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Theatre and Performance Studies

University of South Carolina

Theses/Dissertations

Art

Publication Year

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Learning To Let Go: Becoming A More Collaborative And Compassionate Director, Catherine Joy Thomas Apr 2023

Learning To Let Go: Becoming A More Collaborative And Compassionate Director, Catherine Joy Thomas

Theses and Dissertations

This thesis examines all the directorial projects I’ve had the pleasure of working on throughout my time at UofSC, both as an assistant and as a director. Because I am completing my MFA without the mentor I originally started this journey with, my path has not been linear but, instead, a series of stepping stones in all shapes and sizes, guided by different directors and unofficial mentors who have various styles and approaches to theatre. These projects have molded my directorial approach in different ways, and I have become a better collaborator and leader because of them. This thesis examines …


You Go To My Head, Kimberly Gaughan Apr 2019

You Go To My Head, Kimberly Gaughan

Theses and Dissertations

You Go to My Head follows forgotten Hollywood actress Kay Francis as she comes to terms with the realization her fiancé is a Nazi spy. Over the course of the show, Kay seeks advice from Bette Davis, Hedy Lamarr and Marlene Dietrich. Stylistically, this solo performance was inspired by pre-code Hollywood films as well as traditional Japanese theatre styles, specifically Noh. The piece explores the role of women in a patriarchal society, sexual fluidity, and the relationship between art and practicality.


A Work In Process: The Diligence Behind The Art, Marc Hurst Dec 2015

A Work In Process: The Diligence Behind The Art, Marc Hurst

Theses and Dissertations

The following is an in depth analysis of the development process from script to stage for the lighting design of five productions. These productions were commissioned to MFA lighting design candidate Marc Hurst during his three years in the University of South Carolina Department of Theatre and Dance's Master of Fine Arts Program. This paper critically examines the process by which the artist develops their lighting design from first read to fully realized production.