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Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price May 2024

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

University of New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …


Creating Controversy: An In-Depth Look At The Creation Of Redux, Alexandria Miles May 2022

Creating Controversy: An In-Depth Look At The Creation Of Redux, Alexandria Miles

University of New Orleans Theses and Dissertations

The following thesis will provide a detailed account of the process by which Redux, a devised play produced by The Radical Buffoons, was created. I will explain how I developed various original characters as well as the acting choices I made along the way. I will shed light on the social climate that inspired this piece and the historical implications that influenced our work. Redux was performed on January 28th, 30th, 31st, and February 4th, 6th, and 7th of 2022 at The Hotel Peter Paul in New Orleans, Louisiana.


Night Launch, Cavan Hallman May 2017

Night Launch, Cavan Hallman

University of New Orleans Theses and Dissertations

No abstract provided.


The Unheard New Negro Woman: History Through Literature, Shantell Lee Aug 2015

The Unheard New Negro Woman: History Through Literature, Shantell Lee

University of New Orleans Theses and Dissertations

Many of the Harlem Renaissance anthologies and histories of the movement marginalize and omit women writers who played a significant role in it. They neglect to include them because these women worked outside of socially determined domestic roles and wrote texts that portrayed women as main characters rather than as muses for men or supporting characters. The distorted representation of women of the Renaissance will become clearer through the exploration of the following texts: Jessie Fauset’s Plum Bun, Caroline Bond Day’s “Pink Hat,” Dorothy West’s “Mammy,” Angelina Grimke’s Rachel and “Goldie,” and Georgia Douglas Johnson’s A Sunday Morning in …