanted a process that was portable: a set series of applications that my students could incorporate easily into their actor’s tool-kit and carry with them into the professional world. The Konami Code incorporates kinesthetic and imaginative elements into the …


Planting: One Director's Approach To Cultivating And Nurturing Within A Female Ensemble, Erin Snyder Apr 2011

Planting: One Director's Approach To Cultivating And Nurturing Within A Female Ensemble, Erin Snyder

Theses and Dissertations

A director, just like a pastry chef, must be delicate. Actors are fragile, fearful human beings. And just like a pie crust requires the perfect balance of water and flour, an actor requires a similar balance in both comfort and companionship. Eryn Snyder worked for three months to create a space where her actors could live freely in the world of the characters. With a cast of four, rehearsals were intimate, demanding, and playful. Theatre requires a director to lay down the sort of soil that encourages growth. It nurtures, it listens, it plays, and it asks questions. A director’s …


Rebonding Anomic Communities With Theatre Of The Oppressed, Amanda Hauman Apr 2011

Rebonding Anomic Communities With Theatre Of The Oppressed, Amanda Hauman

Theses and Dissertations

This thesis explores whether Augusto Boal’s Theatre of the Oppressed (TO) can help anomic communities, affected by deindustrialization and globalization, in the U.S. Midwest, specifically looking at Saginaw, MI. After presenting a paper at the American Symposium for Theatre Research (ASTR) conference in 2009, the author attended a Theatre of the Oppressed facilitator training in Port Townsend, WA under the direction of Marc Weinblatt. She then conducted her own Theatre of the Oppressed workshop in Saginaw, MI to analyze the abilities of Theatre of the Oppressed in an anomic community. Each experience is detailed and followed by the author’s conclusions …


Welcome To The Circus: Finding Ways To Artistically Express The Martial Way, Donzell Lewis Apr 2011

Welcome To The Circus: Finding Ways To Artistically Express The Martial Way, Donzell Lewis

Theses and Dissertations

This thesis explores various artistic and ritual practices of martial arts in relation to its presentation on stage. As a martial artist and actor I believe there are complementary practices in both crafts interdisciplinary of each other. For a martial artist, the individual’s performance and execution of martial arts techniques can be enhanced through emotional availability and characterization. For the actor, the martial arts can help condition the body physically, mentally and emotionally to create a grounded presence of connectivity to the earth. However, sometimes the martial arts are viewed as a militaristic discipline and not as artistic expression. I …